{"id":798938,"date":"2026-02-18T15:15:13","date_gmt":"2026-02-18T14:15:13","guid":{"rendered":"https:\/\/numero.com\/?p=798938"},"modified":"2026-04-01T10:32:33","modified_gmt":"2026-04-01T08:32:33","slug":"exhibition-of-the-week-contemporary-artist-huma-bhabha-becomes-one-with-alberto-giacometti","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/numero-art-en\/exhibition-of-the-week-contemporary-artist-huma-bhabha-becomes-one-with-alberto-giacometti\/","title":{"rendered":"Exhibition of the week: Contemporary artist Huma Bhabha becomes one with Alberto Giacometti"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e7d98&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e7d98\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/4.vue-de-salle-Huma-Bhabha-Alberto-Giacometti-photo-Fondation-Giacometti-1024x683.jpg\" alt=\"View of the exhibition Huma Bhabha \/ Alberto Giacometti. And loose the loved one's tresses knot by knot. Or e'er the knots your limbs bind, rend apart\" class=\"wp-image-795467\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">The artist surrounded by her artworks.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">A dialogue between Huma Bhabha and Alberto Giacometti<\/h2>\n\n<p class=\"wp-block-paragraph\">At the <strong>Institut Giacometti<\/strong>, the dialogue between <strong>Huma Bhabha<\/strong> and <strong>Alberto Giacometti<\/strong> doesn&#8217;t take the form of a tribute nor of an obvious conservation. Instead, the visitor is witnessing a \u201ccompanionship,\u201d in the words of curator <strong>\u00c9milie Bouvard<\/strong>. An almost organic closeness between two artists who, although separated by a century, share the same obsession for the human body and the emotional charge a sculpted body can hold.<\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Huma Bhabha<\/strong> quickly emerged as an obvious choice for the Institut. \u201c<em>She has forged her practice over the past twenty years while looking at Giacometti,<\/em>\u201d <strong>Bouvard<\/strong> points out. She is not someone being asked to discover Giacometti. He is already there, at the very core of her work. In both of the artists\u2019 practices, the body is never presented as stable.<\/p>\n\n<p class=\"wp-block-paragraph\">On the patio, <strong><em>Man Walking<\/em><\/strong> continues along its solitary path, a stretched silhouette that seems to cleave through space. Further on, <strong>Bhabha<\/strong>\u2019s sculptures take over in another register, that of fragmented bodies, almost hollowed out, disjointed limbs, isolated feet or severed heads. So many dislocated forms that evoke both archaeological relics and figures coming out of a science-fiction film.<\/p>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e81c3&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e81c3\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/1.-vue-de-salle-Huma-Bhabha-Alberto-Giacometti-photo-Fondation-Giacometti-1024x683.jpg\" alt=\"View of the exhibition Huma Bhabha \/ Alberto Giacometti. And loose the loved one's tresses knot by knot. Or e'er the knots your limbs bind, rend apart\" class=\"wp-image-795461\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of the exhibition space.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">Huma Bhabha and Giacometti<\/h2>\n\n<p class=\"wp-block-paragraph\">This taste for fragmentation dates back to her early experiments with <strong>modelling<\/strong>. After years of <strong>Rauschenberg<\/strong>-like assemblages, she discovered clay almost by chance during a residency in Mexico. <strong>Giacometti<\/strong> then became a structuring reference. \u201c<em>In 1998, I went to a major retrospective showing Alberto Giacometti\u2019s sculptures and paintings that deeply impressed me. At the time, I hadn\u2019t yet begun sculpting or modelling clay, and my relationship to him was more that of a voyeur<\/em>.\u201d Three years later, she created her first foot.<\/p>\n\n<p class=\"wp-block-paragraph\">What drew her to his work had less to do with style than with intensity. \u201c<em>I\u2019m a formal artist. I\u2019m quite interested in figuration. [\u2026] The idea of making a beautiful sculpture is very present in my mind<\/em>.\u201d Above all, she was drawn to the trace. \u201c<em>The marks Giacometti leaves on his sculptures almost look like graffiti,<\/em>\u201d the artist shared. The surface becomes the location of emotion.<\/p>\n\n<p class=\"wp-block-paragraph\"><strong>\u00c9milie Bouvard<\/strong> speaks of \u201c<strong>affects<\/strong>\u201d \u2014 those subterranean sensations, neither joy nor sadness, but something more physical. To the human eye, modelling suggests agitation, emotion, a body coursed through by unseen forces. Before these open, amputated, sometimes dual figures, the viewer oscillates between terror and compassion. The narrative is absent, and yet a raw presence emerges.<\/p>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e861f&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e861f\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/2.vue-de-salle-Huma-Bhabha-Alberto-Giacometti-photo-Fondation-Giacometti-1024x683.jpg\" alt=\"View of the exhibition Huma Bhabha \/ Alberto Giacometti. And loose the loved one's tresses knot by knot. Or e'er the knots your limbs bind, rend apart\" class=\"wp-image-795463\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of the exhibition.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">Cinema at the heart of both practices<\/h2>\n\n<p class=\"wp-block-paragraph\">Another thread connects the two artists: <strong>cinema<\/strong>. <strong>Bhabha<\/strong> describes <strong>Giacometti<\/strong> as \u201cpost-cinema.\u201d Even when he claims to work from a live model, his vision is steeped in a cinematic aesthetic. The figures seem blurred. He creates perspective out of something directly in front of him, a kind of cinematic distance.<\/p>\n\n<p class=\"wp-block-paragraph\">The graphic cabinet makes it visible through previously unseen contact sheets by <strong>Ernst Scheidegger<\/strong>, in which <strong>Giacometti\u2019<\/strong>s sculptures are photographed outdoors like sequences or storyboards. <strong>Bhabha<\/strong> works in a similar way. Her early wire sculptures were conceived to be photographed, almost like staged scenes. The question of distance is raised once more, but never that of the monument.<\/p>\n\n<p class=\"wp-block-paragraph\">\u201c<em>So much figuration!<\/em>,\u201d the artist gasped when discovering the installation. In contrast to the dominant conceptual trends from the 1990s in New York, she has never abandoned the human body. \u201c<em>Everything resolves around the body<\/em>,\u201d <strong>Bouvard<\/strong> sums up. A humanism shared with Giacometti, yet without heroism. Fragile and ambivalent figures are humorous at times, or unsettling, and filled with the violence of the world.<\/p>\n\n<p class=\"wp-block-paragraph\">Rather than staging a historical face-to-face, the exhibition offers a continuity of gestures. Two practices that simply remind us that sculpture can still produce an immediate experience.<\/p>\n\n<p class=\"wp-block-paragraph\"><em>\u201cHuma Bhabha \/ Alberto Giacometti. And loose the loved one&#8217;s tresses knot by knot. Or e&#8217;er the knots your limbs bind, rend apart,\u201d exhibition on view until May 24th, 2026, at the <a href=\"https:\/\/www.fondation-giacometti.fr\/en\/event\/367\/huma-bhabha-alberto-giacometti\">Institut Giacometti<\/a>, Paris 14th.<\/em><\/p>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e8a10&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e8a10\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/3.-vue-de-salle-Huma-Bhabha-Alberto-Giacometti-photo-Fondation-Giacometti-1024x683.jpg\" alt=\"View of the exhibition Huma Bhabha \/ Alberto Giacometti. And loose the loved one's tresses knot by knot. Or e'er the knots your limbs bind, rend apart\" class=\"wp-image-795465\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of the exhibition.<\/figcaption><\/figure>\n\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a2ba617e8b0c&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e8d47&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e8d47\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"795471\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/Huma-Bhabha-Listen-to-What-I-m-not-Saying-2021-Courtesy-de-l-artiste-et-David-Zwirner-768x1024.jpg\" alt=\"Huma Bhabha, Listen to What I&#x2019;m Not Saying, 2021. Wood, plaster, clay, metal wire and acrylic. 142.9 &#xD7; 65.7 &#xD7; 65.7cm. &#xA9; Huma Bhabha \/ Courtesy of the artist and David Zwirner.\" class=\"wp-image-795471\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Huma Bhabha, <em>Listen to What I\u2019m Not Saying<\/em>, 2021. Wood, plaster, clay, metal wire and acrylic. 142.9 \u00d7 65.7 \u00d7 65.7cm. \u00a9 Huma Bhabha \/ Courtesy of the artist and David Zwirner.<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e9056&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e9056\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1706\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"795469\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/Alberto-Giacometti-Femme-debout-1962-Fondation-Giacometti-Succession-Alberto-Giacometti-Adagp-Paris-2026-scaled.jpg\" alt=\"Alberto Giacometti, Femme debout, c. 1961 painted plaster. 46 &#xD7; 7.6 &#xD7; 11.2cm. Fondation Giacometti. &#xA9; Succession Alberto Giacometti \/ Adagp, Paris 2026.\" class=\"wp-image-795469\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Alberto Giacometti, Femme debout, c. 1961 painted plaster. 46 \u00d7 7.6 \u00d7 11.2cm. Fondation Giacometti. \u00a9 Succession Alberto Giacometti \/ Adagp, Paris 2026.<\/figcaption><\/figure>\n<\/figure>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2ba617e95da&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2ba617e95da\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1021\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/Huma-Bhabha-Untitled-2023-Courtesy-de-l-artiste-et-David-Zwirner-1021x1024.jpg\" alt=\"Huma Bhabha, Untitled, 2023. Ink, acrylic, pastel and paper collage. 132.1 &#xD7; 132.1cm. &#xA9; Huma Bhabha \/ Courtesy of the artist and David Zwirner.\" class=\"wp-image-795473\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Huma Bhabha, Untitled, 2023. Ink, acrylic, pastel and paper collage. 132.1 \u00d7 132.1cm. \u00a9 Huma Bhabha \/ Courtesy of the artist and David Zwirner.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A dialogue between Huma Bhabha and Alberto Giacometti At the Institut Giacometti, the dialogue between [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/numero-art-en\/exhibition-of-the-week-contemporary-artist-huma-bhabha-becomes-one-with-alberto-giacometti\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Exhibition of the week: Contemporary artist Huma Bhabha becomes one with Alberto Giacometti<\/span><\/a><\/p>\n","protected":false},"author":30,"featured_media":795382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,78,76,76,3182,3182],"tags":[10344,4310,10343],"class_list":["post-798938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","category-numero-art-en","tag-alberto-giacometti","tag-exhibition","tag-huma-bhabha"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Exhibition of the week: Huma Bhabha at Institut Giacometti<\/title>\n<meta name=\"description\" content=\"Until May 24th, 2026, Huma Bhabha unveils her shared obsession with Alberto Giacometti for bodies at the Institut Giacometti.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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