{"id":539580,"date":"2020-09-08T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee-2\/preview-olafur-eliasson-floods-versailles-2\/"},"modified":"2020-09-08T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"preview-olafur-eliasson-floods-versailles-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/non-classifiee-2\/preview-olafur-eliasson-floods-versailles-2\/","title":{"rendered":"Preview: Olafur Eliasson floods Versailles"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3c0c815cfd6&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3c0c815cfd6\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/art-portrait-olafur-eliasson-chateau-versailles-photographie-numero-magazine.jpeg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Photo: Olafur Eliasson.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3c0c815d55f&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3c0c815d55f\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/art-portrait-olafur-eliasson-chateau-versailles-photographie-pari-dukovic-numero-magazine.jpeg\" alt=\"\" class=\"wp-image-1\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Olafur Eliasson. Photo: Pari Dukovic\/Trunk Archive\/PhotoSenso.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3c0c815da70&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3c0c815da70\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/art-portrait-olafur-eliasson-chateau-versailles-photographie-mario-tama-numero-magazine.jpeg\" alt=\"\" class=\"wp-image-2\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Photo: Mario Tama\/Getty Images\/AFP.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><b>So what could Danish artist Olafur Eliasson, invited to create this year\u2019s artworks in the gardens at Versailles, have come up with to make people forget the misadventures of his predecessor?&nbsp;<\/b>In 2015, one of the installations by Anglo-Indian artist Anish Kapoor caused a scandal \u2013 or, to be more precise, had its little 15 minutes of fame on national news \u2013 and was afterwards defaced by prudish extremists. \u201cDegrading\u201d is how these uptight anti-Semitic vandals (with very mediocre graffiti skills) described a giant work that obvisouly made reference to female genitalia, and which was instantly nicknamed \u201cthe queen\u2019s vagina.\u201d In the face of such crass stupidity, did Eliasson believe an enema was necessary? Whether or not he was thinking of the purifying virtues of water, it is indeed this substance, in its liquid, solid and gaseous forms, that will be at the heart of his monumental interventions in the gardens of the Ch\u00e2teau de Versailles, from 7 June to 30 October.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>In France, the 49-year-old artist is preaching to the converted.<\/b>&nbsp;One of his first major exhibitions, among those that propelled him to the forefront of the contemporary-art world, was held at the Mus\u00e9e d\u2019Art moderne de la Ville de Paris, while in 2014 the Fondation Louis Vuitton hosted his&nbsp;<i>Contact<\/i>&nbsp;show. In between these two events, Eliasson had been honoured by all the big international art institutions. His&nbsp;<i>Weather Project<\/i>&nbsp;at Tate Modern in 2003 saw him install a giant sun in the Turbine Hall which produced a mysterious halo through an artificial mist. \u201cI work with natural phenomena, with light and the ephemeral,\u201d explained Eliasson when&nbsp;<i>Num\u00e9ro<\/i>&nbsp;met up with him in a salon at Paris\u2019s Plaza Ath\u00e9n\u00e9e a few weeks before the opening in Versailles. \u201cMy idea in Versailles is to create a tangible experience of water in all its forms. Obviously the idea of&nbsp;dematerialization interests me, as well as psychology: I always think about how the public will experience and mentally grasp the exhibition.\u201d<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>Eliasson\u2019s three interventions in the gardens at Versailles should procure visitors a sensational spectacle.&nbsp;<\/b>No less than 40 staff (out of the 100 at his Berlin studio) worked on the project. The first, and probably most impressive, intervention will consist in an immense cascade in the axis of the Grand Canal. \u201cThe idea of a cascade had been abandoned at the time of the gardens\u2019 creation for technical reasons,\u201d he explains. \u201cFor me, this project is a way of making what was impossible yesterday possible, of making the dream become reality. Throughout my art training I was fascinated by the theatrical power of the Baroque, which is fully expressed at Versailles. But the use of this style interests me more for its capacity to underline the presence of an idea, to say everything through a detail, to deepen a sensory and critical ability, than as a melancholic escape into the past.\u201d Meanwhile, in the Bosquet de la Colonnade, Eliasson will reprise his intervention at Paris\u2019s COP 21, bringing in blocks of ice directly from Greenland which are rich in minerals that will fertilize the earth. The end of a world is thus transformed into the possibility of a new start. \u201cGreenland\u2019s layers of ice are made of snow that accumulated over hundreds of thousands of years,\u201d Eliasson explained in 2015. \u201cThe ice contains the memory of all the changes undergone&nbsp;by the climate and the atmosphere.\u201d<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>This singular relationship between the artist and time could not have found a better receptacle than Versailles.&nbsp;<\/b>\u201cVersailles travelled through the centuries to meet me. But I also undertook my part of the&nbsp;journey,\u201d he explains. \u201cOf course I had in mind what I\u2019d learned at school about Louis XIV and about the French Revolution. But also a much more recent event: the Congr\u00e8s du Parlement called by Fran\u00e7ois Hollande following the terrorist attacks in November. Versailles is a place of history, past history of course, but also totally contemporary history. I want to make of Versailles a place of contemporaneousness.\u201d<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>Since his beginnings, Eliasson has always considered cultural institutions as forums that citizens should reappropriate.<\/b>&nbsp;\u201cI begin a story through my works, but it\u2019s the visitors who finish it through their presence. The work only exists because a spectator experiences it.\u201d But will we see a citizens\u2019 reappropriation of the gardens in the manner of the Nuit Debout\u2009movement in Paris? To his detractors, who say his recent work is more like a heartfelt publicity campaign than an artistic gesture (which is supposed to be more radical or courageous), he seems to reply indirectly when he talks about the frenzy he would like his works to provoke. He hopes, for example, that the imposing circular structure that will create a cloud of fine vapour in the Bosquet de l\u2019\u00c9toile \u201cwill not only bring forth rainbows and other light-related phenomena but will also encourage the public to run through and around it in a gesture of madness.\u201d<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>Experiences, sensations, a sense of self consciousness when confronted with natural phenomena<\/b>&nbsp;\u2212 Eliasson\u2019s major themes will all be present, including the theme of exploration, which seems particularly to grip him at Versailles. \u201cI was lucky enough to be able to walk around alone, at night, in the ch\u00e2teau,\u201d he confides. \u201cI just had a little solar-powered pocket torch that I developed with my studio. I&nbsp;opened hidden doors and went down stairs and along corridors reserved for the servants. The vibrations I felt fed into my artistic intervention.\u201d This exploration inspired a second series of subtle, ephemeral works that will blend in perfectly with the architecture of Versailles. Remaining hazy about the details, Eliasson prefers to outline the main ideas behind his intervention. \u201cIt won\u2019t be a question of traditional objects installed on pedestals. Some of them can fit into the palm of your hand. Visitors who aren\u2019t ready to explore Versailles as I did might miss them.\u201d Among the objects he refers to could well be an eye, that of the ch\u00e2teau itself. \u201cThrough my intervention I wanted to bring about a reversal. It\u2019s no longer the spectator looking at Versailles, but Versailles looking at the spectator.\u201d A play of mirrors \u2212 a symbol of Versailles if ever there was one \u2212 will no doubt be involved. \u201cI wondered what a mirror really sees, what its subconscious might be,\u201d he concludes mysteriously.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b>This water magician and shaman of modern times is never short of slogans that hit the nail on the head.<\/b>&nbsp;Especially when it comes to promoting his latest product, the&nbsp;<i>Little Sun<\/i>&nbsp;lamp with its humanitarian aims (originally intended to come to the aid of poor African countries), the same model that allowed him to discover Versailles\u2009by night. \u201cYou can buy it in the shop at the ch\u00e2teau,\u201d he enthuses. \u201cFor \u00c422, everyone can become a Little Sun King!\u201d<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><b><i>Olafur Eliasson at the palace of&nbsp;<\/i><\/b><a href=\"http:\/\/www.chateauversailles.fr\/\"><b><i>Versailles&nbsp;<\/i><\/b><\/a><b><i>in 2016<\/i>, 7 June to 30&nbsp;October.<\/b><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>So what could Danish artist Olafur Eliasson, invited to create this year\u2019s artworks in the [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/preview-olafur-eliasson-floods-versailles-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Preview: Olafur Eliasson floods Versailles<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":539572,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-539580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Preview: Olafur Eliasson floods Versailles<\/title>\n<meta name=\"description\" content=\"Danish artist Olafur Eliasson uses natural phenomena to create his monumental installations. 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