{"id":539928,"date":"2015-12-22T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/art\/architecture\/best-of-2015-interview-of-renzo-piano-the-grand-architect\/"},"modified":"2015-12-22T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"best-of-2015-interview-of-renzo-piano-the-grand-architect","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art\/architecture\/best-of-2015-interview-of-renzo-piano-the-grand-architect\/","title":{"rendered":"BEST OF 2015: Interview of Renzo Piano, the Grand Architect"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a213f6225db3&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a213f6225db3\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/thumb-cover-renzo_piano_grand_ar.jpg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Renzo Piano par St\u00e9phane Gallois<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a213f6226416&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a213f6226416\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/the-shard-london-bridge-tower-c.jpg\" alt=\"\" class=\"wp-image-1\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">The Shard \u2013 London Bridge Tower, in London. This piece of architecture as made by Renzo Piano Building Workshop from 2000 to 2012. Photo Chris Martin. <\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><strong>Num\u00e9ro: Your exhibition at the Cit\u00e9 de l\u2019Architecture is called&nbsp;<em>La m\u00e9thode Piano<\/em>. Can you describe your method?<\/strong><\/p>\r\n\r\n<p><strong>Renzo Piano:&nbsp;<\/strong>Everyone finds their professional path in a different way. For me it was through my family \u2013 my father, uncles and grandfather were all builders. So much so that, when I got interested in architecture, I thought it was simply a question of building. But I know a lot of other people<br \/>\r\ncame to architecture from an artistic approach, where the building is considered as a sculpture. In the end, the initial impetus doesn\u2019t matter much, the important thing is to understand that architecture goes well beyond all that. Those who think it\u2019s just about the beauty of space need to learn that it\u2019s also about people, society, humanism and the art of building. Conversely, as a constructor, I had to learn that you can\u2019t do without poetry and beauty. If you want to talk about my way of working \u2013 I never use the word \u201cmethod\u201d because I work organically \u2013 then I would say that I go quite naturally from one approach to another. At 9.00&nbsp;am I\u2019m something of a poet; at 10.00 more a builder; and at 11.00 rather a humanist, before becoming a poet again. There are other professions like that \u2212 film makers for example. I thought of them because I\u2019m working on plans for a movie museum in Los Angeles, which means&nbsp;that I met quite a few of them. Like us, they work in fragments, scene by scene, piece by piece. They share with us this art of assemblage. In fact it\u2019s a bit like you\u2019re creating a mosaic, spending half your time up close and the other half at a distance, in order to have an overview of the whole thing \u2212 to check that the hand isn\u2019t too big or the nose too small. Jean Prouv\u00e9, who I was lucky enough to know, told me that you don\u2019t run a project, as people often think, by going from the general to the detailed. In truth, you go from the general to the detailed and then back from the detailed to the general in one and the same movement.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Your interest in light, lightness and materials is a constant in your work. Does this add up to a style?<\/strong><\/p>\r\n\r\n<p>I would call it a coherence. An integrity. It\u2019s true that among the axes of my work there\u2019s light. It\u2019s always present. Right at the beginning of my career, I carried out experiments with my father and my brother. Among the things I\u2019ve always been curious about, lightness does indeed have an important place. Why lightness? Because it interests me more than heaviness. Lightness is the art of taking away. It goes together with transparency&#8230; and with light, once again. I&nbsp;think it must have something to do with the fact that I was born in Genoa, on the Mediterranean. This imaginary&nbsp;childhood is a sort of quarry I dig into without realizing it.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>How do you find the right balance between responsibility and disobedience?<\/strong><\/p>\r\n\r\n<p>You have to be a good listener. And for that, you need to understand that the people who have the most interesting things to say are often those who keep quiet. Don\u2019t listen to those who shout, listen to the minorities who don\u2019t express themselves. Ten years ago, when we began the enlargement project at the Columbia campus in Harlem, I&nbsp;spent a lot of time there. I spoke to the Hispanic and Afro-American communities who make up the majority of the local population. I listened to those who were the most discreet. And I understood that it was important for the building to float, that it should be lifted up so that the ground floor would remain an open, public space. This was a response to a strong desire on the part of the local population \u2013 their desire to live together and a share a common space.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong><em>Renzo Piano Building Workshop \u2013 La m\u00e9thode Piano<\/em>,<\/strong><\/p>\r\n\r\n<p><strong>11&nbsp;November 2015 to 29 February 2016 at the Cit\u00e9 de l\u2019Architecture et du Patrimoine, Paris.<\/strong><\/p>\r\n\r\n<p><strong><a href=\"http:\/\/www.citechaillot.fr\/\">www.citechaillot.fr<\/a>.<\/strong><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Num\u00e9ro: Your exhibition at the Cit\u00e9 de l\u2019Architecture is called&nbsp;La m\u00e9thode Piano. Can you describe [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art\/architecture\/best-of-2015-interview-of-renzo-piano-the-grand-architect\/\">Read More&#8230;<span class=\"screen-reader-text\"> from BEST OF 2015: Interview of Renzo Piano, the Grand Architect<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":539922,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-539928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>BEST OF 2015: Interview of Renzo Piano, the Grand Architect - Num\u00e9ro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/art\/architecture\/best-of-2015-interview-of-renzo-piano-the-grand-architect\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BEST OF 2015: Interview of Renzo Piano, the Grand Architect - Num\u00e9ro\" \/>\n<meta property=\"og:description\" content=\"Num\u00e9ro: Your exhibition at the Cit\u00e9 de l\u2019Architecture is called&nbsp;La m\u00e9thode Piano. 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