{"id":776001,"date":"2026-01-05T14:59:24","date_gmt":"2026-01-05T13:59:24","guid":{"rendered":"https:\/\/numero.com\/?p=776001"},"modified":"2026-01-05T14:59:29","modified_gmt":"2026-01-05T13:59:29","slug":"what-to-think-about-jim-jarmuschs-new-film","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/movies\/what-to-think-about-jim-jarmuschs-new-film\/","title":{"rendered":"What to think about Jim Jarmusch\u2019s new film?"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3a59566b773&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3a59566b773\" class=\"wp-block-image size-full wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/12\/Mother-&#xA9;-Vague-Notion-2024-1.jpg\" alt=\"Cate Blanchett and Vicky Krieps in the film Father Mother Sister Brother (2025) by Jim Jarmusch. &#xA9; Vague Notion 2024\/MUBI\/Yorick Le Saux.\" class=\"wp-image-773747\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Cate Blanchett and Vicky Krieps in the film <em>Father Mother Sister Brother<\/em> (2025) by Jim Jarmusch. \u00a9 Vague Notion 2024\/MUBI\/Yorick Le Saux.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">A film awarded the Golden Lion in Venice<\/h2>\n\n<p class=\"wp-block-paragraph\">At 72, an artist can still create a surprise. Despite a career spanning four decades and making fourteen films, <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/venice-film-festival-2025-jim-jarmuschs-new-film-in-official-competition\/\"><strong>Jim Jarmusch<\/strong><\/a> had not won a top prize since the Cam\u00e9ra d\u2019Or in 1984 for <em>Stranger than Paradise<\/em> and the Grand Prix in 2005 for <em>Broken Flowers<\/em>, both at the <strong>Cannes Film Festival<\/strong>. Last September, it was at the Venice Film Festival that he finally lifted an unequaled statuette &#8211; the Golden Lion. Much to everyone\u2019s surprise, it must be said, for a fascinating, but (perhaps deliberately?) minor feature film.<\/p>\n\n<p class=\"wp-block-paragraph\"><strong><em>Father Mother Sister Brother<\/em><\/strong> belongs to his conceptual chronicles, just like the anthology film set in a taxi, <em>Night on Earth<\/em>, was in 1991 or <em>Coffee and Cigarettes<\/em> in 2003, which stitched together eleven vignettes into a scattered narrative. The film is divided into three parts, each time shifting characters and country.<\/p>\n\n<p class=\"wp-block-paragraph\">The first segment features a brother and sister visiting their father, who is living in isolation by a lake in the United States. The second part takes us to Dublin, where two sisters have tea with their gruff mother. The third unfolds in Paris, where a sister and brother reunite after the passing of their parents.<\/p>\n\n<h3 class=\"wp-block-heading\">Jim Jarmusch, a master of caustic cinema<\/h3>\n\n<p class=\"wp-block-paragraph\">As an iconic filmmaker and a true rock star with effortlessly coolness, <strong>Jim Jarmusch<\/strong> has always stood out as an artist with his gentle style and biting ironic tone. And <em><strong>Father Mother Sister Brother<\/strong><\/em> is no exception. The film unfolds like a kind of zen epic, tracing the subtle fractures in a handful of lives. For the director, inner catastrophes begin to surface when everything seems calm and in order.<\/p>\n\n<p class=\"wp-block-paragraph\">The first segment perfectly illustrates that idea, with the grumpy father figure played by<strong> Tom Waits<\/strong>. He lies to his children, especially his son (played by <strong>Adam Driver<\/strong>) in a long, quite unsettling, yet hilarious scene that revolves around money. At that point, it becomes obvious that the film will examine the nature of the ties that bind families with a mix of cruelty and humor. As a result, nothing holds together when life has pulled people far apart.<\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=PA07EmbZ0b0\">https:\/\/www.youtube.com\/watch?v=PA07EmbZ0b0<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of <em>Father Mother Sister Brother <\/em>(2025) by Jim Jarmusch.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\"><h2><em>Father Mother Sister Brother<\/em>, or how to capture the fragments of family bonds<\/h2><\/h2>\n\n<p class=\"wp-block-paragraph\">This is the premise that opens the second act of <strong><em>Father Mother Sister Brother<\/em><\/strong>, and the hardest part to embrace. It features <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/justine-triet-what-to-expect-from-her-upcoming-film-with-cate-blanchett\/\"><strong>Cate Blanchett<\/strong><\/a>, <strong>Vicky Krieps<\/strong>, and <strong>Charlotte Rampling<\/strong>. The three women clearly haven\u2019t spoken in a long time and reunite one afternoon in the pale, bourgeois home of the matriarch, each moment weighted with the fear that their conversation could erupt into open conflict.<\/p>\n\n<p class=\"wp-block-paragraph\">After portraying distance in the first part, <strong>Jarmusch<\/strong> now focuses on bitterness and stale emotions. Then, comes the final section of the film, which rekindles desire and love, depicting a visceral bond.<\/p>\n\n<p class=\"wp-block-paragraph\">That bond unites Billy (<strong>Luka Sabbat<\/strong>) and Skye (<strong>Indya Moore<\/strong>, seen in the series <em>Pose<\/em>). Brother and sister drift through Paris by car before settling in the empty apartment of their recently deceased parents. They breathe in the space one last time, recall their youth, chat with the landlord, and take the time to grieve.<\/p>\n\n<p class=\"wp-block-paragraph\">Their strange wandering ends in a warehouse where the furniture has been moved. <strong>Jarmusch<\/strong> captures some kind of internal vibration within his characters, grounding them deeply in the world around them. In his cinematic work, bodies and settings merge into a poetic flow. The viewer is teetering on the edge of the insignificant. Yet, the beautiful <strong><em>Father Mother Sister Brother<\/em><\/strong> never gives in to it. Instead, what lingers is something vital, imprinted on us for a long time to come.<\/p>\n\n<p class=\"wp-block-paragraph\"><em>Father Mother Sister Brother by Jim Jarmusch, coming out in theatres on January 7th, 2026.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A film awarded the Golden Lion in Venice At 72, an artist can still create [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture-en\/movies\/what-to-think-about-jim-jarmuschs-new-film\/\">Read More&#8230;<span class=\"screen-reader-text\"> from What to think about Jim Jarmusch\u2019s new film?<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":773792,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[88,87],"tags":[9590,2953,9592,9521,9591],"class_list":["post-776001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture-en","tag-adam-driver-en","tag-cate-blanchett-en","tag-charlotte-rampling-en","tag-jim-jarmusch-en","tag-vicky-krieps-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jim Jarmusch is back with Father Mother Sister Brother<\/title>\n<meta name=\"description\" content=\"American director Jim Jarmusch unveils his new jarring film, Father Mother Sister Brother, coming out in theatres on January 7th, 2026.\" \/>\n<meta name=\"robots\" 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