{"id":507563,"date":"2020-11-20T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee-2\/with-the-cinema-clothes-come-back-to-life-alessandro-michele-and-gus-van-sant-unveil-a-mini-series-of-films\/"},"modified":"2020-11-20T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"with-the-cinema-clothes-come-back-to-life-alessandro-michele-and-gus-van-sant-unveil-a-mini-series-of-films","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/non-classifiee-2\/with-the-cinema-clothes-come-back-to-life-alessandro-michele-and-gus-van-sant-unveil-a-mini-series-of-films\/","title":{"rendered":"\u201cWith the cinema, clothes come back to life,\u201d Alessandro Michele and Gus Van Sant unveil a mini-series of films"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" 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<\/figure>\n                    \n                    <p><strong>Currently being shown on YouTube between November 16<sup>th<\/sup>&nbsp;and 22<sup>nd<\/sup>, the miniseries&nbsp;<\/strong><strong>of seven films made in Rome by&nbsp;<\/strong>Alessandro Michele and Gus Van Sant is composed of suspended and poetic moments in the life of actress and artist Silvia Calderoni, who we first saw in 2016 at the Th\u00e9\u00e2tre Paris-Villette. In the powerful performance of her play&nbsp;<i>MDLSX<\/i>&nbsp;she evoked her own androgyny, intertwining autobiographical and literary fictional experiences. The first episode made by Van Sant and Michele, unveiled on Monday November 16<sup>th<\/sup>, offers a glimpse into the fictional intimacy of Silvia Calderoni, in a carefully styled apartment: vintage rugs and sofas, designer furniture and esoteric paintings\u2026 The Gucci universe unfolds with elegance.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<h1 align=\"center\">&nbsp;<\/h1>\r\n\r\n<h1 align=\"center\">\u201cI wanted to develop a story over a long, slow period of time,&nbsp;<br \/>\r\nlike a pregnancy.&#8221; Alessandro Michele<\/h1>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>&#8220;When I wrote this story,&#8221; says Michele, &#8220;I wanted the ambiguity between fiction<\/strong> and reality to be absolute.&nbsp;I wanted to follow Silvia in everyday, timeless places and moments, and when she meets people too. Neither the time nor the places are defined. I wanted to develop a story over a long, slow period of time, like a pregnancy&#8221;. Among her &#8220;encounters&#8221; are the philosopher and gender specialist Paul B. Preciado&#8230; but also the pop stars Billie Eilish, Harry Styles and Florence Welch. &#8220;It&#8217;s a journey,&#8221; says Gus Van Sant, &#8220;in which various people have the opportunity to talk about their discipline. But above all it\u2019s about following the daily life of a woman in Rome, at home, in a vintage shop, in a caf\u00e9, at the theatre&#8230; The story written by Alessandro has obvious links with my films such as&nbsp;<i>Gerry<\/i>,&nbsp;<i>Elephant<\/i>&nbsp;or&nbsp;<i>The Last Days<\/i>. Recounted in an oblique way, things happen before your eyes in a kind of slowed-down temporality.&#8221;<\/p>\r\n<p><strong>Currently being shown on YouTube between November 16<sup>th<\/sup>&nbsp;and 22<sup>nd<\/sup>, the miniseries&nbsp;<\/strong><strong>of seven films made in Rome by&nbsp;<\/strong>Alessandro Michele and Gus Van Sant is composed of suspended and poetic moments in the life of actress and artist Silvia Calderoni, who we first saw in 2016 at the Th\u00e9\u00e2tre Paris-Villette. In the powerful performance of her play&nbsp;<i>MDLSX<\/i>&nbsp;she evoked her own androgyny, intertwining autobiographical and literary fictional experiences. The first episode made by Van Sant and Michele, unveiled on Monday November 16<sup>th<\/sup>, offers a glimpse into the fictional intimacy of Silvia Calderoni, in a carefully styled apartment: vintage rugs and sofas, designer furniture and esoteric paintings\u2026 The Gucci universe unfolds with elegance.&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<h1 align=\"center\">&nbsp;<\/h1>\r\n\r\n<h1 align=\"center\">\u201cI wanted to develop a story over a long, slow period of time,&nbsp;<br \/>\r\nlike a pregnancy.&#8221; Alessandro Michele<\/h1>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>&#8220;When I wrote this story,&#8221; says Michele, &#8220;I wanted the ambiguity between fiction<\/strong> and reality to be absolute.&nbsp;I wanted to follow Silvia in everyday, timeless places and moments, and when she meets people too. Neither the time nor the places are defined. I wanted to develop a story over a long, slow period of time, like a pregnancy&#8221;. Among her &#8220;encounters&#8221; are the philosopher and gender specialist Paul B. Preciado&#8230; but also the pop stars Billie Eilish, Harry Styles and Florence Welch. &#8220;It&#8217;s a journey,&#8221; says Gus Van Sant, &#8220;in which various people have the opportunity to talk about their discipline. But above all it\u2019s about following the daily life of a woman in Rome, at home, in a vintage shop, in a caf\u00e9, at the theatre&#8230; The story written by Alessandro has obvious links with my films such as&nbsp;<i>Gerry<\/i>,&nbsp;<i>Elephant<\/i>&nbsp;or&nbsp;<i>The Last Days<\/i>. Recounted in an oblique way, things happen before your eyes in a kind of slowed-down temporality.&#8221;<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36f6566e6dc&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36f6566e6dc\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/1-alessandro-michele-gus-van-sant-guccifest-2-scaled.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36f6566e9f8&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36f6566e9f8\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/1-alessandro-michele-gus-van-sant-guccifest-3-scaled.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    <p><b>The short films are an opportunity for Alessandro Michele to present his new collection,<\/b>&nbsp;which, like the series, is called&nbsp;<i>Ouverture Of Something That Never Ended<\/i>. &#8220;Fashion must be allowed to free itself,&#8221; explains the artistic director. \u201cTo free itself from the catwalks, from the expected places. Thanks to cinema, clothes come to life, they are worn and not confined to a shop or a wardrobe. Clothes return to where they came from: they come back to life. Cinema has had a major impact on my own life, with both Hollywood and Italian neo-realism films. I watched Daniel Mann&#8217;s&nbsp;<i>The Rose Tattoo&nbsp;<\/i>with Anna Magnani more than 20 times [a 1955 adaptation of the play by Tennessee Williams]. Watching Bj\u00f6rk in&nbsp;<i>Dancer in the Dark<\/i>&nbsp;was a real shock, while discovering Gus&#8217;s&nbsp;<i>My Own Private Idaho<\/i>, 30 years ago, was liberating. That film helped me to understand who I was, in a way that was unconventional, brutal yet delicate.&#8221;&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Thirty years ago, Gus Van Sant shot some of the scenes<\/strong> from&nbsp;<i>My Own Private Idaho<\/i>&nbsp;in Rome.&nbsp;He also has fond memories of another trip, in 1975, when he visited Pasolini at his home just before he was murdered. And the film set of&nbsp;<i>Fellini\u2019s Casanova<\/i>, where he\u2019d been taken by an American journalist. &#8220;When I was young,&#8221; continues Alessandro Michele, &#8220;I didn&#8217;t want to be a fashion designer, but a costume designer. I am often asked today if I am one or the other but I remain unable to answer. It is this very ambiguity that fascinates me. My work is based on the idea of never closing a door. Creativity is not something you can limit, categorise or stop. Clothes are strange and ambiguous objects too. You find them in films, in washing machines, on beds, in shops&#8230;&#8221; And now in a series of seven films available on the YouTube Fashion channel and Gucci\u2019s social media.<\/p>\r\n\r\n<p><strong>&nbsp;<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong><u>Find the festival&#8217;s full program at&nbsp;<a data-auth=\"NotApplicable\" href=\"http:\/\/www.guccifest.com\/\" id=\"LPlnk689802\" rel=\"noopener noreferrer\" target=\"_blank\">www.guccifest.com<\/a><\/u><\/strong><\/p>\r\n<p><b>The short films are an opportunity for Alessandro Michele to present his new collection,<\/b>&nbsp;which, like the series, is called&nbsp;<i>Ouverture Of Something That Never Ended<\/i>. &#8220;Fashion must be allowed to free itself,&#8221; explains the artistic director. \u201cTo free itself from the catwalks, from the expected places. Thanks to cinema, clothes come to life, they are worn and not confined to a shop or a wardrobe. Clothes return to where they came from: they come back to life. Cinema has had a major impact on my own life, with both Hollywood and Italian neo-realism films. I watched Daniel Mann&#8217;s&nbsp;<i>The Rose Tattoo&nbsp;<\/i>with Anna Magnani more than 20 times [a 1955 adaptation of the play by Tennessee Williams]. Watching Bj\u00f6rk in&nbsp;<i>Dancer in the Dark<\/i>&nbsp;was a real shock, while discovering Gus&#8217;s&nbsp;<i>My Own Private Idaho<\/i>, 30 years ago, was liberating. That film helped me to understand who I was, in a way that was unconventional, brutal yet delicate.&#8221;&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Thirty years ago, Gus Van Sant shot some of the scenes<\/strong> from&nbsp;<i>My Own Private Idaho<\/i>&nbsp;in Rome.&nbsp;He also has fond memories of another trip, in 1975, when he visited Pasolini at his home just before he was murdered. And the film set of&nbsp;<i>Fellini\u2019s Casanova<\/i>, where he\u2019d been taken by an American journalist. &#8220;When I was young,&#8221; continues Alessandro Michele, &#8220;I didn&#8217;t want to be a fashion designer, but a costume designer. I am often asked today if I am one or the other but I remain unable to answer. It is this very ambiguity that fascinates me. My work is based on the idea of never closing a door. Creativity is not something you can limit, categorise or stop. Clothes are strange and ambiguous objects too. You find them in films, in washing machines, on beds, in shops&#8230;&#8221; And now in a series of seven films available on the YouTube Fashion channel and Gucci\u2019s social media.<\/p>\r\n\r\n<p><strong>&nbsp;<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong><u>Find the festival&#8217;s full program at&nbsp;<a data-auth=\"NotApplicable\" href=\"http:\/\/www.guccifest.com\/\" id=\"LPlnk689802\" rel=\"noopener noreferrer\" target=\"_blank\">www.guccifest.com<\/a><\/u><\/strong><\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36f6566ecf9&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36f6566ecf9\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" 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<\/figure>\n                    \n                    ","protected":false},"excerpt":{"rendered":"<p>Currently being shown on YouTube between November 16th&nbsp;and 22nd, the miniseries&nbsp;of seven films made in [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/with-the-cinema-clothes-come-back-to-life-alessandro-michele-and-gus-van-sant-unveil-a-mini-series-of-films\/\">Read More&#8230;<span class=\"screen-reader-text\"> from \u201cWith the cinema, clothes come back to life,\u201d Alessandro Michele and Gus Van Sant unveil a mini-series of films<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":507549,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-507563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alessandro Michele and Gus Van Sant unveil a mini-series of films<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/with-the-cinema-clothes-come-back-to-life-alessandro-michele-and-gus-van-sant-unveil-a-mini-series-of-films\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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