{"id":539442,"date":"2020-09-08T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/culture\/alicia-vikander-the-new-lara-croft-2\/"},"modified":"2020-09-08T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"alicia-vikander-the-new-lara-croft-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture\/alicia-vikander-the-new-lara-croft-2\/","title":{"rendered":"Alicia Vikander, the new Lara Croft"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a34a75dd5f65&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a34a75dd5f65\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/alicia-vikander-lara-croft-tomb-raider-danish-girl-oscar-numero-magazine.jpeg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Alicia Vikander in \u201cTomb Raider\u201d (2017) by Roar Uthaugh, \u00a9 2017 WARNER BROS. ENTERTAINMENT INC. AND METRO-GOLDWYN-MAYER PICTURES INC. \/ Ilze Kitshoff<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p>In a documentary that came out in 2015, Alicia Vikander lent her voice to Ingrid Bergman, which was a way of owning her at least theoretical fil- iation with the most iconic Swedish actress in the history of Hollywood. Born in Go\u0308teborg, the current face of Louis Vuitton isn\u2019t blonde like her predecessor, but is already demon- strating a similar talent. An accom- plished ballet dancer, who has been in the spotlight since her childhood, Vikander has accumulated a fine back catalogue of leading roles since taking the decision to work exclu- sively in cinema at the age of 20. With a filmography ranging from cos- tume dramas such as Royal Affair or Anna Karenina to heavyweight thrill- ers like Ex_Machina, this February she left Los Angeles\u2019 Dolby Theater with the best-supporting-actress Oscar for her role in Tom Hooper\u2019s The Danish Girl. It was a surprise win, and made her the most sought-after actress of her genera- tion. Ahead of her next three re- leases \u2013 Jason Bourne in August, The Light Between Oceans by indie director Derek Cianfrance this au- tumn, and Lara Croft due out next year \u2013 Vikander told Nume\u0301ro about the craziest year in her career.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Nume\u0301ro: This past year has been incredible for you.<\/strong><\/p>\r\n\r\n<p><strong>Alicia Vikander: <\/strong>Yes, it\u2019s been a very intense 12 months! A lot of my films came out almost at the same time, and I had to do a lot of interviews and faced media exposure like never be- fore. Which in the end was all just a coincidence! And this great big wave culminated with the Oscars. I still can\u2019t get over it. What an incredible evening! I was with family and friends who\u2019d all come over from Europe. It was especially extraordinary in that when I grew up English-language, and particularly American, movies seemd like a far-off fantasy world. When I was little, my mother used to set the alarm for 2.00 am to watch the Oscars. So finding myself on the red carpet with her&#8230; When we got there we said to each other, \u201cIt\u2019s crazy being here together!\u201d Then I danced all night long, and the next morning I went back to work.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><br \/>\r\n<strong>Like an Oscar-winning Cinderella&#8230;<\/strong><br \/>\r\nI haven\u2019t stopped since \u2013 I haven\u2019t even had time to go back home to Sweden. I left the statuette with a friend. I hope she\u2019s taking good care of it! [Laughs.]<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><br \/>\r\n<strong>You were nominated alongside Jennifer Jason Leigh, Rooney Mara, Rachel McAdams and Kate Winslet. The movie business must see you very differently now.<\/strong><br \/>\r\nTo be honest, when I\u2019m working a lot like I am at the moment, I turn into a bit of an ostrich. I throw myself into my work. And I like this total immer- sion. I\u2019m living my passion. I\u2019m fright- ened, I tremble, but for the right rea- sons. In the movies you can only be sure of one thing: with each film you do you launch yourself into some- thing completely new, as if you were throwing the dice all over again. Novelty is permanent and elusive. Of course I realize that, for someone fairly young like me, an Oscar is an extraordinary encouragement. It shows that I\u2019m going in the right di- rection. And I need that, because I put pressure on myself to improve. I never stop putting myself under pressure. On the other hand, I\u2019m very good at telling other people not to worry and that everything will turn out okay for them! [Laughs.]<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><br \/>\r\n<strong>During your childhood in Sweden, you began your performing career in a musical produced by two ex-members of Abba. How did you manage to find a balance in your life once you reached adulthood?<\/strong><br \/>\r\nMy mother was a stage actress, that was her job, but when I performed on the stage of the Go\u0308teborg Opera at the age of seven, I didn\u2019t think I was working. And I had to convince my mother, who wanted to protect me. In fact I took the word \u201cplay\u201d lit- erally. I had fun at a bigger scale than in real life, and that\u2019s what I still do today. When I look at children, I see that their personalities are formed very early on. Some want to play more than others. With my girl- friends, at the age of six or seven, we had a lot of fun. My environment was healthy and reassuring. For a num- ber of years, the theatre was my sec- ond home.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><br \/>\r\n<strong>You were a high-level professional ballet dancer before becoming a film actress.<\/strong><\/p>\r\n\r\n<p>I was a pupil in the Royal Swedish Ballet and then in New York \u2013 but I want to point out that I failed to get into drama school. [Laughs.] Ballet was a very important part of my life, a cornerstone. When I stopped dancing to become an actress, I kept the benefits of this apprenticeship. Later, when I was doing films like Ex_Machina [Alex Garland, 2015] or Anna Karenina [Joe Wright, 2012], I realized that acting and dancing are fairly close art forms that in many ways are complementary.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><br \/>\r\n<strong>This summer you\u2019re starring in a blockbuster, the new Jason Bourne, alongside Matt Damon. It\u2019s your first real action movie I believe.<\/strong><br \/>\r\nI greatly enjoyed watching the other films in the series, which I grew up with. They redefined the spy movie in a way that was intelligent and fun. The genre was badly in need of a new energy, and the Jason Bourne movies gave it just the kick it needed in the right direction. For a \u201cpopcorn franchise,\u201d as they\u2019re called, you find some very interesting social and po- litical aspects in the Jason Bournes. And for action films, they\u2019re really ambitious productions. I didn\u2019t really get to use my past life as a dancer in this particular role, because the woman I play isn\u2019t strictly speaking part of the action \u2013 she gives orders to people who put themselves in danger all over the world!<br \/>\r\n&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>You\u2019ve just been shooting Wim Wenders\u2019 next film, Submergence.<\/strong><\/p>\r\n\r\n<p>It\u2019s a movie with two parallel stories and involves filming all over the world in different locations. I\u2019ll soon be go- ing to the Faroe Islands, which I\u2019m greatly looking forward to discover- ing. The shoot is almost done, and I have to say that my heart will be a little heavy when the whole thing is over. My mother showed me Wings of Desire and Paris, Texas when I was about 12. The first time I met Wim Wenders for a coffee, I didn\u2019t have the impression I was being au- ditioned \u2013 I was just happy talking to him and hearing what he had to say. His films were my introduction to arthouse cinema, which is some- thing that means a lot in someone\u2019s life. He\u2019s a director who still has a very modern eye. On set with him I found myself doing shots that were totally different from anything I\u2019d ever done before. In his way of creating a visual world and organizing takes, he really opened the door for me into a very particular universe. And not only did I learn a lot, it was also a huge amount of fun, because Wim really makes me laugh!<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>You seem to be doing film after film without stopping.<\/strong><\/p>\r\n\r\n<p>I don\u2019t think in terms of a competi- tion, but it\u2019s true that I\u2019m very excited by the opportunities that are opening up for me. I\u2019m never a victim of the situation \u2013 I move forward in a way that suits me. I founded my own company, Vikarious Productions, a year ago, and we\u2019re about to start producing our first film, Euphoria, starring Eva Green. I know the direc- tor, Lisa Langseth, because she made Pure, the first feature film I did back in 2009. I\u2019m completely fasci- nated by her way of working. And I knew from very early on that I would want to go over to the other side of the camera, because every aspect of the movie business interests me. Starting a career as a producer seemed totally natural, especially with a truly independent film.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Your first production is being directed by a woman \u2013 is that some- thing that\u2019s important to you?<\/strong><\/p>\r\n\r\n<p>Recently I was interviewed by a mag- azine that wanted to meet the ac- tresses I\u2019d performed with. And I re- alized that in eight films I hadn\u2019t actually worked with that many ac- tresses. I found that a bit sad. Not to mention female directors&#8230; Over the past year or two, people have been talking a lot about the situation of women in film, which seems a good sign to me, perhaps the beginning of a change. Actresses are beginning to be asked to carry big Hollywood films on their shoulders. On my side, as a producer, hiring a woman was a desire, a choice. The whole thing began with a rather alcoholic lunch. I told Lisa Langseth how much I thought she was an incredible scriptwriter and director, then she sketched out an idea for a feature film that I immediately wanted to pro- duce. Her script involves two hero- ines, which is pretty rare, even in 2016&#8230; There are lots of girls working with me on this film. We have to make it easier for women to express themselves.<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>In a documentary that came out in 2015, Alicia Vikander lent her voice to Ingrid [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture\/alicia-vikander-the-new-lara-croft-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Alicia Vikander, the new Lara Croft<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":539438,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-539442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alicia 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