26 Jan 2026

Working girl or party girl at Patou?

Despite the bad weather, the Patou Fall/Winter 2026–2027 show brings a splash of colour and warmth to the final day of Paris Men’s Fashion Week.

  • By The Editorial Team.

  • A fluid, adaptable Fall/Winter 2026-2027 collection

    Who hasn’t had a long day of meetings followed by a night out with friends, without a change of clothes and a minute to unwind? At Patou, creative director Guillaume Henry seems to have given this tricky fashion dilemma plenty of thought. For his Fall/Winter 2026–2027 collection, he delivers a collection built around looks that are not only fluid, but above all, adaptable, thus removing any distinction or hierarchy between daywear and eveningwear.

    Take, for instance, the long ruffled tartan skirt worn with an off-white knit sweater and a flowing emerald-green satin shirt. The highlight of the outfit? High vinyl boots. A sexy touch, echoing the glossy finish of the flared sleeves and shaping a versatile silhouette fit for both the office and a night out. On the runway, Patou also unveils a series of polished looks punctuated with bold details. Think of an oversized bubblegum-pink coat with a strong 1960s touch, styled with those signature ankle boots and a cozy fuzzy sweater. After all, it’s cold outside.

    Patou’s eclectic inspirations: From medieval imagery to music

    It is impossible not to mention the embossed knit dresses with colorful patchwork printed on them. Their form-fitting cuts are tempered by the covering fabric and high necklines. Embroidery and beading also make a strong appearance, lending both elegance and originality. Just like the interplay between lace and velvet stands out across several looks.

    Among the inspirations cited by Guillaume Henry in the show’s notes for this Fall/Winter 2026–2027 collection is medieval imagery. A surprising reference, which blends seamlessly into his wardrobe. An ivory silk dress is covered in a multitude of characters seemingly lifted from Très Riches Heures du Duc de Berry (The Very Rich Hours of the Duke of Berry), a 15th-century illuminated manuscript, while another, in burnt orange velvet, is ornamented by floral patterns reminiscent of lavish tapestries.

    Musical references abound as well, such as the golden brooch shaped like a foghorn, the trumpet-shaped hoop earrings… Whimsical touches that perfectly complete the understated and elegant looks characterizing Patou’s signature aesthetic.

    All the looks from the Patou Fall/winter 2026-2027 show