{"id":664568,"date":"2026-04-05T14:36:56","date_gmt":"2026-04-05T12:36:56","guid":{"rendered":"https:\/\/numero.com\/non-classifiee\/what-can-we-expect-from-ballerina-the-john-wick-spin-off-starring-ana-de-armas\/"},"modified":"2026-04-07T14:37:07","modified_gmt":"2026-04-07T12:37:07","slug":"what-can-we-expect-from-ballerina-the-john-wick-spin-off-starring-ana-de-armas","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/movies\/what-can-we-expect-from-ballerina-the-john-wick-spin-off-starring-ana-de-armas\/","title":{"rendered":"Is it worth rewatching Ballerina, the John Wick spin-off starring Ana de Armas?"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a43e6a04b83d&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a43e6a04b83d\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1067\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/cinema-ana-de-armas-keanu-reeves-a-l-affiche-du-film-ballerina-en-2025-numero-magazine10.jpg\" alt=\"Ana de Armas in No Time to Die (2021) \u00a9 Universal Pictures International France<br&gt;\" class=\"wp-image-23936\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Ana de Armas in <em data-start=\"1533\" data-end=\"1549\">No Time to Die<\/em> (2021) \u00a9 Universal Pictures International France<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" style=\"caret-color: #000000; color: #000000; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\" tabindex=\"-1\" data-turn-id=\"request-WEB:304eb4db-744f-415f-82ee-44fde636ad8e-0\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\" data-turn=\"assistant\">&#13;\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">&#13;\n<div class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">&#13;\n<div class=\"flex max-w-full flex-col grow\">&#13;\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"07eafe04-6e91-4ba9-a7b7-4902c4bf7669\" data-message-model-slug=\"gpt-4o\">&#13;\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">&#13;\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">&#13;\n<p data-start=\"407\" data-end=\"744\" data-is-last-node=\"\" data-is-only-node=\"\">Actress <a href=\"https:\/\/numero.com\/en\/culture-en\/movies\/how-ana-de-armas-star-of-ballerina-became-the-new-face-of-action-cinema\/\"><strong>Ana de Armas<\/strong><\/a> is carving out a prominent place for herself in Hollywood. With remarkable ease, she moves between deep and action roles. We saw her don a blonde wig as the tormented Marilyn Monroe in <a href=\"https:\/\/numero.com\/en\/culture-en\/blonde-is-netflixs-controversial-film-inspired-by-marilyn-monroe-worth-it-2\/\"><strong><em data-start=\"617\" data-end=\"625\">Blonde<\/em><\/strong><\/a>, and she was just as convincing as a glamorous<strong> Bond girl<\/strong> with diamond-studded stilettos in <strong><em data-start=\"720\" data-end=\"736\">No Time to Die<\/em><\/strong> (2021).<\/p>&#13;\n&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/article><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><h2 data-start=\"684\" data-end=\"749\">From Bond girl to lead character in action film <em data-start=\"738\" data-end=\"749\">Ballerina<\/em><\/h2><br\/><h2 data-start=\"751\" data-end=\"1061\"><\/h2><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">From her dazzling, badass fight scene in the latest James Bond film <strong><em data-start=\"1332\" data-end=\"1348\">No Time to Die<\/em><\/strong> (2021) to her enigmatic CIA agent role in <strong><em data-start=\"1391\" data-end=\"1400\">Ghosted<\/em><\/strong> (2023) alongside <strong>Chris Evans<\/strong>, <a href=\"https:\/\/numero.com\/en\/culture-en\/ana-de-armas-3-things-to-know-about-the-heroine-of-the-gray-man-and-blonde-2\/\"><strong>Ana de Armas<\/strong><\/a> seems more determined than ever to specialise in action movies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Truth is, the actress excels in this register. She shines in the spin-off of the blockbuster franchise <strong><em data-start=\"1093\" data-end=\"1104\">John Wick<\/em><\/strong>, in which<strong>&nbsp;<a href=\"https:\/\/numero.com\/en\/culture-en\/keanu-reeves-all-about-his-new-exciting-projects\/\">Keanu Reeves<\/a><\/strong> has been starring since 2014. This new instalment gives the Cuban-Spanish actress a deeper dive into the action genre, a realm she\u2019s already entered with style.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <em><strong>Ballerina<\/strong><\/em>, the badass<strong> Ana de Armas <\/strong>takes down her numerous enemies one by one using flamethrowers, a wide range of weapons, or simply her fists. Her motto? &#8220;<em>Fight like a girl<\/em>&#8220;, which sometimes means going straight for her attackers\u2019 most sensitive parts.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a43e6a04bd4d&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a43e6a04bd4d\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"416\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/12\/ballerina-ana-de-armas-john-wick-film-numero-magazine.jpg\" alt=\"Ana de Armas starring in the film Ballerina (2025) \u00a9 Metropolitan FilmExport.\" class=\"wp-image-650729\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Ana de Armas starring in the film <em>Ballerina<\/em> (2025) \u00a9 Metropolitan FilmExport.<\/figcaption><\/figure>\n\n\n<h3 class=\"\" data-start=\"1689\" data-end=\"1757\"><em data-start=\"1693\" data-end=\"1704\">Ballerina<\/em>, a film true to the spirit of <em data-start=\"1739\" data-end=\"1750\">John Wick<\/em>?<\/h3>\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"383\" data-end=\"792\">Turned into a tattooed, slightly gothic avenging protagonist hunting down those responsible for her father\u2019s death, the young woman, trained both as a ballerina and as a hitwoman by the <strong>Ruska Roma<\/strong> crime organisation, firmly establishes herself as the new face of action cinema. In doing so, she follows in the footsteps of <strong>Charlize Theron<\/strong> and<strong> Uma Thurman<\/strong>, helping to redefine the genre from a female perspective.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" style=\"caret-color: #000000; color: #000000; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\" tabindex=\"-1\" data-turn-id=\"request-WEB:304eb4db-744f-415f-82ee-44fde636ad8e-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\">&#13;\n<div class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">&#13;\n<div class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">&#13;\n<div class=\"flex max-w-full flex-col grow\">&#13;\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"7a0ece5f-7eba-48a3-9c4b-1737d9ffdb68\" data-message-model-slug=\"gpt-4o\">&#13;\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">&#13;\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">&#13;\n<p data-start=\"794\" data-end=\"1173\" data-is-last-node=\"\" data-is-only-node=\"\">However, <strong><em data-start=\"803\" data-end=\"814\">Ballerina<\/em><\/strong>, which hit theatres last June 2025 and is available now on VOD, is not quite the sexy, dangerous feature<strong> Ana de Armas<\/strong> teased in the columns of <a href=\"https:\/\/collider.com\/ana-de-armas-ballerina-reshoots-update-john-wick-spin-off\/\"><strong><em data-start=\"965\" data-end=\"975\">Collider<\/em><\/strong><\/a>. While it draws on the signature elements of the <strong><em data-start=\"1025\" data-end=\"1036\">John Wick<\/em><\/strong> universe, like the choreographed fight scenes, these moments lack the spectacular precision seen in the franchise\u2019s previous films.<\/p>&#13;\n&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/article><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"From the World of John Wick: Ballerina (2025) &#039;CCXP Extended Look&#039; - Ana de Armas, Norman Reedus\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/2Cp5kSNWYSE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">A preview of the film<em>Ballerina <\/em>(2025) with Ana de Armas and Keanu Reeves.<\/figcaption><\/figure>\n\n\n<h3 class=\"\" data-start=\"2628\" data-end=\"2680\">Keanu Reeves returns to the <em data-start=\"2660\" data-end=\"2671\">John Wick<\/em> universe<\/h3>\n\n\n<p class=\"wp-block-paragraph\"><p data-start=\"0\" data-end=\"345\">Another issue? The far-fetched script, which could fit on the back of a napkin. <strong>Ana de Armas<\/strong> plays Eve Macarro, a dancer out for revenge after her father\u2019s murder. But we never truly gain insight into the psyche of the many characters involved, even though the film attempts to explore their wounds through a few and rather kitschy sequences.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" style=\"caret-color: #000000; color: #000000; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;\" tabindex=\"-1\" data-turn-id=\"request-WEB:304eb4db-744f-415f-82ee-44fde636ad8e-3\" data-testid=\"conversation-turn-8\" data-scroll-anchor=\"true\" data-turn=\"assistant\">&#13;\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">&#13;\n<div class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">&#13;\n<div class=\"flex max-w-full flex-col grow\">&#13;\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"3d83b2f4-5a9c-41b3-b849-a24916a2c577\" data-message-model-slug=\"gpt-4o\">&#13;\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">&#13;\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">&#13;\n<p data-start=\"347\" data-end=\"737\" data-is-last-node=\"\" data-is-only-node=\"\">What remains is the impressive cast, led by <strong>Ana de Armas<\/strong> and featuring a brief appearance by<strong> Keanu Reeves<\/strong>, especially in one fight scene. Set during the events of <strong><em data-start=\"510\" data-end=\"545\">John Wick: Chapter 3 \u2013 Parabellum<\/em> <\/strong>(2019), <strong><em data-start=\"554\" data-end=\"565\">Ballerina<\/em><\/strong> rewinds the clock to an earlier moment in the life of the hitman played by Keanu Reeves. That\u2019s when he crosses paths with Eve Macarro, a young woman from the Ruska Roma&#8230;<\/p>&#13;\n&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/div>&#13;\n<\/article><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\r\n<div class=\"wp-block-embed__wrapper\"><a href=\"https:\/\/www.youtube.com\/watch?v=7oD1G0haFe8\">https:\/\/www.youtube.com\/watch?v=7oD1G0haFe8<\/a><\/div>\r\n<figcaption class=\"wp-element-caption\">A preview of the film <em>Ballerina<\/em> (2025).<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The cast also includes the great\u00a0<strong>Anjelica Huston<\/strong>, <strong>Norman Reedus<\/strong>, <strong>Anne Parillaud<\/strong> (<em>Nikita<\/em>) and the charismatic <strong>Gabriel Byrne <\/strong>as the villain. But director <strong>Len Wiseman<\/strong> (<em data-start=\"26\" data-end=\"38\">Underworld<\/em>, 2003\u20132011), who takes over from <strong>Chad <\/strong>Stahelski \u2014 the man behind the first four <strong><em data-start=\"117\" data-end=\"128\">John Wick<\/em><\/strong> films \u2014 struggles to lead this star-studded cast in any clear direction\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ballerina (2025) by Len Wiseman, airing on Canal+ on April 5th, 2026.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#13; &#13; &#13; &#13; &#13; &#13; &#13; Actress Ana de Armas is carving out a [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture-en\/movies\/what-can-we-expect-from-ballerina-the-john-wick-spin-off-starring-ana-de-armas\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Is it worth rewatching Ballerina, the John Wick spin-off starring Ana de Armas?<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":684341,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[88,87],"tags":[2629,8853],"class_list":["post-664568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture-en","tag-ana-de-armas-en","tag-keanu-reeves-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ballerina: Our review of the John Wick spin-off with Ana de Armas<\/title>\n<meta name=\"description\" content=\"Actress Ana de Armas is the vengeful ballerina in spin-off of the John Wick saga, starring alongside Keanu Reeves.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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