{"id":539418,"date":"2020-09-08T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/culture\/a-conversation-with-jane-fonda\/"},"modified":"2020-09-08T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"a-conversation-with-jane-fonda","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture\/a-conversation-with-jane-fonda\/","title":{"rendered":"A conversation with Jane Fonda"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3a428864114&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3a428864114\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/culture-cinema-retour-entretien-jane-fonda-roger-vadim-loreal-numero-magazine_0-scaled.jpeg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Image by Ren\u00e9 Habermacher.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><strong>If cats have nine lives, what about&nbsp;Jane&nbsp;Fonda?<\/strong> The woman who\u2019s journeyed through modern history, moving between contenents (America, Europe) and activities (militancy, movies, aerobics!) is today recognised as a global icon. You could choose just to remember her two Oscars (1972, 1979) or her rich and complex family history. But Lady&nbsp;Jane&nbsp;places much less importance on her accolades and career than on the time spent defending various causes. Her life is a perfectly coherent sum of many parts, a life free of remorse or regrets. She speaks just as comfortably about 1960s Saint-Tropez (experienced alongside Roger Vadim) as the anti-war meetings she attended in the 1970s. For several years&nbsp;Jane Fonda&nbsp;delivered her paci\ufb01st message in universities across America. Between each demonstration she made \ufb01lms with Sydney Pollack and Alan J. Pakula (her favourite), and dismissed warnings from the American political establishment, who thought she should keep her mouth shut.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Num\u00e9ro:France has an important place in your life. It\u2019s almost as though you were born half French\u2026&nbsp;<\/strong><\/p>\r\n\r\n<p><strong>Jane&nbsp;Fonda: <\/strong>A bit of my heart has been here in France ever since I \ufb01rst visited Nice at the beginning of the 1960s to make a \ufb01lm with Alain Delon (<em>Les F\u00e9lins<\/em>), by Ren\u00e9 Cl\u00e9ment. The \ufb01lming then moved to Paris where I met Roger Vadim. We were together for eight years. I lived all over Paris, we had a daughter together and I often came back, even after him.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Who did you hang out with?<\/strong><\/p>\r\n\r\n<p>There was the Nouvelle Vague going on, an amazing effervescence, and then Saint-Tropez, the Riviera\u2026 The Arcachon Basin and the Trespasser\u2019s Bay in Brittany have stayed with me most of all. Vadim was very good at holidays. He really loved nature, places that were off the beaten track. Saint-Tropez, but only in winter. We\u2019d play chess. And then I was in Paris, pregnant, during May \u201868, which completely changed my life.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Had you been politically aware before then?<\/strong><\/p>\r\n\r\n<p>No, not really. One morning I heard Vadim cry out when he opened the newspaper: the American Congress had authorised the bombing of North Vietnam. Vadim was dumbfounded. In his eyes it just wasn\u2019t possible that the Americans could win a war over there. Ten years later I realised that he was right. Mine was a gradual education. It was Simone Signoret who took me along to demonstrations with the likes of Simone de Beauvoir and Sartre. At the same time the American soldiers who were dodging the draft were hiding out in Paris. Calder, the sculptor, put them up at a farm he had somewhere. I\u2019d visit them and what they said had a great in\ufb02uence on me. That was in 1968. With Vietnam, the May events and the fact I was pregnant, I said to myself: \u2018I have to go back home and join the anti-Vietnam War movement.\u2019<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>A somewhat radical choice!<\/strong><\/p>\r\n\r\n<p>I was bed-bound because of my pregnancy, so I spent hours in front of French TV. That was where I saw images of the Tet Offensive, the bombed hospitals\u2026 images that weren\u2019t shown on American television. I felt betrayed by my country, I couldn\u2019t stay in France, I had to go back and protest.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>You played in a \ufb01lm by Jean-Luc Godard and Jean-PierreGorin,<em>Tout va bien.&nbsp;<\/em>Did you meet them during May\u201968?<\/strong><\/p>\r\n\r\n<p>No, I met them in the US. They just sent me the script over. At the time it wasn\u2019t very easy to get hold of me. I was nomadic. I\u2019d wander around with my backpack, sleeping on friends\u2019 sofas. It was a bit unconventional, but quite wonderful.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>What memories do you have of this collaboration with Godard?<\/strong><\/p>\r\n\r\n<p>We didn\u2019t get on that well, which is pretty normal with Godard, I believe. You can\u2019t ignore the in\ufb02uence he\u2019s had on modern cinema though. I don\u2019t regret it, but it wasn\u2019t very fun. Having said that I\u2019d like to see the \ufb01lm again today! Afterwards they [Godard and Gorin] made a short \ufb01lm addressed to me, Letter to&nbsp;Jane. A completely nonsensical thing!<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>How did you get on with American cinema when you went back to the States?<\/strong><\/p>\r\n\r\n<p>I\u2019d never got off American cinema. I \ufb01lmed American movies like <em>Cat Ballou<\/em> (Elliot Silverstein, 1965) and <em>Barefoot in the Park<\/em> (Gene Saks, 1967) during my \u2018French period\u2019. When I \ufb01rst got the script for <em>They Shoot Horses, Don\u2019t They<\/em> (Sydney Pollack, 1969), it wasn\u2019t that good, but Vadim pushed me into doing it. Once again, he was right!<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>You started working in Hollywood while the studio system was still intact, and thenyou were part of New Hollywood during the 1970s.<\/strong><\/p>\r\n\r\n<p>I had contracts: \ufb01rst with Columbia and then MGM Studios. It was a tight system under the grip of the unions. When I got to France and saw that you could shoot quickly, I started breathing again. On my return to the States I didn\u2019t want to do Hollywood \ufb01lms anymore. But Coleman Young, a revolutionary black lawyer, who was mayor of Detroit, said to me, \u201cThe movement needs stars, you have to keep doing major movies.\u201d My perspective had changed and my success was now of political importance.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>May\u201968 and the civil rights movement awoke your political conscience. But where did the roots of this come from?<\/strong><\/p>\r\n\r\n<p>From my father, Henry. <em>Twelve Angry Men, The Grapes of Wrath, The Ox-Bow Incident<\/em>\u2026 He often chose \ufb01lms about justice. He didn\u2019t talk about it, but he was touched by those roles more than others, and I could feel that. Whenever I\u2019m asked where my activist side comes from, it\u2019s clearly because I\u2019m my father\u2019s daughter. He wasn\u2019t militant but his choice of \ufb01lms was signi\ufb01cant.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>If cats have nine lives, what about&nbsp;Jane&nbsp;Fonda? The woman who\u2019s journeyed through modern history, moving [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture\/a-conversation-with-jane-fonda\/\">Read More&#8230;<span class=\"screen-reader-text\"> from A conversation with Jane Fonda<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":539414,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-539418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A conversation with Jane Fonda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/culture\/a-conversation-with-jane-fonda\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A conversation with Jane Fonda\" \/>\n<meta property=\"og:description\" content=\"If cats have nine lives, what about&nbsp;Jane&nbsp;Fonda? 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