{"id":603752,"date":"2023-10-16T11:07:00","date_gmt":"2023-10-16T09:07:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee\/mohamed-bouroissa-one-of-the-greatest-artists-of-his-generation-moves-to-the-palais-de-tokyo\/"},"modified":"2024-12-03T11:18:46","modified_gmt":"2024-12-03T10:18:46","slug":"mohamed-bouroissa-one-of-the-greatest-artists-of-his-generation-moves-to-the-palais-de-tokyo","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/mohamed-bouroissa-one-of-the-greatest-artists-of-his-generation-moves-to-the-palais-de-tokyo\/","title":{"rendered":"Who is Mohamed Bourouissa, showstopping French artist and cover star of Num\u00e9ro art?"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a5178f017dcf&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a5178f017dcf\" class=\"wp-block-image size-medium_large size-medium-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/mohamed-bourouissa-numero-art_1.jpg\" alt=\"\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mohamed Bourouissa wears his sculpture entitled &#8220;Pauline Deschamps&#8221; (2023). Jacket, Prada. Buggy, Balenciaga. Boots, Valentino.   <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Mohamed Bourouissa, a major artist in the spotlight this autumn<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">With Franco-Algerian artist&nbsp;<strong>Mohamed Bourouissa<\/strong>, you immediately feel that a classic retrospective wouldn\u2019t be quite the ticket. \u201cI believe my works can always evolve, that they\u2019re not necessarily finished,\u201d he says, sidestepping the issue when asked about the prospect of a back-to-back pair of solo exhibitions at two major French art institutions. Instead, we find him dealing in metamorphoses or even metempsychoses as strategies to evade museums\u2019 embalming tendencies. The first of his shows to open, on 29 September at&nbsp;<strong>LaM<\/strong>, near Lille, combines \u201cremixed\u201d old pieces with brand-new works under the title&nbsp;<em>Attracteur \u00e9trange&nbsp;<\/em>(<em>Strange Attractor<\/em>).&nbsp;<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a5178f018038&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a5178f018038\" class=\"wp-block-image size-medium_large size-medium-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/mohamed-bourouissa-lam-numero-art.jpg\" alt=\"\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mohamed Bourouissa, from the series  <em>Peripheral. The Hall <\/em>  (2007-2008). ADAGP\/Mohamed Bourouissa, Courtesy of the artist and Mennour, Paris. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Naturally, his greatest hits are all present, those that made his name in the second half of the 2000s, such as&nbsp;<em>Temps mort<\/em>, the movie he directed in 2008\u201309 while still a film student at Le Fresnoy. Co-created with a prisoner, Al, it features photos that the artist had him take with his cell phone (which wasn\u2019t yet \u201csmart\u201d back then) of the everyday details of life inside, something we don\u2019t usually see represented.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Cult works exhibited at the Lam<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Other career highlights take their place in the rooms that follow, whose hang may surprise by the number of drawings displayed, serial works in nervous graphite or fluid watercolour. Then there are the pieces that morph over time, like the installation&nbsp;<em>Les Oiseaux de Paradis<\/em>, begun in 2013 under the title&nbsp;<em>The Whispering of Ghosts&nbsp;<\/em>\u2013 as it was labelled in 2018 at the&nbsp;<strong>Tenth Liverpool Biennial<\/strong>&nbsp;\u2013 before being renamed&nbsp;<em>Pas le temps pour les regrets&nbsp;<\/em>at the&nbsp;<strong>Marcel Duchamp<\/strong>&nbsp;Prize exhibition that same year. Since then, it has continued its metempsychoses as a sounding board for uncomfortable questions about the Blida-Joinville psychiatric hospital in Algeria, the writer and psychiatrist Frantz Fanon, and how minds may be colonized.&nbsp;<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a5178f018642&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a5178f018642\" class=\"wp-block-image size-medium_large size-medium-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/mohamed-bourouissa-numero-art-lam-1.jpg\" alt=\"\" class=\"wp-image-1\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mohamed Bourouissa, <em>Tomorrow is Far<\/em> (2017). Courtesy of the artist and Mennour, Paris. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">At the Palais de Tokyo, an exhibition like a music album<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Material control, immaterial control: the opposition would seem head-on and dead-end if&nbsp;<em>Attracteur \u00e9trange&nbsp;<\/em>were not to be followed by a second chapter, set to open at Paris\u2019s Palais de Tokyo in February 2024. \u201cWhere the first show is rather classic in form, the second has a more conceptual dimension, because I really conceived it in the manner of an an LP,\u201d explains Bourouissa. \u201cAt the<strong>&nbsp;Palais de Tokyo<\/strong>, I\u2019d like visitors to feel as though they\u2019re inside an album.\u201d And, indeed, it is through sound, and more precisely its therapeutic dimension, that he has opened a new chapter in his oeuvre. \u201cI\u2019ve started sculpting space through sound; sound pieces, or simply music, are now becoming a leitmotif in my work.\u201d<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a5178f018881&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a5178f018881\" class=\"wp-block-image size-medium_large size-medium-large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/mohamed-bourouissa-numero-art-lam2.jpg\" alt=\"\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">View of the exhibition &#8220;Mohamed Bourouissa &#8211; Strange Attractor&#8221; at the LaM, 2023. Left: Mohamed Bourouissa, <em>Mehdi Anede<\/em> (2023). Sculpture, cast aluminum, 44 \u00d7 10 \u00d7 15 cm. Right: Mohamed Bourouissa, <em>Untitled<\/em> (2023). Watercolour on paper, 35.2 \u00d7 27.8 cm.    <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">If, today, Bourouissa is thinking about duration, about how to link the arts of space and those of time, it\u2019s in part because of a new adventure that kept him busy all last year, and whose results were also unveiled this autumn. Namely theatre. \u201cFor me, theatre is a bit different to what I\u2019ve been doing up till now. The reality of time is entirely inherent to its progression and this in turn permeated my approach to the exhibition.\u201d Co-written with&nbsp;<strong>Zazon Castro<\/strong>&nbsp;and directed by Bourouissa, the play in question,&nbsp;<em>Quartier de femmes<\/em>, emerged from writing workshops he ran in a women\u2019s goal. The monologue of a female prisoner, the piece premi\u00e8red at LaM on 1 October.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00a0<\/em>Shooting credits :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hair and makeup: Miki Matsunaga. Set design: Benoist Buttin at The Magnet Agency. Assistant director: Elf\u00e9 Baroso-Bertrand. Retouching: Nitty Gritty Berlin.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mohamed Bourouissa, a major artist in the spotlight this autumn With Franco-Algerian artist&nbsp;Mohamed Bourouissa, you [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/mohamed-bouroissa-one-of-the-greatest-artists-of-his-generation-moves-to-the-palais-de-tokyo\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Who is Mohamed Bourouissa, showstopping French artist and cover star of Num\u00e9ro art?<\/span><\/a><\/p>\n","protected":false},"author":14,"featured_media":44642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,76,3182],"tags":[],"class_list":["post-603752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","category-numero-art-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mohamed Bourouissa, guest at the Palais de Tokyo this autumn<\/title>\n<meta name=\"description\" content=\"On the cover of Num\u00e9ro art 13, the artist Mohamed Bourouissa is in the spotlight this autumn with two exhibitions, at the LaM and the Palais de Tokyo.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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