{"id":602585,"date":"2024-03-29T11:09:00","date_gmt":"2024-03-29T10:09:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee\/mark-rothko-what-does-his-impressive-retrospective-at-the-fondation-louis-vuitton-have-in-store\/"},"modified":"2024-11-29T11:18:47","modified_gmt":"2024-11-29T10:18:47","slug":"mark-rothko-what-does-his-impressive-retrospective-at-the-fondation-louis-vuitton-have-in-store","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/mark-rothko-what-does-his-impressive-retrospective-at-the-fondation-louis-vuitton-have-in-store\/","title":{"rendered":"Mark Rothko at Fondation Louis Vuitton : what to expect from the painter&#8217;s major retrospective?"},"content":{"rendered":"\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a33f65dd3a7d&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a33f65dd3a7d\" class=\"wp-block-image size-medium_large wp-lightbox-container\"><img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/mark-rothko-retrospective-fondation-louis-vuitton-paris-numero-3.jpg\" alt=\"\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mark Rothko, <em>Green on Blue (Earth-Green and White)<\/em> (1956). Artist credit: \u00a9 1998 Kate Rothko Prizel &amp; Christopher Rothko &#8211; Adagp, Paris, 2023. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Mark Rothko at Fondation Louis Vuitton : an in-depth dive into light and colour<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">This is not the kind of\u00a0painting\u00a0you can talk about \u2013 you have to experience it. As is abundantly demonstrated at the\u00a0<strong><a href=\"https:\/\/numero.com\/en\/art-design\/art-en\/fondation-louis-vuitton-a-look-back-at-the-work-of-marisol-fashion-icon-and-pop-art-figure\/\">Fondation Louis Vuitton<\/a><\/strong>,\u00a0<strong><a href=\"https:\/\/numero.com\/en\/fashion\/mark-rothko-in-5-astonishing-artworks-at-the-fondation-louis-vuitton-2\/\">Mark Rothko<\/a><\/strong>\u00a0(1903\u201370) produced an oeuvre so rich and moving it leaves you without words. From one picture to the next, colour grabs you and loses you in its meanders. Piled up on the canvas with their undefined lines, the horizontal \u201cbands\u201d that made him famous from the 1940s onwards seize you with their vibration to the point where you think they\u2019re going to spill out of the frame. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You feel as though you\u2019ve been captured by infinite horizons and absorbed into imaginary seas of hallucinatory hues. Only the essence of these mental landscapes remains, one of light and contrasting\u00a0colour, an encounter that generates a continuous dialogue within each work. The discursive gives way to the sensorial; emotion triumphs.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a33f65dd3fcb&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a33f65dd3fcb\" class=\"wp-block-image size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"1000\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2023\/10\/mark-rothko-retrospective-fondation-louis-vuitton-paris-numero-21-2.jpg\" alt=\"\" class=\"wp-image-599075\" style=\"width:561px;height:auto\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mark Rothko,  <em>No. 21 (Untitled) <\/em>  (1949). Cr\u00e9dit artiste : \u00a9 1998 Kate Rothko Prizel &amp; Christopher Rothko &#8211; Adagp, Paris, 2023. <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">On show until next spring, the\u00a0Fondation Louis Vuitton\u2019s retrospective is both impressive and thought-provoking. Why, you wonder, did an artist so successful and popular elsewhere in the world \u2013 one whose work can be found in every art-history book and who has entered the collective unconscious \u2013 have so little impact in France? <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition\u2019s associate curator,\u00a0<strong>Christopher Rothko<\/strong>\u00a0\u2013\u00a0\u201cguardian,\u201d\u00a0as he likes to put it, of his father\u2019s collection \u2013 has a few ideas. Reluctant to travel, Rothko senior visited Paris very rarely, maintaining a much stronger relationship with the UK, while his principal European dealer,\u00a0<strong>Ernst Beyeler<\/strong>, concentrated essentially on Germany and Switzerland. As a result, the\u00a0<strong>Centre Pompidou\u2019s<\/strong> enormous holdings include just two Rothkos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Already, back in 1999, Paris\u2019s\u00a0Mus\u00e9e d\u2019Art moderne\u00a0sought to make up for this omission with a big exhibition of the painter\u2019s work. A quarter century later, the curator of the 1999 show,\u00a0<strong>Suzanne Pag\u00e9<\/strong>, has returned to\u00a0Rothko\u00a0to curate the\u00a0Louis Vuitton retrospective.\u00a0\u201cThis new exhibition is really what we all need right now,\u201d\u00a0she enthuses.\u00a0\u201cIt brings us the possibility of transcendence.\u201d\u00a0That possibility is augmented by the colossal size of the show: 115 works, many of which have never been seen in France, 30 of them from the Rothko family collection. As a result, visitors can follow and appreciate, in more or less chronological order, the development of the\u00a0painter\u2019s oeuvre over the space of four decades.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a33f65dd443b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a33f65dd443b\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"619\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2023\/10\/mark-rothko-retrospective-fondation-louis-vuitton-paris-numero-16.jpg\" alt=\"\" class=\"wp-image-599077\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mark Rothko,  <em>No. 9 (White and Black on Wine) (Black, Maroons and White) <\/em>  (1958). Cr\u00e9dit artiste : \u00a9 1998 Kate Rothko Prizel &amp; Christopher Rothko &#8211; Adagp, Paris, 2023. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u201cMark Rothko\u201d, a retrospective that confounds clich\u00e9s and prejudice<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The&nbsp;Fondation&nbsp;has brilliantly succeeded in the delicate exercise of a retrospective, not only getting across all the complexity of a lifetime\u2019s body of work but also confounding clich\u00e9s and prejudices. To all his contemporaries who called him a colourist,&nbsp;Rothko&nbsp;replied that he was looking for the light; for those today who think of him as an exclusively abstract artist, the exhibition showcases many of his figurative canvases of the 1930s and 40s (sometimes described as neo-Surrealist), which he painted before the period that saw him labelled an&nbsp;Abstract Expressionist, a term he himself considered too \u201calienating\u201d; and if you imagined the artist as a serene, radiant figure, you\u2019ll find the portrait of a solitary, sometimes prickly man whose paintings have&nbsp;\u201cimprisoned the most utter violence in every square inch of their surface,\u201d&nbsp;as he himself put it \u2013 the violence of the pogroms that saw his family flee his native Russia, of course, but first and foremost the violence of a tormented soul.&nbsp;\u201cRothko constantly sought to convey the human condition through the fundamental emotions: tragedy, death, ecstasy,\u201d&nbsp;comments Pag\u00e9.&nbsp;\u201cHis art expresses an obsession with mortality.\u201d<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a33f65dd482d&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a33f65dd482d\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"757\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2023\/10\/mark-rothko-retrospective-fondation-louis-vuitton-paris-numero-19.jpg\" alt=\"\" class=\"wp-image-599079\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Mark Rothko,  <em>Sketch for &#8220;Mural No. 6 (Two Openings in Black over Wine) (Black On Maroon)   [Seagram Mural Sketch]<\/em>  (1958). Cr\u00e9dit artiste : \u00a9 1998 Kate Rothko Prizel &amp; Christopher Rothko &#8211; Adagp, Paris, 2023. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">An impressive selection of works, from early masterpieces to the Tate Room<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Indeed, as presented at the&nbsp;Fondation Vuitton,&nbsp;Rothko\u2019s trajectory \u2013 from his early paintings of everyday scenes in the New York subway to his two-tone&nbsp;Black on Gray&nbsp;series (1969\u201370) \u2013 is that of a man on a constant quest for the absolute. Despite the fact that, as time went by, his canvases got bigger, his layers of paint thinner, and his colours darker, his son has made sure that the selection prevents his oeuvre from being read through the prism of his 1970 suicide.&nbsp;\u201cI made a point of showing how much his final works are overflowing with light and colour,\u201d&nbsp;explains Rothko junior,&nbsp;\u201ceven if his black and grey paintings are far more rich and alive than people think.\u201d&nbsp;Achieving this intensity required great precision during the hang: in keeping with rules set down by the artist at the end of his life, the&nbsp;Fondation Louis Vuitton&nbsp;team painted the walls in discreet off-white and used soft, often individual lighting to ensure an intimate relationship with each work.&nbsp;\u201cRothko\u2019s painting is one of great fragility that mustn\u2019t be drowned in light,\u201d&nbsp;explains&nbsp;Pag\u00e9.&nbsp;\u201cThe less his canvases are lit, the more their colours come out.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition\u2019s showstopper is the reproduction of&nbsp;Tate Britain\u2019s Seagram Mural room, a hang that the London museum commissioned directly from the artist in order to display the nine canvases he had realized in 1956 \u2013 58 for The Four Seasons in New York, before pulling out of the restaurant project. Shown in&nbsp;Paris&nbsp;exactly as&nbsp;Rothko&nbsp;specified, the large-scale works envelop the viewer in their purple hues, inviting us into a suspended time of contemplation and \u201cimmersion\u201d \u2013 today a hackneyed term in the world of art that regains all of its original meaning here. To round off the unique experience of a melodious oeuvre, the German composer and Rothko admirer&nbsp;Max Richter&nbsp;has set three of the Vuitton galleries to music.&nbsp;\u201cMy art is not abstract: it lives and breathes,\u201d&nbsp;Rothko once said, a statement that, as this show magisterially demonstrates, cannot be contradicted.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cMark Rothko\u201d, until 2 April 2024 at&nbsp;<u><a href=\"https:\/\/www.fondationlouisvuitton.fr\/fr\">Fondation Louis Vuitton<\/a><\/u>, Paris.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mark Rothko at Fondation Louis Vuitton : an in-depth dive into light and colour This [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/mark-rothko-what-does-his-impressive-retrospective-at-the-fondation-louis-vuitton-have-in-store\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Mark Rothko at Fondation Louis Vuitton : what to expect from the painter&#8217;s major retrospective?<\/span><\/a><\/p>\n","protected":false},"author":14,"featured_media":40547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,76],"tags":[7559,7558],"class_list":["post-602585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","tag-fondation-louis-vuitton-2","tag-mark-rothko"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mark Rothko at Fondation Louis Vuitton, a retrospective of a master<\/title>\n<meta name=\"description\" content=\"In Paris, the Fondation Louis Vuitton is inaugurating this week a masterful retrospective of Mark Rothko&#039;s masterpieces.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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