{"id":800241,"date":"2026-02-20T14:30:55","date_gmt":"2026-02-20T13:30:55","guid":{"rendered":"https:\/\/numero.com\/?p=800241"},"modified":"2026-02-20T15:17:53","modified_gmt":"2026-02-20T14:17:53","slug":"tadashi-kawamata-ruinart-palais-de-tokyo","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/numero-art-en\/tadashi-kawamata-ruinart-palais-de-tokyo\/","title":{"rendered":"Tadashi Kawamata takes the Palais de Tokyo by storm"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a20dff703d0c&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a20dff703d0c\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/WhatsApp-Image-2026-02-13-at-15.33.34-2-683x1024.jpeg\" alt=\"Tornado by Tadashi Kawamata, Palais de Tokyo Ruinart.\" class=\"wp-image-797378\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Artist Tadashi Kawamata and his work<em> Tornado<\/em>, Palais de Tokyo. \u00a9 Ruinart.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Tadashi Kawamata\u2019s tornado invades the staircase of the Palais de Tokyo <\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The installation <strong><em>Tornado<\/em><\/strong>, which dramatically towers over the viewer on top of the large staircase at the <strong>Palais de Tokyo<\/strong>, required no fewer than three tonnes of wood\u2026 Reused and reusable wood, rest assured. This structure of twenty meters in diameter, built from recycled timber reclaimed from the artist\u2019s previous projects, seems animated by an inner breath. The planks, arranged in a carefully orchestrated irregular pattern, suggest a spiraling movement, a swirling force ready to engulf space. \u201c<em>Yes, I believe in simplicity. Doing more with less, and with precision. That doesn\u2019t mean lack. Quite the opposite, in fact. It means close attention<\/em>,\u201d Tadashi Kawamata explained.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The viewer stands quite literally at the heart of the storm. <strong><em>Tornado<\/em><\/strong> can be seen as an extension of the structure of the nest, as its <strong>metamorphosis<\/strong> from a protective cocoon to an explosive burst of energy. The Japanese artist told us on the evening of the opening that it was the first time he had created an installation based on this motif. An unmistakable allusion to natural disasters, intensified by the climate crisis, but also to the fragility of all human constructions.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a20dff7041b5&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a20dff7041b5\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/WhatsApp-Image-2026-02-13-at-15.33.34-683x1024.jpeg\" alt=\"Tornado by Tadashi Kawamata, Palais de Tokyo Ruinart.\" class=\"wp-image-797380\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Tornado <\/em>by Tadashi Kawamata, Palais de Tokyo. \u00a9 Ruinart.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">A nest suspended on the museum\u2019s facade<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Outside, perched some fifteen metres above Avenue du Pr\u00e9sident Wilson, <strong><em>Nest<\/em><\/strong> clings to a column like a clandestine shelter. The nest, a recurring motif in <strong>Kawamata<\/strong>\u2019s work, like the cabin, inscribes itself within the building\u2019s austere geometry only to disrupt it. This assemblage of untreated, irregular wood planks evokes both a primitive shelter and an urban lookout post. The solid, yet fundamentally ephemeral structure questions the way we inhabit the world. What does it mean to \u201cmake a home\u201d in a public, exposed environment, crossed by the constant flow of urban life? \u201c<em>Each plank tells a story. Wood is like skin. It breathes, changes colour, transforms<\/em>,\u201d according to the artist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This monumental project at the <strong>Palais de Tokyo<\/strong> stems from <strong>Ruinart<\/strong>\u2019s artistic program <strong><em>Conversation with Nature<\/em><\/strong>, which invites artists and creators whose approach resonates with the house\u2019s environmental commitment. Tadashi Kawamata will extend this initiative at Ruinart in Reims, France. The Parisian materials will be given a second life there, transformed into three permanent installations \u2014 <em>Tree Hut<\/em>, <em>Nest<\/em> and <em>Observatory<\/em>. The Palais de Tokyo is already displaying promising models of those works.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI think art can teach us all to be a little more humble.\u201d These are the words written directly on the walls of the exhibition, like an ominous thread, as the visitor enters the space.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a20dff7045fd&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a20dff7045fd\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/WhatsApp-Image-2026-02-13-at-15.33.34-1-683x1024.jpeg\" alt=\"Nest by Tadashi Kawamata, Palais de Tokyo Ruinart.\" class=\"wp-image-797376\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Nest <\/em>by Tadashi Kawamata, Palais de Tokyo. \u00a9 Ruinart.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">The art of elevation according to Kawamata at Ruinart<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">At the centre of the installation, <strong>Kawamata<\/strong> explains: \u201cNest<em> is a metaphor for shelter, home and trust. Birds do not build their nests just anywhere. <\/em>Observatory<em> invites the viewer to take a step back and change perspective. One protects, the other elevates. Together, they form a symbolic ecosystem<\/em>.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <strong>Reims<\/strong>, the artist was struck by the harmony of the place. The morning mist drifting over the vines, the dampness of the chalky soils, the warm light filtering through the foliage, the almost invisible presence of birds and insects\u2026 From this \u201c<em>first impression<\/em>\u201d came drawings and models, essential preludes to any in-situ installation. <em>Tree Hut<\/em> will unfold as a resting space at the heart of the estate, offering an offbeat vantage point over the rows of vines.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Nest<\/em>, a reinterpretation of the original motif, will open a dialogue with the topography and local wildlife, inviting viewers to consider the fragility of ecosystems. As for <em>Observatory<\/em>, the artwork will offer an experience of elevation. The wooden structure will encourage visitors to take a look at the Champagne landscape and grasp the intimate bond between terroir and craftsmanship. These new installations will be visible by the end of May 2026.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cNest&#8221; and &#8220;Tornado,\u201d two installations by Takashi Kawamata, on view until 23rd February 2026 at the <a href=\"https:\/\/palaisdetokyo.com\/en\/exposition\/nest-at-palais-de-tokyo-tornado\/\">Palais de Tokyo<\/a>. Takashi Kawamata is represented by <a href=\"https:\/\/mennour.com\/\">Galerie Mennour<\/a> in Paris.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tadashi Kawamata\u2019s tornado invades the staircase of the Palais de Tokyo The installation Tornado, which [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/numero-art-en\/tadashi-kawamata-ruinart-palais-de-tokyo\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Tadashi Kawamata takes the Palais de Tokyo by storm<\/span><\/a><\/p>\n","protected":false},"author":30,"featured_media":797373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,78,76,76,1,3182,3182],"tags":[1906,2250,10362],"class_list":["post-800241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","category-non-classifiee","category-numero-art-en","tag-palais-de-tokyo-en","tag-ruinart-en","tag-tadashi-kawamata"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tadashi Kawamata&#039;s spectacular installation at Palais de Tokyo<\/title>\n<meta name=\"description\" content=\"Japanese artist Tadashi Kawamata collaborates with the champagne house Ruinart on two temporary installations at the Palais de Tokyo.\" \/>\n<meta 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