Just as the documentary series about the Jeffrey Epstein affair is being aired on Netflix, you’d have thought the streaming platform would be only too aware of the issues of consent recently brought to light by the #MeToo movement. But by broadcasting the Polish erotic thriller 365 Days, directed by Tomasz Mandes and Barbara Biolowas – completely unknown in France – the American giant has shown this isn’t the case.
Culture of rape and the infantilization of women
A member of the Italian mafia kidnaps a woman and gives her a year to fall in love with him. While the pitch sounds like something you might read on the cover of a cheap airport novel, it has nonetheless ignited the internet for the last few weeks. Presented as the Polish version of Fifty Shades of Grey, 365 Days has been adapted from the literary saga written by Blanka Lipinska and has been trending on Netflix from the moment it was shown on June 7th. A spine-chilling success indeed, because this movie condones rape.
Racism, sexual violence and victim humiliation… All these themes have been condensed into two (very long) hours. While the poor quality of the script and acting skills leaves the spectator understandably bewildered, 365 Days stands out most of all for its sexist and insulting content. The object of its intrigue can be summarised in one point: the debasement of the characters, both male and female. Because while women are the first targets in this thriller – as weak, venal beings – the men don’t fare much better. They move inanely about like dogs incapable of controlling their desires in front of the women they deem dangerous because of their beauty.
In a nutshell: when Laura goes to Sicily, she is kidnapped by Massimo, the muscle-bound leader of an Italian mafia. He admits he is obsessed with the young woman and gives her a year to fall in love with him. “When you're used to getting everything by force, it's hard to behave otherwise”, he generously explains to her when she refuses his advances. You could be forgiven for thinking this was a reflection on consent or even the acceptance of refusal, but 365 Days is nothing more than a putrid pile of clichés. The women in the story are reduced to sexual objects while the swaggering strong men are brainless. From then on, any suspense the film might have had relies on Laura's supposed love for Massimo, and the moment she finally falls for his ‘charms’.