{"id":752069,"date":"2026-06-02T13:23:25","date_gmt":"2026-06-02T11:23:25","guid":{"rendered":"https:\/\/numero.com\/?p=752069"},"modified":"2026-06-02T13:24:44","modified_gmt":"2026-06-02T11:24:44","slug":"9-horror-films-that-revolutionized-the-genre-to-rewatch-for-halloween","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/movies\/9-horror-films-that-revolutionized-the-genre-to-rewatch-for-halloween\/","title":{"rendered":"9 revolutionary horror films to (re)discover"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CARRIE (1976) | Official Trailer | MGM Studios\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/j9Mg-GRS46Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>Carrie<\/em> (1976) by Brian De Palma.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>Carrie<\/em>, a horror masterpiece about female teenage rage<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"487\" data-end=\"836\">Nothing is more terrifying than the fury of a humiliated teenage girl\u2026 In <strong><em data-start=\"622\" data-end=\"630\">Carrie<\/em><\/strong> (1976), American director <strong>Brian De Palma<\/strong> adapts <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/on-netflix-5-disturbing-films-based-on-stephen-kings-novels-2\/\"><strong>Stephen King<\/strong><\/a>&#8216;s cult novel with surgical precision. A bloody Greek tragedy showing that horror stems not so much from monsters, but from social cruelty.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"838\" data-end=\"1194\">The film is remembered for its direction, alternating between virtuosic framing and hallucinatory slow motion. As well as for its iconic epilogue, a harbinger of modern horror cinema &#8211; personal trauma becomes the trigger for the supernatural. <em data-start=\"1073\" data-end=\"1081\">Carrie <\/em>paved the way for an entire lineage of films exploring the terror of the margins and the explosion of normality.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1196\" data-end=\"1248\"><em>Carrie (1976) by Brian De Palma, available in VOD.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Official Trailer: Suspiria (1977)\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/hPs2ExUL_bc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>Suspiria<\/em> (1977) by Dario Argento.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>Suspiria<\/em>, or horror as a chromatic ballet<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1250\" data-end=\"1563\">With <strong><em data-start=\"1300\" data-end=\"1310\">Suspiria<\/em><\/strong> (1977), Italian director <strong>Dario Argento<\/strong> \u2014 father of actress <strong>Asia Argento<\/strong> \u2014 turns horror cinema into a baroque opera. Saturated colours, deafening music by Italian prog rock band <strong>Goblin<\/strong>, macabre choreography\u2026 Everything works to create a sensory universe.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1565\" data-end=\"1846\">This cinematic nightmare conveys the idea that horror is not just about fear, but can also be an aesthetic experience. Here, each murder is designed as a fully visual and sonic sequence. <strong><em data-start=\"1736\" data-end=\"1746\">Suspiria<\/em><\/strong> left a lasting mark on contemporary cinema, and later inspired music videos and art-house productions.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1848\" data-end=\"1902\"><em>Suspiria (1977) by Dario Argento, available on MUBI.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Texas Chainsaw Massacre | 1974 Original Trailer\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/Q6GEBm2utN0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>The Texas Chainsaw Massacre <\/em>(1974) by Tobe Hooper.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>The Texas Chainsaw Massacre<\/em>, one of the cult classics in horror cinema<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1904\" data-end=\"2270\">From the moment it premiered, <strong><em data-start=\"2011\" data-end=\"2040\">The Texas Chainsaw Massacre<\/em><\/strong> (1974) by <strong>Tobe Hooper<\/strong> shocked audiences with its radicalness. No supernatural monsters, just a portrait of America, consumed by its own urges and lingering trauma of the Vietnam War. The fear is realistic, raw, almost documentary.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2272\" data-end=\"2628\">Shot on a shoestring budget, Tobe Hooper\u2019s feature establishes a gritty, jittery style that would later become the blueprint of any slasher. As for the character of <strong>Leatherface<\/strong>, a grotesque blend of absurdity and monstrosity, he embodies the unease of a society where savagery lurks at the margins. The film remains a cornerstone of American independent cinema.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2630\" data-end=\"2703\"><em>The Texas Chainsaw Massacre (1974) by Tobe Hooper, available on Canal+.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Shining - Official Trailer [1980] HD\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/S014oGZiSdI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of<em> Shining <\/em>(1980) by Stanley Kubrick.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>The Shining<\/em>, or horror designed as mental architecture<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"51\" data-end=\"502\">With <strong><em data-start=\"108\" data-end=\"121\">The Shining<\/em> <\/strong>(1980), <a href=\"https:\/\/numero.com\/en\/culture\/guccis-tribute-to-director-stanley-kubrick-deciphered-2\/\"><strong>Stanley Kubrick<\/strong><\/a> adapts another one of <strong>Stephen King<\/strong>&#8216;s novels and builds a psychological labyrinth. While many viewers still prefer the book, what stands out here is the personnification of the Overlook Hotel, which becomes a character in its own right. iIts endless corridors trap <strong>Jack Nicholson<\/strong> until he becomes mad. <em data-start=\"413\" data-end=\"434\">The Washington Post<\/em> described the film as \u201c<em>a chilling exploration of the human psyche<\/em>.\u201d<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"504\" data-end=\"850\">Here, terror emerges primarily from the setting and repetitions. The fluid tracking shots, nightmarish visions, and the electronic score by American composer <strong>Wendy Carlos<\/strong> create a hallucinatory atmosphere. <em data-start=\"714\" data-end=\"727\">The Shining<\/em> cemented the idea that horror can be entirely atmospheric and psychological, without forgetting the viscerally powerful imagery.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"852\" data-end=\"914\"><em>The Shining (1980) by Stanley Kubrick, available on HBO Max.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Blair Witch Project (1999) |  Official Trailer\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/JwAi6ecK9dI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>The Blair Witch Project&nbsp;<\/em>(1999).<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>The Blair Witch Project<\/em>: The origin of modern found footage<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"916\" data-end=\"1279\">In 1999, three students lost in a forest were enough to redefine horror. <strong><em data-start=\"1051\" data-end=\"1076\">The Blair Witch Project<\/em> <\/strong>(1999), directed by<strong> Daniel Myrick<\/strong> and <strong>Eduardo S\u00e1nchez<\/strong>, brought the<strong> found footage technique<\/strong> into the mainstream. The entire film unfolds as a supposedly authentic video recording shot by the protagonists in the story.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1281\" data-end=\"1614\">Suggesting it was based on real events, the film\u2019s viral marketing campaign introduced a new way of spreading fear. Its grammar &#8211; shaky camera, nerve-wracking off-screens &#8211; continues to influence an entire generation of filmmakers and franchises, like<strong> <em data-start=\"1538\" data-end=\"1559\">Paranormal Activity<\/em><\/strong>. It is the art of concealment used to scare.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1616\" data-end=\"1706\"><em>The Blair Witch Project (1999) by Daniel Myrick and Eduardo S\u00e1nchez, available on Filmo.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Psycho - Trailer\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/BwVKSGu8wEA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>Psycho <\/em>(1960) by Alfred Hitchcock.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>Psycho<\/em>, a key thriller directed by Alfred Hitchcock<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1708\" data-end=\"2082\">With <strong><em data-start=\"1765\" data-end=\"1773\">Psycho<\/em><\/strong> (1960), <strong>Alfred Hitchcock<\/strong> broke all the rules. Killing off the heroine forty minutes into the film shook the audience&#8217;s expectations. The iconic shower scene remains a foundational moment of cinematic fright, and has been analysed by generations of critics. A shock that forever changed the grammar of suspense on screen.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2084\" data-end=\"2341\">In a mundane motel, an apparently harmless man, <strong>Norman Bates<\/strong> (played by <strong>Anthony Perkins<\/strong>), becomes one of the most iconic modern monsters of the horror genre. <strong><em data-start=\"2235\" data-end=\"2243\">Psycho<\/em><\/strong> didn\u2019t just terrify generations of watchers, it redefined what audiences come to expect from a horror story.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2343\" data-end=\"2415\"><em>Psycho (1960) by Alfred Hitchcock, available on Canal+ and La Cinetek.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"NIGHT OF THE LIVING DEAD Original Theatrical Trailer [1968]\" width=\"640\" height=\"480\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/DIuI6T48Sj0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>Night of the Living Dead<\/em> (1968) by George A. Romero.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>Night of the Living Dead<\/em>, or the horror as a political manifesto<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"70\" data-end=\"361\">With <strong><em data-start=\"140\" data-end=\"166\">Night of the Living Dead<\/em> <\/strong>(1968), <strong>George A. Romero<\/strong> crafted the modern zombie and anchored horror in current political events. At the time, <em data-start=\"277\" data-end=\"288\">The Times<\/em> underlined that \u201c<em>the film evokes racial tensions as much as the Vietnam War<\/em>.\u201d<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"363\" data-end=\"664\">Casting a Black actor, <strong>Duane Jones<\/strong>, in the lead role gave the story an unprecedented dimension. And its brutal ending, mirroring the violence of the era, marked a turning point\u2026 Horror then became a social criticism. The film paved the way for decades of political cinema disguised as genre film.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"666\" data-end=\"961\">The political weight of the film crystallises in its ending. The Black hero and the sole survivor, <strong>Ben<\/strong>, is coldly shot by a white militia mistaking him for a zombie. The image directly echoes the racial violence and lynchings happening at the time, definitively embedding horror into the American social context.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"963\" data-end=\"1050\"><em>Night of the Living Dead (1968) by George A. Romero, available on Amazon Prime Video.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alien (1979) Trailer\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/LjLamj-b0I8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>Alien <\/em>(1979) by Ridley Scott.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>Alien<\/em>, or when science fiction turns into visceral horror<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1052\" data-end=\"1615\">With <strong><em data-start=\"1108\" data-end=\"1115\">Alien<\/em><\/strong> (1979), <strong>Ridley Scott<\/strong> fused science fiction and pure horror. The spaceship becomes a suffocating, enclosed space where the unknown emerges from the depths. The xenomorph, created by<strong> H.R. Giger<\/strong>, embodie both sexual and biological anxieties. Even before the film became a serious project \u2014 and one of the greatest horror films in history \u2014 screenwriter<strong> Dan O\u2019Bannon<\/strong> was already dreaming about the <em>Chestburster<\/em> scene. A monster whose terrifying modus operandi would leave a lasting mark on cinema history.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"1617\" data-end=\"2005\">Together with Swiss artist <strong>Hans Ruedi Giger<\/strong>, he imagined a dark, majestic, and overwhelming futuristic world. Their inspirations were manifold. Including the writings of <strong>Lovecraft<\/strong>, <a href=\"https:\/\/numero.com\/en\/art\/art-art\/bill-skarsgard-pays-tribute-to-francis-bacon-in-an-exclusive-video-2\/\"><strong>Francis Bacon<\/strong><\/a>\u2019s 1944 triptych <em data-start=\"1818\" data-end=\"1874\">Three Studies for Figures at the Base of a Crucifixion<\/em>, and Greek mythology, particularly the Erinyes (or Furies) &#8211; infernal deities who pursued wrongdoers, sometimes on behalf of Hades.<\/p><br\/><p data-start=\"2007\" data-end=\"2158\">The project was never marketed as a space odyssey, but rather as a horror movie. The poster tagline said it all: \u201c<em>In space, no one can hear you scream<\/em>.\u201d<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2160\" data-end=\"2213\"><em>Alien (1979) by Ridley Scott, available on Disney+.<\/em><\/p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE EXORCIST - Trailer - (1973) - HQ\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/YDGw1MTEe9k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">The trailer of <em>The Exorcist<\/em> (1973) by William Friedkin.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em>The Exorcist<\/em>, when horror targets the sacred<\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2215\" data-end=\"2740\">With <strong><em data-start=\"2271\" data-end=\"2285\">The Exorcist<\/em> <\/strong>(1973), <strong>William Friedkin<\/strong> confronted audiences with the unthinkable\u2026 The demonic possession of a child. This time, horror became metaphysical. The violence of the imagery, including convulsions, blasphemy, a body in torment, remains shocking to this day. Yet, the pith of the feature lies in its clinical direction. Its realism only heightens the terror. <em data-start=\"2626\" data-end=\"2640\">The Exorcist<\/em> turned cinema into a spiritual battleground, asking the ultimate question &#8211; what lies beyond reason?<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"2742\" data-end=\"3159\"><strong><em data-start=\"2271\" data-end=\"2285\">The Exorcist<\/em><\/strong> is also one of the most controversial films in cinema history. Upon its release, audiences fainted in theatres, shocked by its graphic imagery. The confrontation between science and faith, staged with a documentary-like austerity, redefined the limits of what horror could show. Fifty years later, the film\u2019s legacy remains untouched. Every story of possession still owes its visual and sonic language to <em data-start=\"3144\" data-end=\"3158\">The Exorcist<\/em>.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"3161\" data-end=\"3221\"><em>The Exorcist (1973) by William Friedkin, available in VOD.<\/em><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carrie, a horror masterpiece about female teenage rage Nothing is more terrifying than the fury [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture-en\/movies\/9-horror-films-that-revolutionized-the-genre-to-rewatch-for-halloween\/\">Read More&#8230;<span class=\"screen-reader-text\"> from 9 revolutionary horror films to (re)discover<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":861367,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[88,87],"tags":[6466,6399,6308,3970],"class_list":["post-752069","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture-en","tag-brian-de-palma","tag-dario-argento","tag-films-dhorreur","tag-stanley-kubrick"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>9 revolutionary horror movies to (re)discover<\/title>\n<meta name=\"description\" content=\"Discover 9 must-watch films that have revolutionized the horror genre, from The Shining to Alien and The Exorcist.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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