{"id":540001,"date":"2020-09-09T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/culture\/photographer-erwin-olaf-fury-and-solitude-at-the-rabouan-moussion-gallery-2\/"},"modified":"2020-09-09T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"photographer-erwin-olaf-fury-and-solitude-at-the-rabouan-moussion-gallery-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture\/photographer-erwin-olaf-fury-and-solitude-at-the-rabouan-moussion-gallery-2\/","title":{"rendered":"Photographer Erwin Olaf, fury and solitude, at the Rabouan Moussion Gallery"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26e0ce90e6e&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26e0ce90e6e\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/1erwin_olaf_waiting_galerie_rabou-numero-mag.jpeg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Waiting, Shenzhen, Portrait 2 (2014) d\u2019Erwin Olaf.  Courtesy  the artist and Rabouan Moussion Paris<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26e0ce9143f&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26e0ce9143f\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/2erwin_olaf_waiting_galerie_rabou-numero-mag.jpeg\" alt=\"\" class=\"wp-image-1\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Anger (2015) d\u2019Erwin Olaf.  Courtesy the artist and Rabouan Moussion Paris<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26e0ce91998&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26e0ce91998\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/3erwin_olaf_waiting_galerie_rabou-numero-mag.jpeg\" alt=\"\" class=\"wp-image-2\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Waiting, La D\u00e9fense 2 (2014) d\u2019Erwin Olaf.  Courtesy  the artist and Rabouan Moussion Paris <\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26e0ce91cf0&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26e0ce91cf0\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/4erwin_olaf_waiting_galerie_rabou-numero-mag.jpeg\" alt=\"\" class=\"wp-image-3\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Waiting, Nairobi 3 (2014) d\u2019Erwin Olaf.  Courtesy  the artist and Rabouan Moussion Paris<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a26e0ce92007&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a26e0ce92007\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/5erwin_olaf_waiting_galerie_rabou-numero-mag.jpeg\" alt=\"\" class=\"wp-image-4\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cWaiting\u201d d\u2019Erwin Olaf \u00e0 la galerie Rabouan Moussion jusqu\u2019au 28 novembre.  Courtesy  the artist and Rabouan Moussion Paris<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><b>Exhibited since October in the new and very beautiful space at the Rabouan Moussion Gallery,<\/b>&nbsp;the two self-portraits of the artist with spittle on his lips and bulging eyes, raging at the 7th January attacks resonate with an even more unsettling acuity today. Faced with the eternal question of what an artist can do after the shock of such events, Erwin Olaf responds with art, i.e. the sensitive embodiment of his contradictory feelings. His tense body seems hampered, his deformed face gagged. Hatred, pain, fear, violence and powerlessness\u2026 \u201c<i>I was devastated, and at the same time incapable of crying<\/i>,\u201d confided the artist in September. \u201c<i>It was the first time I did self-portraits that talk, not just about me, but about the global situation. I didn\u2019t know how to react. But I was too angry to just do nothing. These two photos are exactly what they are: an almost instinctive reaction, primal emotions in the face of horror. But it won\u2019t stop me from continuing to celebrate freedom and to continue working<\/i>.\u201d.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>His exhibition \u201cWaiting\u201d, on until November 28th, is visual proof.&nbsp;<\/b>It includes \u2013 as well as these two self-portraits \u2013 two sides to the artist\u2019s work, one is autobiographical and the other dedicated to sophisticated&nbsp;<i>mises en sc\u00e8ne<\/i>. Both are interested in the human condition, from the vulnerability of simply being to the relationship between power and submission. In the first room are self-portraits. Erwin Olaf has confronted himself with this method for many years, recording the changes in his body brought about by time and illness [the artist suffers from a respiratory disease]. We see the very advertising-esque aesthetic of his photographs, the glossy colours and perfect light. The Dutchman earnt his stripes in that domain and continues \u2013 although more rarely \u2013 to contribute to campaigns orchestrated by major brands. Above all we recognise, since his series of the 90s to the 2000s, his ability to stylise, often to the max. His portraits rival the great Flemish masters from Vermeer to Rembrandt, to whom he is compared with a reflex that\u2019s almost too Pavlovian. &nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>The ambiguity of such an aesthetic is revealed to its full extent<\/b>&nbsp;in the second and much bigger room of the Rabouan Moussion Gallery. Large scale photographs, as he likes them to be, along with two videos projected onto screens facing each other, give the exhibition its title: \u201cWaiting\u201d. Erwin Olaf captures women, of all origins, in profile in wide shots or in close-ups, but always they are waiting. In what we imagine to be a hotel lobby, or a restaurant, these women wait patiently, unperturbed\u2026 well almost. The whole force of this installation comes from this sense of \u2018almost\u2019. Is it deception in their eyes? Impatience in that rictus? Hope in that gaze? As the visit continues the questions multiply because we\u2019ve all experienced these types of situations.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>But the skill of the photographer lies with his ability to never give an answer, to retain that ambiguity.<\/b>&nbsp;These women, whose vulnerability comes with waiting, thrusting them into a position of submission, remain forever elusive. They escape us because of the monochromatic styling and this \u201cadvertising aesthetic\u201d that doesn\u2019t allow us to \u201csee\u201d their feelings. They hide them, smooth them over and become ever more mysterious. Erwin Olaf has long excelled in this game of reversal. The stylisation that normally&nbsp;renders photographs so flat and so literal, transforms them into enigmatic clich\u00e9s. The smooth surface covers a depth that comes out in the details with such delicacy. You have to dig, that is to say confront the videos and the photos as well as your own experience, to reveal what\u2019s beneath. \u201c<i>Everyone can think what they like when looking at a photograph, take the time they need to understand, like or hate it. But I\u2019ve noticed that certain people stay in front of my 45-minute double video, trying to get into the soul of the woman who\u2019s waiting. They\u2019re seeking her emotions, these same emotions I try to express through the camera in all their nuances and complexity,\u201d&nbsp;<\/i>the artist concludes. &nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>\u201cWaiting\u201d exhibition by&nbsp;Erwin Olaf,&nbsp;until the 28th of&nbsp;November&nbsp;at Rabouan Moussion Gallery, 11, rue Pastourelle, Paris IIIe.&nbsp;<\/b><a href=\"http:\/\/www.rabouanmoussion.com\/\"><b>www.rabouanmoussion.com<\/b><\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Exhibited since October in the new and very beautiful space at the Rabouan Moussion Gallery,&nbsp;the [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture\/photographer-erwin-olaf-fury-and-solitude-at-the-rabouan-moussion-gallery-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Photographer Erwin Olaf, fury and solitude, at the Rabouan Moussion Gallery<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":539989,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-540001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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