{"id":686648,"date":"2025-06-10T15:00:33","date_gmt":"2025-06-10T13:00:33","guid":{"rendered":"https:\/\/numero.com\/non-classifiee\/ernesto-neto-at-the-grand-palais-3-things-to-know-about-the-brazilian-artist\/"},"modified":"2025-06-10T15:03:51","modified_gmt":"2025-06-10T13:03:51","slug":"ernesto-neto-at-the-grand-palais-3-things-to-know-about-the-brazilian-artist","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/ernesto-neto-at-the-grand-palais-3-things-to-know-about-the-brazilian-artist\/","title":{"rendered":"Ernesto Neto at the Grand Palais: 3 things to know about the Brazilian artist"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a36f6441ed21&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36f644204ef&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36f644204ef\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"1000\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"686160\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/01\/ernesto-neto-artiste-bresil-exposition-grand-palais16.jpg\" alt=\"The installation Nosso Barco Tambor Terra by Ernesto Neto at the Grand Palais.\" class=\"wp-image-686160\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36f64420877&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36f64420877\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"1000\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"686163\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/01\/ernesto-neto-artiste-bresil-exposition-grand-palais21.jpg\" alt=\"The installation Nosso Barco Tambor Terra by Ernesto Neto at the Grand Palais.\" class=\"wp-image-686163\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">The installation <em>Nosso Barco Tambor Terra<\/em> by Ernesto Neto at the Grand Palais. \u00a9 GrandPalaisRmn 2025 \/ Photo Didier Plowy.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">1. Ernesto Neto unveils a monumental crochet installation at the Grand Palais<\/h2>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Following the hundreds of red threads from Japanese artist <strong>Chiharu Shiota<\/strong> earlier in 2025, the <strong>Grand Palais<\/strong> now welcomes another monumental textile installation. Under the freshly restored right side of the nave, Ernesto Neto\u2019s multicolored crochet structure contrasts with the wrought iron columns from which it is hung.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">As long as they take off their shoes, visitors are invited to enter this curious, scented atmosphere and walk through it. The artwork recalls another one that the Brazilian artist installed between the iconic staircases at <strong>Le Bon March\u00e9<\/strong> in Paris last January.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">The pieces of bark, earth, and spices sewn into the threads release scents that form a sensory pathway emblematic of <strong>Ernesto Neto<\/strong>\u2019s work. As suggested by its title <\/span><i><span style=\"font-weight: 400;\">Nosso Barco Tambor Terra<\/span><\/i><span style=\"font-weight: 400;\">, the installation resembles a large boat. It required over 5,000 meters of <\/span><i><span style=\"font-weight: 400;\">chintz<\/span><\/i><span style=\"font-weight: 400;\"> (a Brazilian cotton fabric) in order to complete the entire work, composed of drums hidden under the stream of colorful fabric, which anyone can use to play their own melody.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\">Bags of rice, corn, and beans trapped in netting are scattered throughout this immersive artwork. Visitors are also invited to sit for a moment on small cushions placed here and there, thus creating a universal and unifying experience that aligns with the core themes of Ernesto Neto\u2019s practice.<\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Among the largest installations ever created by the Brazilian artist, this piece reconnects with the early works that made him successful in the late 1990s, from the rectangular suspension <\/span><i><span style=\"font-weight: 400;\">Navedenga<\/span><\/i><span style=\"font-weight: 400;\"> (1998) to the ovoid sculptures <\/span><i><span style=\"font-weight: 400;\">The Ovaloids Meeting<\/span><\/i><span style=\"font-weight: 400;\"> (1998).<\/span><\/p>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36f64420f4b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36f64420f4b\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1000\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/01\/ernesto-neto-artiste-bresil-exposition-bon-marche30.jpg\" alt=\"The exhibition La Le Serpent by Ernesto Neto at the Bon March&#xE9; Rive Gauche. &#xA9; Stephane Aboudaram WEARECONTENTS.\" class=\"wp-image-627925\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">The exhibition La Le Serpent by Ernesto Neto at the Bon March\u00e9 Rive Gauche in January 2025. \u00a9 Stephane Aboudaram WEARECONTENTS.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">2. His initiation to Ayahuasca has forever changed his relationship with nature and the sacred<\/h2>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">In the early 2010s, <strong>Ernesto Neto<\/strong> began forging a close bond with the Huni Kuin people, an Indigenous Brazilian community living near the border of the country. They introduced the artist to their botanical knowledge, healing rituals, and spiritual practices. With them, Ernesto Neto was initiated into the use of ayahuasca &#8211; a hallucinogenic brew made from vines of a native plant, used to experience a mystical, trance-like state.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Although the artist had long been fascinated by mythologies, as seen with his <\/span><i><span style=\"font-weight: 400;\">Leviathan Thot<\/span><\/i><span style=\"font-weight: 400;\"> installation at the Paris Panth\u00e9on in 2006, this unique experience profoundly altered his artistic practice. His creative universe gradually became infused with the vivid colored glimpses he had during what he described as a spiritual journey.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Traces of this trance-like state could be noticed at the 2017 Venice Biennale, where <strong>Ernesto Neto<\/strong> took over the Pavilion of Shamans. Titled <\/span><i><span style=\"font-weight: 400;\">A Sacred Space<\/span><\/i><span style=\"font-weight: 400;\">, his installation looked like a Cupixawa tent, a traditional Indigenous gathering space used for spiritual and political meetings. Multicolored and crocheted, the woven meshes of the artwork appeared as eyes staring back at the viewer.<\/span><\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\">https:\/\/www.youtube.com\/watch?v=yuZbY-dA_Dk<\/div>\r\n<figcaption class=\"wp-element-caption\">The installation<em>\u00a0GaiaMotherTree <\/em>by Ernesto Neto at the central train station in Zurich. (2018)<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">3. One of his textile works required over 500 kilograms of spices<\/h2>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">In 2018, Ernesto Neto created a monumental sculpture titled <\/span><i><span style=\"font-weight: 400;\">GaiaMotherLand<\/span><\/i><span style=\"font-weight: 400;\"> for the Zurich central train station in Switzerland. Towering over the space, the piece reached nearly 20 meters in height. Made of multicolored cotton ribbons hand-knotted together, it contained more than 500 kilograms of spices. Pepper, turmeric, and cumin released their intoxicating aromas into the public space.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">The structure, which required 10,220 meters of cotton fabric and several weeks of labor, loomed over the station. The ground-level installation was anchored by 840 kilos of soil, while the spices floated above, supported solely by counterweights suspended from the train station\u2019s metal beams. Presented by the <strong>Beyeler Foundation<\/strong>, the piece held together solely thanks to this tension-based balance.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Just like artists <strong>Tom\u00e1s Saraceno<\/strong> and <strong>Chiharu Shiota<\/strong>, Ernesto Neto aims to create multisensory experiences. Ones that break the invisible, yet palpable, and barriers that\u00a0 traditionally separate viewers from the artwork. Whether it\u2019s at the train station in Zurich or at the Grand Palais, visitors are invited to immerse themselves fully into the artworks originally crafted in his studio in his native city. They are taking the time to remove their shoes, brush against and touch the artist\u2019s handwoven structures and sniff their rich fragrances. In Paris, one can enjoy the careful blend of bark and spices that completes the sensory immersion in this monumental installation.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><em>\u201cErnesto Neto. Nosso Barco Tambor Terra,\u201d exhibition open until July 25th, 2025, at the <a href=\"https:\/\/www.grandpalais.fr\/en\/node\/273\">Grand Palais<\/a>, Paris 8th.<\/em><br\/><br\/>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Ernesto Neto unveils a monumental crochet installation at the Grand Palais Following the hundreds [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/ernesto-neto-at-the-grand-palais-3-things-to-know-about-the-brazilian-artist\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Ernesto Neto at the Grand Palais: 3 things to know about the Brazilian artist<\/span><\/a><\/p>\n","protected":false},"author":19,"featured_media":686191,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,76],"tags":[1780,9202,8864],"class_list":["post-686648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","tag-contemporary-art","tag-ernesto-neto-en","tag-grand-palais-en"],"acf":[],"yoast_head":"<!-- This site is optimized 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