{"id":665217,"date":"2025-08-18T11:39:08","date_gmt":"2025-08-18T09:39:08","guid":{"rendered":"https:\/\/numero.com\/non-classifiee\/8-fashion-exhibitions-to-discover-al-over-france-in-2025\/"},"modified":"2025-08-18T16:32:59","modified_gmt":"2025-08-18T14:32:59","slug":"8-fashion-exhibitions-to-discover-al-over-france-in-2025","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/fashion\/8-fashion-exhibitions-to-discover-al-over-france-in-2025\/","title":{"rendered":"10 fashion exhibitions to discover in France in 2025"},"content":{"rendered":"\n
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Th\u00e9r\u00e8se Bonney, Paul Poiret and model Ren\u00e9e in the salons of his fashion house, 1 Rond-Point des Champs-Elys\u00e9es<\/em> (1927), gelatine silver print by ARCP, [198.], from the negative \u00a9 Biblioth\u00e8que historique de la Ville de Paris.<\/figcaption><\/figure>\n\n\n\n
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Delphi, Paul Poiret model deposit 1920\u20131921<\/em>, circa 1945 \u00a9 Les Arts D\u00e9coratifs.<\/p><\/figcaption><\/figure>\n<\/figure>\n\n

Paul Poiret\u2019s legacy celebrated at the Mus\u00e9e des Arts D\u00e9coratifs<\/h2>\n\n

Christian Dior<\/strong> once said that he had overturned everything. He overturned the restrictive lines that had confined women\u2019s bodies. And he overturned, once and for all, the very image we have of fashion today. Designer Paul Poiret<\/strong> is the focus of a monographic exhibition at the Mus\u00e9e des Arts D\u00e9coratifs <\/strong>until January 11th, 2026. After an apprenticeship in Charles Frederick Worth<\/strong>‘s studios, the designer launched his own faashion house in 1903.<\/p>\n\n

His collections were defined by the fluid lines of his silhouettes, making the corset that had structured the garments of that era outdated. The exhibition traces back the impact of this hedonistic designer on the early 20th century, a period that crowned him the \u201cKing of Fashion.\u201d Even though the house closed in 1929, the galleries bear witness to the enduring legacy of this institution nonetheless. More than 500 pieces are on display, from cinema and decorative arts to creations by Yves Saint Laurent<\/strong> and John Galliano<\/strong> inspired by Paul Poiret<\/strong>.<\/p>\n\n

\u201cPaul Poiret, Fashion is a Feast,\u201d exhibition on view until January 11, 2026, at the Mus\u00e9e des Arts D\u00e9coratifs<\/a>, Paris 1st.<\/em><\/p>\n\n

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View of the exhibition “Rick Owens, Temple of Love” \u00a9 Palais Galliera.<\/figcaption><\/figure>\n\n

Rick Owens seen by Rick Owens at the Palais Galliera\u00a0<\/h2>\n\n

\u201cI hope that each one of you will find, in one way or another, a reflection of yourself here<\/em>,\u201d Rick Owens<\/strong><\/a> said in an introspective and moving statement. Temple of Love<\/em> is the evocative title of the exhibition dedicated to the American designer at the Palais Galliera. Conceived as an autobiography by Rick Owens himself, this retrospective immerses visitors in his mystical and radical universe and explores over 30 years of creation and aesthetic avant-gardism. Alongside numerous personal archives, 100 emblematic silhouettes echo the works that have fuelled the designer\u2019s imagination, from Gustave Moreau<\/strong>‘s paintings to installations by artist Steven Parrino<\/strong>.<\/p>\n\n

\u201cRick Owens, Temple of Love\u201d, exposition open until January 4th, 2026, at the Palais Galliera<\/a>, Paris 16th.<\/em><\/p>\n\n

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Portrait of Yiqing Yin \u2013
Vertebrae<\/em> dress, Spring\/Summer 2013 haute couture collection, Sur le fil. <\/em>\u00a9 Laurence Laborie Photography, 2024.<\/figcaption><\/figure>\n\n\n\n
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Yiqing Yin,
Orchid\u00e9e<\/em> dress, Fall\/Winter 2012 haute couture collection, Spring of N\u00fcwa. <\/em>\u00a9 Laurence Laborie Photography, 2024.<\/figcaption><\/figure>\n<\/figure>\n\n

Yiqing Yin’s ethereal silhouettes exhibited in Calais<\/h2>\n\n

More than 80 years after the decline of the house of Poiret<\/strong>, she emerged the chosen one, tasked to bring the institution back from limbo as its creative director. Designer Yiqing Yin<\/strong> is now presenting her first monographic exhibition, \u201cAir and Dreams\u201d, <\/em>at the Cit\u00e9 de la Dentelle et de la Mode<\/strong>. Awarded the ANDAM First Collections Prize barely a year after her graduation, the designer quickly established herself as the new figure to follow on the Parisian scene.<\/p><\/p>\n\n

Using tulle and Japanese organza, she crafts ethereal silhouettes from fabrics of barely palpable delicacy. Beyond her garments, the exhibition links different disciplines. Yiqing Yin<\/strong> created the costumes for the ballet Tristan and Yseult<\/em> and clothes worn on many perfumers’ campaigns. The Calais museum invites us to an experience at the verge of dreams, celebrating no fewer than 70 creations by the designer, who became the first China-born creator to receive the haute couture label in 2015.<\/p>\n\n

\u201cYiqing Yin, Air and Dreams\u201d, exhibition open until January 4th, 2026, at the Cit\u00e9 de la dentelle et de la mode<\/a>, Calais.<\/em><\/p>\n\n

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Day ensemble inspired by Michel-Philibert Genod’s painting, Arles, circa 1820 \u00a9 Fanny Terno.<\/figcaption><\/figure>\n\n\n\n
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Extract from Charles Fr\u00e9ger’s work.<\/figcaption><\/figure>\n<\/figure>\n\n

Fragonard inaugurates a Museum of Fashion and Costume in Arles<\/h2>\n\n

While the Rencontres de la Photographie<\/strong> are in full swing in Arles, another cultural event is enlivening the Proven\u00e7al city. On July 6th, 2025, the perfume house Fragonard<\/strong> will inaugurate a Museum of Fashion and Costume<\/strong>. Housed in the Bouchaud de Bussy mansion – renovated for the occasion – the institution is devoting its first exhibition, \u201cCollections-Collection\u201d<\/em>, to the textile treasures of the region. Gathered from across Provence by two collectors, H\u00e9l\u00e8ne Costa<\/strong> and Magali Pascal<\/strong>, the pieces on display bear witness to the rich local heritage. Dresses, costumes and adornments found in the exhibition trace back the history of the women who brought the region to life from the 18th to the 20th century.<\/p>\n\n

\u201cCollections-Collection\u201d, exhibition open until January 5th, 2026, at the Mus\u00e9e de la Mode et du Costume<\/a>, Arles.<\/em><\/p>\n\n

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Gabrielle Chanel, Charleston dress, circa 1924. Chiffon, straw fringe and jet beads. Collezione Museo della Moda e del Costume, Florence.<\/figcaption><\/figure>\n\n\n\n
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Man Ray, \u201cGenica Athanasiou\u201d, 1922.<\/figcaption><\/figure>\n<\/figure>\n\n

Coco Chanel settles \u00e0 Monaco <\/h2>\n\n

The French Riviera in the 1920s. Gabrielle Chanel<\/strong>‘s work was in full bloom. the designer was already imposing her vision of womanhood \u2013 independent and free from all social norms. Through some thirty pieces signed by Mademoiselle Chanel<\/strong>, works by artists like Pablo Picasso<\/strong> and Kees Van Dongen<\/strong>, as well as period photographs, the Nouveau Mus\u00e9e National de Monaco <\/strong>traces back the early days of the house and the special bond linking the designer to the principality. From stage costumes to some of the first sportswear pieces, \u201cLes ann\u00e9es folles de Coco Chanel\u201d<\/em> (“The roaring twenties of Coco Chanel”, ed.) illustrates Gabrielle Chanel<\/strong>\u2019s decisive influence on fashion. A showcase of the breath of modernity she brought at the dawn of the century.<\/p>\n\n

\u201cLes ann\u00e9es folles de Coco Chanel\u201d, exhibition open until October 5th, 2025, at the Nouveau Mus\u00e9e National de Monaco<\/a>, Monaco.<\/em><\/p>\n\n

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Worth,
Robe d\u2019int\u00e9rieur or Tea-gown<\/em> (vers 1896-1897). \u00a9 Palais Galliera, mus\u00e9e de la Mode de la Ville de Paris. \u00a9 Stanislas Wolff.<\/figcaption><\/figure>\n\n\n\n
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Antonio de La Gandara,
Portrait of Ida Rubinstein<\/em> (1913). \u00a9 Collection Lucile Audouy, Paris.<\/figcaption><\/figure>\n<\/figure>\n\n

Charles Frederic Worth\u2019s couture shines at the Petit Palais<\/h2>\n\n

Although his name may be less familiar to the general public than Christian Dior<\/strong><\/a> or Yves Saint Laurent<\/strong>,<\/a> Charles Frederic Worth<\/strong> left a lasting mark on fashion and greatly influenced the 20th century. This is evidenced by the exhibition dedicated to him, spread across more than 1,000 square meters at the Petit Palais<\/strong>. When he founded his eponymous brand in Paris in 1858, the British designer was establishing himself in an industry still in full development. That same decade, Le Bon March\u00e9<\/strong> opened its doors, and, with it, textile commerce became available to new social classes.<\/p>\n\n

But Worth<\/strong>\u2019s fashion was made for the elite. He dressed Empress Eug\u00e9nie and, later, the American writer Mary Curzon. Opera coats, tea gowns, ball gowns\u2026 The couturier\u2019s meticulous craftsmanship and sumptuous fabrics – all displayed in the museum\u2019s vast galleries – quickly made him a leading figure, one now credited with giving birth to French haute couture<\/a>.<\/p><\/p>\n\n

\u201cWorth, inventing haute couture,\u201d exhibition open until September 7th, 2025 at the Petit Palais<\/a>, avenue Winston Churchill, Paris 8th.<\/em><\/p><\/p>\n\n

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View of the Dior exhibition.<\/figcaption><\/figure>\n\n

A unique exhibition at the Galerie Dior<\/h2>\n\n

In the ever-changing Parisian landscape, the townhouse at 30 avenue Montaigne rises like a sanctuary. And for good reason! This legendary venue, taken over by Monsieur Dior<\/strong> himself in 1946, saw the very first collections of the house and now houses a space dedicated to exhibitions and memory \u2013 the Galerie Dior<\/strong>.<\/p>\n\n

Encompassing a collection of 150 silhouettes, spanning ready-to-wear, couture, ballet costumes and accessories, with original sketches and photographs, this new retrospective takes us on an immersive journey into the heart of the Dior<\/strong> archives. For the first time ever, the exhibition highlights the founder\u2019s and his successors\u2019 love of dance and theatre. An event that naturally pays tribute to the house\u2019s heritage, while allowing visitors to (re)discover the immense influence of the arts on the collections over the years.<\/p>\n\n

Galerie Dior<\/a>, 11 Rue Fran\u00e7ois 1er, Paris 8e.<\/em><\/p>\n\n

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\u201cAzzedine Ala\u00efa. 1980\/1990, Two Decades of Artistic Affinity\u201d at the Azzedine Ala\u00efa Foundation, Paris 4th. \u00a9 Photo Julien Vidal<\/p>

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Ala\u00efa and Mugler: A foundational friendship in fashion history<\/h2>\n\n

This exhibition was born from the enduring friendship between two titans of fashion: Azzedine Ala\u00efa<\/strong><\/a> and Thierry Mugler<\/strong><\/a>. Behind their successes lies a long story of mutual support and admiration, which shaped and deeply influenced their creations for over three decades. After meeting in 1979, Ala\u00efa designed a series of tuxedos presented at Mugler\u2019s show that same year.<\/p>

<\/p><\/p>\n\n

Encouraged by this collaboration, Ala\u00efa<\/strong> went on to launch his own fashion house. Mugler<\/strong> introduced him to top fashion journalists and even organised his very first New York show, designing both the set and the guest list. Together, they reigned over fashion in the 1980s and 1990s, infusing glamour and vitality to that era, while still enriching their respective creative worlds. This prolific and captivating relationship is now being explored within the walls of the Azzedine Ala\u00efa Foundation<\/strong> this Spring.<\/p><\/p>\n\n

\u201cAzzedine Ala\u00efa. 1980\/1990, Two Decades of Artistic Affinity\u201d<\/em>
March 3 to June 29, 2025, Fondation Azzedine Ala\u00efa<\/a><\/em>, 18 Rue de la Verrerie, Paris 4th<\/em><\/p>\n\n

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Thandiwe Muriu,
Camo 43<\/em>, 2022. \u00a9 Thandiwe Muriu.<\/figcaption><\/figure>\n\n\n\n
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Thandiwe Muriu,
Treasures of Delight<\/em>, 2024. \u00a9 Thandiwe Muriu.<\/figcaption><\/figure>\n<\/figure>\n\n

The untold history of wax at the Mus\u00e9e de l\u2019Homme<\/h2>\n\n

Though wax fabric is now an emblem of African identity, its origins are global\u2014stretching from Indonesia to the Netherlands and Togo. This exhibition traces the evolution of wax fabric, from Dutch attempts to mimic Indonesian prints to its rise in Ghana and worldwide influence.<\/p>

<\/p><\/p>\n\n

Photographs by Kenyan artist Thandiwe Muriu<\/strong> meet fashion pieces by Maison Ch\u00e2teau Rouge<\/strong> and WOWO Paris<\/strong>, while the show also explores hidden meanings in wax prints and questions of cultural appropriation. The exhibition raises fundamental points for reflection, ones that are essential to understanding the often underestimated and plundered richness of wax fabric.<\/span>

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\u201cWax: Between Heritage and Reappropriation\u201d <\/em>Until September 7, 2025 at the mus\u00e9e de l’Homme<\/a><\/em>, Paris 16th<\/em><\/p>\n\n

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\"exposition\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Costume of Madame Duclos for the opera Adriana Lecouvreur (2012). By Christian Lacroix \u00a9 CNCS \/ Terminal 33.<\/figcaption><\/figure>\n\n\n\n
\"exposition\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Costume of Marcelle Paillardin for the play L’H\u00f4tel du Libre-Echange (2019). By Christian Lacroix \u00a9 CNCS \/ Terminal 33.<\/figcaption><\/figure>\n<\/figure>\n\n

Christian Lacroix\u2019s stage costumes at the CNCS<\/h2>\n\n

While Christian Lacroix<\/strong> is widely known as a leading couturier of the 1990s, few are aware of his rich career as a costume designer\u2014an unexpected path he took following the closure of his fashion house in 2009. Featuring opera, musical, and theater costumes, as well as original sketches, the exhibition Christian Lacroix and the Stage<\/em><\/strong> at the CNCS reveals a lesser-known facet of the designer’s oeuvre.<\/p>

<\/p><\/p>\n\n

Heavily inspired by 18th- and 19th-century fashion, the costumes\u2014crafted from lace, ruffles, corsets, and sumptuous silks\u2014also echo a broad swath of the looks he imagined earlier in his fashion career. A chance to dive back into the vibrant archives of a couturier who left an indelible mark on French fashion history.<\/p>\n\n

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Paul Poiret\u2019s legacy celebrated at the Mus\u00e9e des Arts D\u00e9coratifs Christian Dior once said that […]<\/p>\n

Read More… from 10 fashion exhibitions to discover in France in 2025<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":681243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,76,68],"tags":[8496,4310,8886,8864,8885,2458,4311],"class_list":["post-665217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","category-fashion","tag-dolce-gabbana-en","tag-exhibition","tag-fashion-exhibition","tag-grand-palais-en","tag-louvre-museum-en","tag-mad-en","tag-palais-galliera-en"],"acf":[],"yoast_head":"\nThe must-see fashion exhibitions in France in 2025<\/title>\n<meta name=\"description\" content=\"Here's our top picks of the best fashion and luxury exhibitions in France in 2025, from the Grand Palais to Louvre-Lens.\" \/>\n<meta name=\"robots\" content=\"index, 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