{"id":515893,"date":"2020-09-02T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/art\/art-art\/the-day-joseph-beuys-did-dusseldorf-new-york-in-an-ambulance-2\/"},"modified":"2020-09-02T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"the-day-joseph-beuys-did-dusseldorf-new-york-in-an-ambulance-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art\/art-art\/the-day-joseph-beuys-did-dusseldorf-new-york-in-an-ambulance-2\/","title":{"rendered":"The day Joseph Beuys did D\u00fcsseldorf \u2013 New York in an ambulance"},"content":{"rendered":"\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a212210234ac&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a212210234ac\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/beuys-performance-eric-troncy-soufiane-ababri-numero-art-magazine-1.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    <p><strong>Wheelchairbound, he was again conveyed by ambulance<\/strong> &ndash; without ever physically touching American soil &ndash; to the Ren&eacute; Block Gallery at 409 West Broadway where, for three days, he locked himself in a large metal cage with a wild coyote.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p class=\"rtecenter\"><span class=\"fs-add-1\"><span class=\"fs-add-2\"><strong>This historic performance has often been exaggerated in retellings (as though that were necessary).<\/strong><\/span><\/span><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>During his 72 hours in its company, Beuys<\/strong> &ndash; still wrapped in the felt cloth, wearing gloves and a felt hat he didn&rsquo;t once take off, and armed with a cane, a flashlight, a tape player and a triangle &ndash; learned to share the space with the animal, under the curious gaze of gallery visitors (a few hundred at the most, thankfully without smartphones). Every day, 50 copies of <em>The Wall Street Journal<\/em> were placed in the cage on which the coyote pissed with admirable regularity (as well as on the felt blanket), its behaviour going from belligerent to indifferent to &ldquo;friendly.&rdquo;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Entitled<em> I Like<\/em> <em>America and America Likes Me, <\/em>Beuys&rsquo;s performance<\/strong> has often been exaggerated in retellings (as though that were necessary); perhaps our admiration for great works makes us want them to be even more spectacular, or maybe truth isn&rsquo;t a prerequisite for art. At the end of the three days, Beuys, still wrapped in the felt blanket, returned to JFK by ambulance and flew back to D&uuml;sseldorf.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Wheelchairbound, he was again conveyed by ambulance &ndash; without ever physically touching American soil &ndash; [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art\/art-art\/the-day-joseph-beuys-did-dusseldorf-new-york-in-an-ambulance-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from The day Joseph Beuys did D\u00fcsseldorf \u2013 New York in an ambulance<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":515889,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-515893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La performance de Joseph Beuys, D\u00fcsseldorf \u2013 New York en ambulance<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/art\/art-art\/the-day-joseph-beuys-did-dusseldorf-new-york-in-an-ambulance-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La performance de Joseph Beuys, D\u00fcsseldorf \u2013 New York en ambulance\" \/>\n<meta property=\"og:description\" content=\"Wheelchairbound, he was again conveyed by ambulance &ndash; 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