{"id":817046,"date":"2026-03-18T14:16:22","date_gmt":"2026-03-18T13:16:22","guid":{"rendered":"https:\/\/numero.com\/?p=817046"},"modified":"2026-03-18T14:16:26","modified_gmt":"2026-03-18T13:16:26","slug":"nan-goldin-documentary-all-the-beauty-and-the-bloodshed","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/movies\/nan-goldin-documentary-all-the-beauty-and-the-bloodshed\/","title":{"rendered":"Why you should (re)watch the documentary on Nan Goldin on view at the Grand Palais"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=kTKL5P_69e8\">https:\/\/www.youtube.com\/watch?v=kTKL5P_69e8<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of the documentary <em>All the Beauty and the Bloodshed<\/em>\u00a0(2023).<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">From the very first scene, the audience know they are dealing with a hard-hitting film. Shot at the <strong>MET<\/strong> in New York, it shows American photographer <a href=\"https:\/\/numero.com\/en\/non-classifiee\/from-nan-goldin-to-nobuyoshi-araki-6-photographs-about-love-2\/\"><strong>Nan Goldin<\/strong><\/a>, recipient of the Kering Women In Motion award at the <strong>Rencontres d\u2019Arles<\/strong> in July 2025, surrounded by a group of activists throwing vials of opioids into a museum pool.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As its epic title suggests, the documentary <strong><em>All the Beauty and the Bloodshed<\/em><\/strong>, released in cinemas this week, is both magnificent and deeply moving. American director and journalist <strong>Laura Poitras<\/strong>, who has previously made films about Edward Snowden and Julian Assange, tells the intense and violent story of one of the greatest American photographers, while also chronicling her fight against opioids.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26525db2c39&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26525db2c39\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/nan-goldin-toute-la-beaute-et-le-sang-verse-documentaire1.jpg\" alt=\"Nan Goldin in All the Beauty and the Bloodshed (2023). \u00a9 Nan Goldin\" class=\"wp-image-150838\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Nan Goldin in<em> All the Beauty and the Bloodshed<\/em> (2023). \u00a9 Nan Goldin<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>All the Beauty and the Bloodshed<\/em> sheds light on Nan Goldin\u2019s hardships behind her raw photographs<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In <strong><em>All the Beauty and the Bloodshed<\/em><\/strong>, the viewer (re)discovers <strong>Nan Goldin<\/strong>\u2019s difficult life that was already hinted at in her unflinching self-portraits and pictures of her marginalized friends. The photographer left home at a young age. She was deeply marked by the suicide of her older sister, who suffered from depression. After her sister\u2019s death, she couldn\u2019t speak for six months. It was photography that ultimately saved her. Capturing intimate moments in the lives of those she loved, such as her drag queen roommates, helped her emerge from her aphasia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While her photographs, including some previously unseen, unfold on screen, <strong>Nan Goldin<\/strong> recounts, through voice-over, her lesbian love affairs, the physical violence of a partner, the time she spent in a brothel, and her experiences as a go-go dancer and bar waitress.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Without any taboo or filter, much like her direct, frontal images, the artist also remembers sweet moments, such as her friendship with actress, writer and art critic <strong>Cookie Mueller<\/strong>. Nan Goldin\u2019s precise and invaluable testimony vividly transports us back to the underground New York of the 1980s, with its decadent parties at the Bowery or the Mudd Club, its wild encounters, and its DIY spirit.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26525db3268&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26525db3268\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"790\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/nan-goldin-toute-la-beaute-et-le-sang-verse-documentaire2_0.jpg\" alt=\"Nan Goldin in All the Beauty and the Bloodshed (2023). \u00a9 Nan Goldin.\" class=\"wp-image-150834\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Nan Goldin in<em> All the Beauty and the Bloodshed<\/em> (2023). \u00a9 Nan Goldin.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Nan Goldin\u2019s fight against the Sackler family and opioid production<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Along with sequences recounting <strong>Nan Goldin<\/strong>\u2019s life at the time of her photo series <strong><em>T<strong>he<\/strong> Ballad of Sexual Dependency<\/em><\/strong> (1979-1986), other sequences trace back the photographer\u2019s latest fight against the wealthy Sackler dynasty. The family founded a pharmaceutical empire that produces oxycodone, a substance at the heart of the opioid crisis in the United States. They are also known as major patrons of prestigious cultural institutions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In order to raise awareness of the dangerous nature of these painkillers, responsible for the deaths of thousands of Americans over the past two decades, <strong>Nan Goldin<\/strong> staged powerful protests in museums with activists from her organization <strong>PAIN<\/strong> (Prescription Addiction Intervention Now).<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26525db380d&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26525db380d\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"666\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/nan-goldin-toute-la-beaute-et-le-sang-verse-documentaire2.jpg\" alt=\"Nan Goldin in All the Beauty and the Bloodshed (2023). \u00a9 Nan Goldin.\" class=\"wp-image-150850\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Nan Goldin in<em> All the Beauty and the Bloodshed<\/em> (2023). \u00a9 Nan Goldin.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Activism, prostitution\u2026 Nan Goldin opens up like never before in this powerful documentary<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">That crusade feels deeply personal for the photographer. In 2014, she was prescribed OxyContin, a powerful painkiller, in Berlin to ease the pain of a tendinitis in her left wrist, before going to surgery. <strong>Nan Golding<\/strong> became addicted to it. Years later, in 2017, after a near-fatal overdose and a stay in rehab, she started speaking out against the Sacklers. The strength of the documentary, which won the <strong>Golden Lion<\/strong> at the <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/venice-film-festival-2025-what-to-expect-from-the-82nd-edition\/\"><strong>Venice Film Festival<\/strong><\/a>, lies in its constant intertwining of the personal and the political, much like <strong>Nan Goldin<\/strong>\u2019s own work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Now 69, the photographer has brought beauty to those left behind by WASP America, elevating her friends from queer communities of the 1970s and 1980s, many of whom were living with AIDS or struggling with drug addiction. Through her singular lens, those on the margins were granted visibility and recognition. By giving <strong>Nan Goldin<\/strong> a voice, <strong>Laura Poitras<\/strong> shows that art can truly change the world, and even save lives. Indeed, the photographer has succeeded in severely tarnishing the image of the billionaire Sackler clan and weakening their hold over the art world (among others), proving that David can sometimes defeat Goliath.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>All the Beauty and the Bloodshed (2023) by Laura Poitras, available on Arte.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cNan Goldin. This Will Not End Well\u201d, exhibition from March 18th to June 21st, 2026 at the Grand Palais, Paris, 8th arrondissement, and at the Chapelle Saint-Louis de la Salp\u00eatri\u00e8re, Paris, 13th arrondissement.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the very first scene, the audience know they are dealing with a hard-hitting film. [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture-en\/movies\/nan-goldin-documentary-all-the-beauty-and-the-bloodshed\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Why you should (re)watch the documentary on Nan Goldin on view at the Grand Palais<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":699134,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[25,4,22,88,5,87,27,80],"tags":[10452],"class_list":["post-817046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-art","category-art","category-cinema","category-movies","category-culture","category-culture-en","category-photographie","category-photography","tag-nan-goldin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 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