{"id":539863,"date":"2020-09-08T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee-2\/i-would-never-get-close-to-celebrities-for-strategic-reasons-riccardo-tisci-exclusive-confidences-2\/"},"modified":"2020-09-08T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"i-would-never-get-close-to-celebrities-for-strategic-reasons-riccardo-tisci-exclusive-confidences-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/non-classifiee-2\/i-would-never-get-close-to-celebrities-for-strategic-reasons-riccardo-tisci-exclusive-confidences-2\/","title":{"rendered":"\u201cI would never get close to celebrities for strategic reasons\u201d, Riccardo Tisci exclusive confidences"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2d142f8d627&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2d142f8d627\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/ticcardo_tisci_danko_steiner-numero-mag-interview_1.jpeg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><b>Num\u00e9ro: Why did you decide to make your autumn\/winter-2016 runway show a celebration of love?&nbsp;<\/b><\/p>\r\n\r\n<p><b>Riccardo Tisci: <\/b>I wanted to send a message out into the world that reflected my experience. I\u2019ve been poor, I\u2019ve struggled, like many people right now. My only weapon was my absolute conviction, my belief in the power of love. I\u2019m so lucky to be where I am today. Every day we hear about wars, the destructive power of hate, and we forget about the power of love. I wanted to remind everyone of that.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>The show was co-staged with the artist Marina Abramovic, who\u2019s also a friend of yours. Can you tell us about your working relationship with her?&nbsp;<\/b><\/p>\r\n\r\n<p>Marina and I are very close. In interviews she often says she\u2019s my adoptive mother. So I suggested that she work with me on this project. We\u2019ve often worked together before [notably on a staging of Ravel\u2019s Bol\u00e9ro at the Paris Opera, for which Abramovic designed the sets and Tisci the costumes], but this was the first time we did a runway show together. I told her I wanted to evoke the idea of a marriage, of a bride and groom. It was interesting, because people often say to both of us that our worlds are rather dark. So it was a way of showing that we\u2019re currently turning a page. We evoked the idea of universal love, of the sacred, without referring to any particular religion. The sets [reminiscent of temporary shelters] were made of recycled materials. Marina devised several performances which took place during the show.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>Wasn\u2019t it rather perilous, or any rate audacious, to put on a show like this in New York on 11 September, the anniversary of the World Trade Center attacks?&nbsp;<\/p>\r\n\r\n<p>When we announced that we wanted to celebrate love on 11 September, we got a lot of negative reactions. How could a European dare to stage a runway show in New York on that day? But 11 September 2001 wasn\u2019t a day of tragedy for the U.S. alone \u2013 it was a day of tragedy for the whole world. Just as the whole world stopped after the terrible attacks that recently struck Paris. The best part of the show had nothing to do with either clothes or celebrities: the sky that evening was incredibly beautiful. God gave me this magical, suspended moment. And the audience was clearly very happy to be part of it, so much so that afterwards the negative comments stopped, because we had offered this beautiful moment to the city of New York and to the world. We demonstrated that fashion isn\u2019t necessarily superficial. Moreover, I\u2019ve always been in love with America \u2013 New York, in particular, has been a dream of mine since childhood. I fantasized about this city where all sorts of cultures mix, and where you can become someone. I thought it would be a great place to stage my runway show. Once the decision had been taken, it was very important to me to open it up to ordinary people who wouldn\u2019t usually be able to go to a fashion show [over 800 people were invited via the internet]. I wanted the event to become democratic, to show both New York and the power of the street.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>At Givenchy, you\u2019ve attracted a young clientele with your sophisticated T-shirts and sweatshirts, which have become cult objects. Are they as important in your view as haute-couture gowns?&nbsp;<\/b><\/p>\r\n\r\n<p>They\u2019re there because I was like all the young people who dream about fashion. I was obsessed by Helmut Lang, and though I couldn\u2019t afford to buy a jacket, I saved up to buy a pair of jeans. When I came to Givenchy, I made my intentions clear straight away: \u201cOf course we have to make haute-couture gowns for the wealthiest clients, you have to make people dream because this is a luxury house. But let\u2019s also offer clothing for the young \u2013 jeans, T-shirts, sweatshirts, trainers, rucksacks.\u201d To spread love, you have to think beyond the richest fringe of the world\u2019s population. So many people work hard \u2013 they should be able to join the \u201cGivenchy gang\u201d if they want, and more generally the \u201cfashion gang.\u201d<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>Marina Abramovic is part of your \u201cgang,\u201d a group of friends to whom you remain loyal, which also includes Beyonc\u00e9, Kanye West and Kim Kardashian. All of these people, who you\u2019ve been close to for years, have contributed to the Givenchy image.&nbsp;<\/b><\/p>\r\n\r\n<p>I would never get close to celebrities for strategic reasons. The only people I\u2019m close to are those who I respect, who I open my heart to. Perhaps it\u2019s my Catholic upbringing. I supported Kim at a time when most fashion houses weren\u2019t in the least interested in her. Now she\u2019s become one of the most powerful women in the world. I welcomed her into my heart the very first day, and into the house of Givenchy too.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>Your Instagram account reflects your sincerity, since there\u2019s no hierarchical distinction between photos of your famous friends and pictures of your family in Italy.<\/b><\/p>\r\n\r\n<p>&nbsp;It was Rihanna who introduced me to Instagram. I\u2019d made costumes for one of her tours, and she showed me her account saying, \u201cLook, I\u2019ve posted this photo to thank you.\u201d I\u2019m not really into all the new technologies, but I quickly realized that Instagram could be used intelligently. I use it to send a positive message, to show the beauty of the world, to inspire people, and not to show off my glamorous life. It\u2019s thanks to my mother that I\u2019ve become the person I am, so it\u2019s normal for me to post a picture of her, just as I\u2019ll post a photo of Madonna or Beyonc\u00e9 \u2013 we all understand the power of love. I can\u2019t change the world, but I think we can all bring a positive message.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>You say you can\u2019t change the world, but you were the first designer at the head of a contemporary luxury label to break with elitism and exclusivity.&nbsp;<\/b><\/p>\r\n\r\n<p>I don\u2019t like to be judged, just as I don\u2019t like judging people. I like the courage it takes to be yourself, and I want to encourage that. Karl Lagerfeld said to me one day, \u201cAnyone would think you\u2019d come straight out of the French Revolution.\u201d And it\u2019s true, I\u2019m never ashamed of supporting people, I\u2019m constantly trying to break down new barriers. One example was when I ran campaigns with [transsexual model] Lea T. And may I take the opportunity to thank you, because we made a beautiful image of her with Jean-Baptiste Mondino for the 100th edition of Num\u00e9ro. I wanted to show Lea\u2019s beauty and to prove that transsexuals aren\u2019t necessarily prostitutes. Sadly, in 2015, they\u2019re still not accepted by society, and it\u2019s difficult for them to find work. This is a cause that touches me deeply, as does violence towards women. I have eight sisters, I was brought up by women. If one of them were to fall victim to violence, I think it would kill me.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>How do you choose the faces for your campaigns, which have included such diverse personalities as Erykah Badu, Julia Roberts and Donatella Versace?&nbsp;<\/b><\/p>\r\n\r\n<p>They are all incredible women who I respect deeply. It\u2019s often said that fashion is superficial, but it\u2019s not so much the beauty as the intelligence and self confidence of these women that I wanted to celebrate. Julia Roberts had never been the face of a fashion campaign. As for Donatella, she\u2019s the queen! She welcomed me with open arms when I first started in fashion, when I was still unknown. I was tired of the eternal quarrels over copies and originals. It was the first time a fashion designer celebrated another designer in an advertising campaign. It was a big deal. And a powerful message of love.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>Let\u2019s come back to your New York runway show, which celebrated your tenth anniversary at the head of Givenchy. You used it to explore some of your favourite motifs. How did you go about creating this giant collection of 87 garments?&nbsp;<\/b><\/p>\r\n\r\n<p>The show mixed couture, menswear and womenswear. I was the first person to decide not to show couture on the runway, but in a presentation instead; I was also the first to show couture pieces in a menswear show, because for me the format isn\u2019t important. What is important is that we have a strong identity and that we communicate that identity. But most of all with the New York show, I wanted to avoid its turning into a retrospective. Because I wanted to begin a new era. I\u2019m very, very happy with what Givenchy has become today. When I came on board, the brand was asleep, forgotten. It was very sad, given its history as one of the most important couture houses. First of all I wanted to restore its prestige. Now that we\u2019ve done that, I want to think about the future, about the next ten years with Givenchy<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Num\u00e9ro: Why did you decide to make your autumn\/winter-2016 runway show a celebration of love?&nbsp; [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/i-would-never-get-close-to-celebrities-for-strategic-reasons-riccardo-tisci-exclusive-confidences-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from \u201cI would never get close to celebrities for strategic reasons\u201d, Riccardo Tisci exclusive confidences<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":539859,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-539863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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