{"id":706314,"date":"2026-04-07T10:18:36","date_gmt":"2026-04-07T08:18:36","guid":{"rendered":"https:\/\/numero.com\/?p=706314"},"modified":"2026-04-07T17:19:37","modified_gmt":"2026-04-07T15:19:37","slug":"7-vampire-movies-to-rewatch-halloween","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/movies\/7-vampire-movies-to-rewatch-halloween\/","title":{"rendered":"7 must-watch vampire movies"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=mDfdNTf4FA0\">https:\/\/www.youtube.com\/watch?v=mDfdNTf4FA0<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of <em>Dracula<\/em> (2025) by Luc Besson.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><b><em>Dracula<\/em>, a new adaptation of the classic by Luc Besson<\/b><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">We thought we knew everything about vampires. Yet, <strong>Luc Besson<\/strong> is coming back two years after the controversial <\/span><i><span style=\"font-weight: 400;\">Dogman<\/span><\/i><span style=\"font-weight: 400;\"> (2023) to tackle one of the most iconic characters in literature and <a href=\"https:\/\/numero.com\/en\/category\/culture-en\/movies\/\">cinema<\/a>\u2026 <\/span><strong><i>Dracula<\/i><\/strong><span style=\"font-weight: 400;\">. In his new adaptation, the vampire remains a cursed prince, cold and lonely. Far from cheap gore and conventional screams, the French director explores the melancholic depths of the gothic character.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Indeed, Luc Besson confronts the literary monument by Irish novelist Bram Stoker, who wrote his <\/span><i><span style=\"font-weight: 400;\">Dracula<\/span><\/i><span style=\"font-weight: 400;\">in 1897. As always, he thinks big with a \u20ac45 million budget and the European continent being ravaged by war, passion, and faith. Will <strong>Caleb Landry Jones<\/strong>, with his tormented face, offer the prince of darkness a disarming humanity? Around him, Zo\u00eb Bleu, <strong>Christoph Waltz<\/strong>, and Matilda De Angelis complete this ambitious cast.<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">What are the best vampire films?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Among other masterpieces of vampire cinema, it would be wrong not to mention <\/span><i><span style=\"font-weight: 400;\">Nosferatu<\/span><\/i><span style=\"font-weight: 400;\"> (1922), <strong>Friedrich Wilhelm Murnau<\/strong>&#8216;s haunting work, as well as its remake by <strong><a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/whats-next-for-robert-eggers-after-nosferatu\/\">Robert Eggers<\/a>. <\/strong><\/span><i><span style=\"font-weight: 400;\">Dracula<\/span><\/i><span style=\"font-weight: 400;\">(1958), starring <strong>Christopher Lee<\/strong>, remains a must-see gothic reference.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">The subtle <\/span><i><span style=\"font-weight: 400;\">Vampyr<\/span><\/i><span style=\"font-weight: 400;\"> (1932) by Carl Theodor Dreyer, the macabre poetry of <\/span><i><span style=\"font-weight: 400;\">Let the Right One In<\/span><\/i><span style=\"font-weight: 400;\"> (2008), the queer elegance of <\/span><i><span style=\"font-weight: 400;\">The Hunger<\/span><\/i><span style=\"font-weight: 400;\"> (1983), the wild energy of <\/span><i><span style=\"font-weight: 400;\">Near Dark<\/span><\/i><span style=\"font-weight: 400;\">(1987), and the teenage fever in <\/span><i><span style=\"font-weight: 400;\">The Lost Boys <\/span><\/i><span style=\"font-weight: 400;\">(1987) are also worth (re)watching\u2026 Here is our personal selection of the best films exploring the myth of the vampire for <strong>Halloween<\/strong>.\u00a0<\/span><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.imdb.com\/video\/vi379126041\/?playlistId=tt0093605&amp;ref_=tt_ov_pr_ov_vi\">https:\/\/www.imdb.com\/video\/vi379126041\/?playlistId=tt0093605&amp;ref_=tt_ov_pr_ov_vi<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of <em>Near Dark <\/em>(1987).<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><strong><em>Near Dark<\/em><em>\u00a0<\/em>by Kathryn Bigelow<\/strong><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Released in 1987, <\/span><strong><i>Near Dark <\/i><\/strong><span style=\"font-weight: 400;\">marks <strong>Kathryn Bigelow<\/strong>\u2019s debut into genre film making. It is also one of the greatest vampire films of the 1980s, though it long remained in the shadow of Joel Schumacher\u2019s feature <\/span><strong><i>The Lost Boys<\/i><\/strong><span style=\"font-weight: 400;\">, released the same year. Here, vampirism merges with American wandering. A band of nomadic vampires roams desert roads in a pickup truck, recreating a perverted family unit.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Kathryn Bigelow infuses this tale of love and blood with a twilight visual power, halfway between a western and a film noir. In the ever fading light, bodies smell like desire and doom. Actor <strong>Bill Paxton<\/strong> plays Severen, a deranged biker-vampire with an almost Shakespearean glee. A taut, edgy film of toxic beauty.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">Near Dark (1987) by Kathryn Bigelow, available on DVD and VOD.<\/span><\/em><br><br>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=sCmYN6TLd8A\">https:\/\/www.youtube.com\/watch?v=sCmYN6TLd8A<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of <em>Interview with the Vampire<\/em> (1994).<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><strong><em>Interview with the Vampire<\/em> with Brad Pitt and Tom Cruise<\/strong><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Released in 1994, <\/span><i><span style=\"font-weight: 400;\">Interview with the Vampire<\/span><\/i><span style=\"font-weight: 400;\"> remains to this day the most operatic work of Hollywood vampire cinema. <strong>Neil Jordan<\/strong> adapted Anne Rice\u2019s novel to craft a baroque saga in which blood is a poison, addiction, and eternity all at once. <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/tom-cruise-joins-alejandro-gonzalez-inarritus-mysterious-new-project\/\">Tom Cruise<\/a> shines in performing feigned cruelty as <strong>Lestat<\/strong>, giving his character an almost theatrical ambiguity. Opposite to him is <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/what-exciting-project-brings-together-quentin-tarantino-brad-pitt-and-david-fincher\/\">Brad Pitt<\/a>\u2019s character Louis, eternally torn between morality and desire.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film embraces the romantic scope of the 19th century only to explode it in a flamboyant gothic aesthetic. In an era of trivialized vampires, this work remains a pinnacle of dark lyricism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">Interview with the Vampire (1994) by Neil Jordan, available on Netflix and HBO Max.<\/span><\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=ycOKvWrwYFo\">https:\/\/www.youtube.com\/watch?v=ycOKvWrwYFo<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\"><em>Only Lovers Left Alive<\/em> (2013) by Jim Jarmusch.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><strong><em>Only Lovers Left Alive<\/em> by Jim Jarmusch<\/strong><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">With <\/span><strong><i>Only Lovers Left Alive<\/i><\/strong><span style=\"font-weight: 400;\"> (2013), <strong>Jim Jarmusc<\/strong>h offers an elegiac, elegant, almost static take on the vampire narrative. The doomed, cultured couple formed by <a href=\"https:\/\/numero.com\/en\/culture-en\/after-the-room-next-door-what-does-pedro-almodovar-have-in-store-for-us\/\">Tilda Swinton<\/a> and <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/why-you-must-watch-the-life-of-chuck-with-tom-hiddleston\/\">Tom Hiddleston<\/a> travel through the centuries as if walking across a library.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Detroit and Tangier, the settings are relics, the sounds are hazy, and the light, always filtered, is dying. Jim Jarmusch shoots vampirism as a metaphor for art. Eternal life, yes, but at what cost? Far from horror, this film is steeped in melancholy, irony, and gentle decadence. A mesmerizing visual poem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">Only Lovers Left Alive (2013) by Jim Jarmusch, available on MUBI.<\/span><\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=CjgwUB1CXek\">https:\/\/www.youtube.com\/watch?v=CjgwUB1CXek<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of<em> Bram Stoker&#8217;s Dracula <\/em>(1992) by Francis Ford Coppola.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><strong><em>Bram Stoker&#8217;s Dracula<\/em> by Francis Ford Coppola<\/strong><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Released in 1992,<strong> Francis Ford Coppola<\/strong>\u2019s film<strong><em> Bram Stoker&#8217;s <\/em><\/strong><\/span><strong><i>Dracula<\/i><\/strong><span style=\"font-weight: 400;\"> remains a visual and sonic frenzy &#8211; baroque to the extreme and faithful to <strong>Bram Stoker<\/strong>\u2019s novel. <strong>Gary Oldman <\/strong>delivers a brilliant and haunting performance as a count torn between cruelty and passion. The film brims with analog, almost handcrafted stylistic effects, in a celebration of cinema before CGI.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sexuality is explicit, perverse, and hyper-stylized. Rarely has the vampire been this sensual, romantic, and grotesque at once. Coppola turns the myth into a Shakespearean tragedy soaked in blood, eroticism, and gothic splendour. Undoubtedly one of the greatest vampire films ever made.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">Bram Stoker&#8217;s Dracula (1992) by Francis Ford Coppola, available on Netflix.<\/span><\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=_YGmTdo3vuY\">https:\/\/www.youtube.com\/watch?v=_YGmTdo3vuY<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of <em>A Girl Walks Home Alone at Night <\/em>(2014) by Ana Lily Amirpour.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em><b>A Girl Walks Home Alone at Night<\/b><\/em><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\"><strong><i>A Girl Walks Home Alone at Night<\/i><\/strong> (2014), the debut film by Iranian-American director <strong>Ana Lily Amirpour<\/strong>, <\/span><span style=\"font-weight: 400;\">blends spaghetti western, neo-noir, and feminist fable within a striking black-and-white aesthetic. Iran becomes a fantasized, almost spectral realm, where a solitary female vampire prowls around the city in search of justice and tenderness.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Dialogues are rare, but each shot is a sensory enigma. The omnipresent music fuses seamlessly with the stage directions. <strong>Jim Jarmusch<\/strong> and the late<strong> David Lynch<\/strong> come to mind when watching it. Yet, <strong>Ana Lily Amirpour<\/strong> forges her own path, where vengeance is silent, bites are metaphorical, and nights are infinitely beautiful.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">A Girl Walks Home Alone at Night (2014) by Ana Lily Amirpour, available on DVD and VOD.<\/span><\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=Vcff4qtAzf4\">https:\/\/www.youtube.com\/watch?v=Vcff4qtAzf4<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">The trailer of <em>Humanist Vampire Seeking Consenting Suicidal Person<\/em><em>\u00a0<\/em>(2023) d&#8217;Ariane Louis-Seize.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><em><b>Humanist Vampire Seeking Consenting Suicidal Person<\/b><\/em><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">With its long title, <\/span><strong><i>Humanist Vampire Seeking Consenting Suicidal Person<\/i><\/strong><span style=\"font-weight: 400;\"> (2023) by <strong>Ariane Louis-Seize<\/strong> instantly evokes a bubble of morbid poetry. The Quebec film follows a young vegetarian vampire-in-training experiencing an identity crisis. Her unease meets that of a suicidal teenager she encounters. From that, a strange form of love begins to blossom. The gentle, minimalist direction contrasts with the gravity of the themes \u2014 solitude, chosen death, guilt. It\u2019s never heavy, always light, often funny. A true breath of nocturnal air, oscillating between coming-of-age story and bittersweet gothic tale.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">Humanist Vampire Seeking Consenting Suicidal Person (2023) by Ariane Louis-Seize, available on DVD and VOD.<\/span><\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><a href=\"https:\/\/www.youtube.com\/watch?v=TQz3dJ137jg\">https:\/\/www.youtube.com\/watch?v=TQz3dJ137jg<\/a>\r\n<figcaption class=\"wp-element-caption\">The trailer of Thirst (2009) by Park Chan-wook<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><h2><strong><em>Thirst<\/em> by Park Chan-wook<\/strong><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">In <\/span><strong><i>Thirst<\/i><\/strong><span style=\"font-weight: 400;\"> (2009), <strong>Park Chan-wook<\/strong> fuses Christian tragedy with sexual urges and dark satire. In this Korean twist of the vampire myth, a priest infected during a medical experiment becomes a dark creature. From then on, his faith, desire, and guilt violently collide. Park Chan-wook\u2019s style is, as always, spectacular and unpredictable. He blends off-kilter framing, bursts of dark humour, eruptions of violence, and heavy silences to compose a disturbing, yet mesmerizing movie. What does this film interrogate? Morality, bodies, sin. In other words, everything that the figure of the vampire has long represented, but with renewed enthusiasm here.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"font-weight: 400;\">Thirst (2009) by Park Chan-wook, available on MUBI.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dracula, a new adaptation of the classic by Luc Besson We thought we knew everything [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture-en\/movies\/7-vampire-movies-to-rewatch-halloween\/\">Read More&#8230;<span class=\"screen-reader-text\"> from 7 must-watch vampire movies<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":705679,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[88,87,1],"tags":[2645,9522,5722,9521,2091,9523],"class_list":["post-706314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture-en","category-non-classifiee","tag-brad-pitt-en","tag-dracula-en","tag-francis-ford-coppola-en","tag-jim-jarmusch-en","tag-tilda-swinton-en","tag-vampires-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>7 vampire movies you need to (re)watch<\/title>\n<meta name=\"description\" content=\"Num\u00e9ro has selected the best vampire movies to (re)watch for Halloween, from Dracula to Interview with the Vampire.\" \/>\n<meta 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