{"id":667754,"date":"2025-04-17T06:56:29","date_gmt":"2025-04-17T04:56:29","guid":{"rendered":"https:\/\/numero.com\/non-classifiee\/who-is-anhar-salem-the-winner-of-the-2025-reiffers-art-initiatives-prize\/"},"modified":"2026-04-01T11:04:35","modified_gmt":"2026-04-01T09:04:35","slug":"who-is-anhar-salem-the-winner-of-the-2025-reiffers-art-initiatives-prize","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/numero-art-en\/who-is-anhar-salem-the-winner-of-the-2025-reiffers-art-initiatives-prize\/","title":{"rendered":"Who is Anhar Salem, winner of the 2025 Reiffers Art Initiatives Prize?"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3bfa105e08a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3bfa105e08a\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/04\/anhar-salem-exposition-prix-reiffers-art-initiatives-image-paris-numero-art.jpg\" alt=\"Anhar Salem, laur&#xE9;ate du Prix Reiffers Art Initiatives par Jonathan Llense pour Num&#xE9;ro art.\" class=\"wp-image-667218\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Anhar Salem by Jonathan Llense for Num\u00e9ro art.<\/figcaption><\/figure>\n\n<h2 class=\"wp-block-heading\">Anhar Salem wins the 2025 Reiffers Art Initiatives prize<\/h2>\n\n<p class=\"wp-block-paragraph\"><p class=\"\" data-start=\"576\" data-end=\"824\">Since 2022, the Reiffers Art Initiatives fund has awarded a prize each year to a promising young artist selected by its artistic committee. The winner receives a \u20ac10,000 grant and a commissioned piece that will become part of the fund\u2019s collection.<\/p><br\/><p class=\"\" data-start=\"826\" data-end=\"1140\"><\/p><\/p>\n\n<p class=\"wp-block-paragraph\"><p class=\"\" data-start=\"826\" data-end=\"1140\">Following in the footsteps of previous recipients <strong>Pol Taburet, Ser Serpas<\/strong>, and <strong>Cl\u00e9dia Fourniau<\/strong>, this year <strong data-start=\"932\" data-end=\"947\">Anhar Salem<\/strong> has been recognized for the powerful relevance of her video work, which explores the perils of image proliferation in the digital age and the new dynamics of power and alienation it generates.<\/p><\/p>\n\n<p class=\"wp-block-paragraph\"><article class=\"text-token-text-primary w-full\" dir=\"auto\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\">&#13;\n<div class=\"text-base my-auto mx-auto py-5 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[70rem]:[--thread-content-margin:--spacing(12)] px-(--thread-content-margin)\">&#13;\n<div class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto flex max-w-(--thread-content-max-width) flex-1 text-base gap-4 md:gap-5 lg:gap-6 group\/turn-messages focus-visible:outline-hidden\" tabindex=\"-1\">&#13;\n<div class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn\">&#13;\n<div class=\"relative flex-col gap-1 md:gap-3\">&#13;\n<div class=\"flex max-w-full flex-col grow\">&#13;\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"934b2708-2631-4deb-beb8-3b1f3f9341ee\" data-message-model-slug=\"gpt-4o\">&#13;\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">&#13;\n<div class=\"markdown prose dark:prose-invert w-full break-words dark\">&#13;\n<p class=\"\" data-start=\"0\" data-end=\"257\">Until May 10th, <strong data-start=\"932\" data-end=\"947\">Anhar Salem<\/strong> is presenting a new film and installation as part of the exhibition <em data-start=\"78\" data-end=\"105\">\u201c1000 milliards d\u2019images\u201d<\/em> by Reiffers Art Initiatives in Paris, alongside the other finalists<strong>: Jean-Vincent Simonet, Caroline Poggi<\/strong> and <strong>Jonathan Vinel<\/strong>, and <strong>Nant\u00e9n\u00e9 Traor\u00e9<\/strong>.<\/p>&#13;\n&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/article><\/p>\n\n<h2 class=\"wp-block-heading\">Interview with artist Anhar Salem <\/h2>\n\n<p class=\"wp-block-paragraph\"><p class=\"p1\"><strong>Num\u00e9ro art:The exhibition opens with a new, very personal video. What\u2019s it about?<\/strong>&#13;\n<strong>Anhar Salem:<\/strong> I shot it in my bedroom with my iPhone during what you might describe as a psychotic or manic episode. At the time, I was becoming aware of my body and its reality.<\/p><br\/><p class=\"p1\"><strong>You shot yourself in the same way the younger generation has become accustomed to filming itself, with your phone camera, as though making a Snapchat or TikTok video. This isn\u2019t the first time you\u2019ve shown an interest in how social media influence the way we portray ourselves.<\/strong>&#13;\nYes, what interests me is precisely the idea of the accessibility of this technology that allows us to represent ourselves, like the cameras on iPhones. I filmed myself for half an hour during the manic episode, though the final video only lasts a few minutes. It was a moment when I was able to think about the strangeness of the reality we live in, a world where images overwhelm us and individualism is exacerbated. I spent that half an hour contemplating this state of reality.<\/p><\/p>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3bfa105e51a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3bfa105e51a\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/04\/exposition-prix-reiffers-art-initiatives-1000-milliards-dimages-paris-anhar-salem-numero-art-1.jpg\" alt=\"Anhar Salem in the exhibition &#x201C;1000 milliards d'images&#x201D; at Reiffers Art Initiatives, Paris.\" class=\"wp-image-667220\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Video by Anhar Salem for the exhibition \u201c1000 milliards d&#8217;images\u201d at Reiffers Art Initiatives, Paris.<\/figcaption><\/figure>\n\n<p class=\"wp-block-paragraph\"><p class=\"\" data-start=\"2518\" data-end=\"2604\"><strong>But the video we see has been altered. You appear as a digital avatar\u2026&#13;\n<\/strong>Actually, I used artificial intelligence to rework the video. My use of AI is very basic \u2013 I use prompts just like anyone does today. I find this interesting because it gives the video a very AI look, an aesthetic that is easy to recognize and that is often imposed on us. But this aesthetic didn\u2019t develop in a vacuum, it\u2019s the result of choices made by AI firms. AI is actually a product of mass media reproduction. It\u2019s not intelligent \u2013 it reproduces what it\u2019s trained to reproduce. So it all depends on the decisions made by the companies that create it.<\/p><\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center wp-block-paragraph\"><h2 style=\"text-align: center;\"><strong>&#8220;<em>AI<\/em> <em>reproduces what it\u2019s trained to reproduce. So it all depends on the decisions made by the companies that create it<\/em>&#8221; &#8211;\u00a0Anhar Salem<\/strong><\/h2><\/p>\n<\/blockquote>\n\n<p class=\"wp-block-paragraph\"><p class=\"p1\"><strong>The video installation that closes the exhibition is made up of different parts: wallpaper covering the entire backdrop, a video placed inside it, and a sculpture at the rear with a poem that we hear from time to time. What is this piece about?&#13;\n<\/strong>With this one, I\u2019m playing on the verticality of images available in new media, in particular social networks such as TikTok or Instagram. We\u2019ve become accustomed to scrolling through images vertically. The video is made up from material found on social media and the Internet, with images that scroll vertically and give the impression they\u2019re flowing like water from a fountain [Salem has superimposed a torrent of water on the video that seems to carry the clips along in a ceaseless flow].<\/p><\/p>\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3bfa105eab5&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3bfa105eab5\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1200\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/04\/exposition-prix-reiffers-art-initiatives-1000-milliards-dimages-paris-anhar-salem-numero-art-2.jpg\" alt=\"Installation by Anhar Salem for the exhibition &#x201C;1000 milliards d'images&#x201D; at Reiffers Art Initiatives, Paris.\" class=\"wp-image-667222\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Installation by Anhar Salem for the exhibition \u201c1000 milliards d&#8217;images\u201d at Reiffers Art Initiatives, Paris.<\/figcaption><\/figure>\n\n<p class=\"wp-block-paragraph\"><p class=\"p1\"><strong>Seen from a distance, the wallpaper evokes something divine, a religious building, but on closer inspection it turns out to be made up of hundreds of images of tech company logos and headquarters.&#13;\n<\/strong>I don\u2019t mean to suggest that tech companies are today\u2019s new religion, that would be a little too simplistic. These images are like pixels, they form a bigger picture, referencing the way these tech companies represent themselves to the public \u2013 their logo might include a blue sky, or their premises are shown next to gardens or parks&#8230; In other words, a world away from the reality of their activities.<\/p><\/p>\n\n<p class=\"wp-block-paragraph\"><p class=\"p1\">Another feature of these companies is that they put their technology at the service of war and the military. I\u2019m more interested in the way they create narratives and forms of representation, how they present themselves as a paradise or perfect world. And I draw a parallel with the way all religions do the same thing, as well as with the military, which forms a third institution with its own representations and narratives.&#13;\n&#13;\n<\/p><br\/><p class=\"p1\"><strong>These narratives, whose image forms you\u2019ve <\/strong><strong>found online, condition our perception of the <\/strong><strong>world. They flood us with representations and <\/strong><strong>imaginaries.&#13;\n<\/strong>Yes, each in its own way shows us a paradise. But what exactly is paradise in our lives?&#13;\n&#13;\n<strong>In fact, this piece is less concerned with religion <\/strong><strong>or tech companies than with the way in which the <\/strong><strong>powerful define modes of representation and <\/strong><strong>narratives and impose them on us&#8230;&#13;\n<\/strong>Yes, absolutely.<\/p><\/p>\n\n<p class=\"wp-block-paragraph\"><article class=\"text-token-text-primary w-full\" dir=\"auto\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"false\">&#13;\n<div class=\"text-base my-auto mx-auto py-5 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[70rem]:[--thread-content-margin:--spacing(12)] px-(--thread-content-margin)\">&#13;\n<div class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto flex max-w-(--thread-content-max-width) flex-1 text-base gap-4 md:gap-5 lg:gap-6 group\/turn-messages focus-visible:outline-hidden\" tabindex=\"-1\">&#13;\n<div class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn\">&#13;\n<div class=\"relative flex-col gap-1 md:gap-3\">&#13;\n<div class=\"flex max-w-full flex-col grow\">&#13;\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"95e06268-9517-4ad0-8bd6-161accc1dc0b\" data-message-model-slug=\"gpt-4o\">&#13;\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">&#13;\n<div class=\"markdown prose dark:prose-invert w-full break-words dark\">&#13;\n<p class=\"\" data-start=\"5020\" data-end=\"5163\"><em>Anhar Salem\u2019s artworks can be seen in the <a href=\"https:\/\/www.reiffersartinitiatives.com\/\">exhibition \u201c1000 milliards d\u2019images\u201d<\/a>, from April 16th to May 10th, 2025, at Reiffers Art Initiatives, Paris 17th.<\/em><\/p>&#13;\n&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<div class=\"absolute\">&#13;\n<div class=\"flex items-center justify-center\"><\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/article><article class=\"text-token-text-primary w-full\" dir=\"auto\" data-testid=\"conversation-turn-3\" data-scroll-anchor=\"false\">&#13;\n<h5 class=\"sr-only\"><\/h5>&#13;\n<\/article><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anhar Salem wins the 2025 Reiffers Art Initiatives prize Since 2022, the Reiffers Art Initiatives [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/numero-art-en\/who-is-anhar-salem-the-winner-of-the-2025-reiffers-art-initiatives-prize\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Who is Anhar Salem, winner of the 2025 Reiffers Art Initiatives Prize?<\/span><\/a><\/p>\n","protected":false},"author":14,"featured_media":667228,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,76,3182],"tags":[],"class_list":["post-667754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","category-numero-art-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Artist Anhar Salem wins the 2025 Reiffers Art Initiatives Prize<\/title>\n<meta name=\"description\" content=\"The Reiffers Art Initiatives awarded artist Anhar Salem its annual prize, which celebrates a young talent from the contemporary art scene.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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