{"id":514665,"date":"2020-09-02T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee-2\/the-day-versace-paid-tribute-to-freddie-mercury-2\/"},"modified":"2020-09-02T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"the-day-versace-paid-tribute-to-freddie-mercury-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/non-classifiee-2\/the-day-versace-paid-tribute-to-freddie-mercury-2\/","title":{"rendered":"The day Versace paid tribute to Freddie Mercury"},"content":{"rendered":"\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3252988ec03&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3252988ec03\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/bbl_lepresbytere_creditiliachkolnik_telaviv_1622-1-scaled.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">&#8220;Le Presbyt\u00e8re n\u2019a rien perdu de son charme, ni le jardin de son \u00e9clat\u201d (2016) de Maurice B\u00e9jart. Costumes de Henri Davila, design de Gianni Versace. \u00a9 BBL \u2013 Ilia Chkolnik<\/figcaption>\n                    <\/figure>\n                    \n                    <p><strong>When his life was cut short on a July day in 1997,&nbsp;<\/strong><a href=\"https:\/\/www.numero.com\/mode\/gianni-versace-legende-mode-italienne-serie-american-crime-story-supermodels-elton-john-elizabeth-hurley-princesse-diana\" rel=\"noopener noreferrer\" target=\"_blank\">Gianni Versace was a couturier globally known for his glamourous, sexy and highly-colourful aesthetic.<\/a>&nbsp;His pure bling creations, embellished with gold Medusa heads, felt like a nod to Italian opulence and wealth. But throughout his career, the Calabrese couturier had also shone in the ballet world: he designed costumes and stage sets for shows by the biggest choreographers.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Right from the start, Gianni Versace was passionate about dance.<\/strong>&nbsp;After founding his house in 1978, he worked for La Scala, Italy&rsquo;s great opera house. At this high institution of Italian culture, Gianni Versace created costumes for historical ballets: the dancers wore heavy clothes, pieces in the style of antiquity or inspired by the 18th&nbsp;century. Their creation was a genuine challenge because he was moving away from his usual technique of draping fabrics directly onto the models.<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3252988efb9&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3252988efb9\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/dyonisos-versace-bejart-ballet-numero-magazine-1.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">\u201cDyonisos\u201d (1985) de Maurice B\u00e9jart \u00a9 BBL<\/figcaption>\n                    <\/figure>\n                    \n                    <p><span class=\"fs-add-2\"><strong>Versace and&nbsp;B&eacute;jart, an historic partnership<\/strong><\/span><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Gianni Versace was nearly 40 when he collaborated for the first time with Maurice B&eacute;jart<\/strong>. In 1984, the Italian designer knocked on the door of the choreographer who had introduced modern dance to France ten years previously. Together they imaged a first ballet:&nbsp;<em>Dionysus.<\/em>&nbsp;To dress the dancers in this mythological piece, Gianni Versace imagined baggy red trousers leaving them free to express themselves. Simply draped over the legs of the dancers &ndash; swelling out over the thighs and fitted on the calves &ndash; Versace&rsquo;s pieces were astounding in their very sobriety. Accustomed to drawing inspiration from the legends of Ancient Greece for his flashy creations, Versace revisited the legend of the god of wine and excess in a most understated and minimalist manner.<\/p>\r\n\r\n<p><strong>&nbsp;<\/strong><\/p>\r\n\r\n<p><strong>Reinforced by this first collaboration, the B&eacute;jart-Versace duo came together for several more ballets:<\/strong>&nbsp;from<strong>&nbsp;<\/strong><em>Malraux ou la m&eacute;tamorphose des dieux<\/em>&nbsp;(1986), to&nbsp;<em>Ch&eacute;reau-Mishima-Peron&nbsp;<\/em>(1988) and&nbsp;<em>Pyramide<\/em>&nbsp;(1990), 12 of choreographer&rsquo;s works were dressed by the Italian couturier. Their last masterpiece took place a year before Versace was killed:&nbsp;<em>Le Presbyt&egrave;re n&rsquo;a rien perdu de son charme, ni le jardin de son &eacute;clat<\/em>&nbsp;was first presented in Lausanne in 1996. A truly scenic performance, the piece was taken up again later at the Th&eacute;&acirc;tre de Chaillot where the dancers were accompanied by Elton John and the English rock band Queen.<\/p>\r\n<p><strong>In 1991, AIDS took its toll.&nbsp;<\/strong>That year the illness carried away the young and fabulous frontman of Queen, Freddie Mercury as well as&nbsp;Jorge Donn, the legendary dancer in the B&eacute;jart company. Sounding very much like a tribute to these two artists who had passed away at the age of 45,&nbsp;<em>Le Presbyt&egrave;re n&rsquo;a rien perdu de son charme, ni le jardin de son &eacute;clat<\/em>&nbsp;was according to Maurice B&eacute;jart,<em>&nbsp;&ldquo;a ballet about people who die too young&rdquo;.&nbsp;<\/em>This time, Gianni Versace worked almost entirely in white, with hints of black and red, the colour of blood.<\/p>\r\n\r\n<p><strong>&nbsp;<\/strong><\/p>\r\n\r\n<p><strong>The costumes for this &ldquo;rock ballet&rdquo; resonate like an echo of Queen&rsquo;s music:&nbsp;<\/strong>the dancers wear leather biker jackets, capes and coloured tights. For&nbsp;Maurice B&eacute;jart, this tribute show is also a &lsquo;gift &lsquo;to those two artists: a pretext to come together, to talk and to share.&nbsp;<em>Le Presbyt&egrave;re n&rsquo;a rien perdu de son charme, ni le jardin de son &eacute;clat<\/em>&nbsp;was a chance for the show to go on.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3252988f322&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3252988f322\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/bbl_lepresbytere._creditiliachkolnik_bari2012_cac4936-1-scaled.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">&#8220;Le Presbyt\u00e8re n\u2019a rien perdu de son charme, ni le jardin de son \u00e9clat\u201d (2012) de Maurice B\u00e9jart. Costumes de Henri Davila, design de Gianni Versace. \u00a9 BBL \u2013 Ilia Chkolnik<\/figcaption>\n                    <\/figure>\n                    \n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3252988f690&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3252988f690\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/bbl_lepresbytere_creditiliachkolnik_telaviv_1233-3-scaled.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">&#8220;Le Presbyt\u00e8re n\u2019a rien perdu de son charme, ni le jardin de son \u00e9clat\u201d (2012) de Maurice B\u00e9jart. Costumes de Henri Davila, design de Gianni Versace. \u00a9 BBL \u2013 Ilia Chkolnik<\/figcaption>\n                    <\/figure>\n                    \n                    ","protected":false},"excerpt":{"rendered":"<p>When his life was cut short on a July day in 1997,&nbsp;Gianni Versace was a [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/the-day-versace-paid-tribute-to-freddie-mercury-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from The day Versace paid tribute to Freddie Mercury<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":514655,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-514665","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les costumes de Gianni Versace pour les ballets de Maurice B\u00e9jart<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/the-day-versace-paid-tribute-to-freddie-mercury-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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