{"id":505626,"date":"2021-04-14T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/non-classifiee-2\/photographer-hiroshi-sugimoto-unveils-his-first-coloured-works-secrets-2\/"},"modified":"2021-04-14T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"photographer-hiroshi-sugimoto-unveils-his-first-coloured-works-secrets-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/non-classifiee-2\/photographer-hiroshi-sugimoto-unveils-his-first-coloured-works-secrets-2\/","title":{"rendered":"Photographer Hiroshi Sugimoto unveils his first coloured works&#8217; secrets"},"content":{"rendered":"\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2cbd9927488&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2cbd9927488\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/hiroshi-sugimoto-galerie-marian-goodman-paris-numero-magazine-24-1.jpg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 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class=\"wp-element-caption\">Vue de l\u2019exposition, Hiroshi Sugimoto, \u201cTheory of Colours\u201d, Galerie Marian Goodman Paris, 2021.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2cbd9928def&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2cbd9928def\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" 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\/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Vue de l\u2019exposition, Hiroshi Sugimoto, \u201cTheory of Colours\u201d, Galerie Marian Goodman Paris, 2021.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><b>For nearly five decades, Hiroshi Sugimoto&#8217;s photographic quest&nbsp;<\/b>has been that of a tireless retranscription of the infinite&#8230; on film. From his famous&nbsp;<i>Seascapes<\/i>, panoramas of perfectly flat stretches of water, and his&nbsp;<i>Theaters<\/i>, static views of cinema screens captured for hours on end, to his shots of skies streaked with lightning and deliberately blurred architecture, the Japanese photographer has demonstrated, in black and white, his almost mathematical mastery of time and light, favouring the silent exercise of contemplation. Now, at the age of 73, Hiroshi Sugimoto unveils at Marian Goodman Gallery his latest series&nbsp;<i>Opticks<\/i>, begun in 2018, exploring a more recent aspect of his practice: colour, in its purest form and essence. To make it, the artist was inspired some fifteen years ago by a theory of the physicist Isaac Newton as he captured the light of dawn through a prism from his Tokyo studio to make the chromatic spectrum appear on the small surface of a Polaroid film. The result is a series of coloured squares &#8211; sometimes plain, often shaded &#8211; of striking intensity, scanned and then printed in large format before being hung on the wall for the viewer. With their almost painterly force, reminiscent of the paintings of Mark Rothko or Barnett Newman, these abstract landscapes immerse the viewer, both physically and mentally, in colour. For Num\u00e9ro, the legendary photographer agreed to talk about this project with the laconic precision that characterises him, uncluttered by superfluous elucidations. Simple and well-chosen, his few words set the stage for images of an ineffable depth before letting them take the reader to where, as he himself says, \u201c<em>space is the last limit.\u201d<\/em><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Num\u00e9ro : You started recreating the Newton prism experiment 15 years ago, but started the \u201cOpticks\u201d series only in 2018 with a very precise protocol, taking time of the day and period of the year into account to have the best light and exposure. How much time and work did it take you to figure out the right technique, setting and tools to use?<\/strong><\/p>\r\n\r\n<p>First, I needed to construct a space to contemplate light, and then time to observe.&nbsp;I have to be patient.&nbsp;I have seeded many ideas, some more than a decade ago. A few will sprout and many will not.&nbsp;Some I am still waiting on.&nbsp;I never know when it will be time for one of those ideas to blossom.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p class=\"text-align-center\"><em><strong>\u201cThese prints are&nbsp;a reflection of the colors in my mind.\u201d<\/strong><\/em><\/p>\r\n\r\n<p class=\"text-align-center\">&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>The colors on your works are so pure they look like pigments. How do you manage to obtain such purity and intensity?&nbsp;<\/strong><\/p>\r\n\r\n<p>I am photographing pure color, so it is only natural that the prints reflect that intensity of color.&nbsp;They are a reflection of the colors in my mind.<\/p>\r\n<p><strong>You started your \u201cSeascapes\u201d series in 1980, where you photographed flat&nbsp;views of the sea in black and white, which has become&nbsp;today one of your most well-known works. In \u201cOpticks\u201d, strangely or not, we can identify a similar aesthetic search for the horizontal line and the depiction of different shades of light in gradation. Do you see this latest series as a response or a mirror to the previous one?<\/strong><\/p>\r\n\r\n<p>I suppose one lead to the other.<em>&nbsp;Seascapes<\/em> are views of Earth and observe the water, light and atmospher of this planet.&nbsp;<em>Opticks <\/em>explore the physicis of light and could concievably be made on other planets.&nbsp; &nbsp;<\/p>\r\n\r\n<p class=\"text-align-center\">&nbsp;<\/p>\r\n\r\n<p class=\"text-align-center\">&nbsp;<\/p>\r\n\r\n<p class=\"text-align-center\"><em><strong>\u201cI wanted the viewer to be able to enter the color so that it fills their field of vision.\u201d<\/strong><\/em><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>What is also very interesting is the change of scale: you use small and square Polaroid films to receive the light through the prism, and the works are then printed in very large formats. Why is that?<\/strong><br \/>\r\nIt is no different than when anyone takes a picture with a film camera and then decides to enlarge the photo, only I start with a positive rather than a negative.&nbsp;For the <em>Opticks <\/em>series,&nbsp;I wanted the viewer to be able to enter the color so that it fills their field of vision.<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2cbd9929166&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2cbd9929166\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/hiroshi-sugimoto-galerie-marian-goodman-paris-numero-magazine-40-1.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Vue de l\u2019exposition, Hiroshi Sugimoto, \u201cTheory of Colours\u201d, Galerie Marian Goodman Paris, 2021. Cr\u00e9dit photo : Rebecca Fanuele. Courtesy Hiroshi Sugimoto et Marian Goodman Gallery <\/figcaption>\n                    <\/figure>\n                    \n                    <p><strong>The show in will also include your film \u201cThe Garden of Time\u201d, where we see dancers in your Enoura Observatory over different seasons of the year. What was the idea behind this project?<\/strong><\/p>\r\n\r\n<p>Enora Observatory is my lifework.&nbsp;Through it, I endevor to incorporate all forms of art.&nbsp;Time has always been my subject matter, and performance, whether it is a Noh play, a tea ceremony, or a contemporary dance, is time based art.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p class=\"text-align-center\"><em><strong>\u201cSpace is the final frontier.\u201d<\/strong><\/em><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>When you look at the&nbsp;evolution of your photographic work over the decades, would you say the more you gain experience and advance in your photographic career, the more you lean towards total abstraction?<\/strong><br \/>\r\nMy experience enables me to distill an idea into its essence.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Now that you have dived into the pure essence of light and color with this series, has it broadened new photographic horizons?<\/strong><\/p>\r\n\r\n<p>Space is the final frontier.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Hiroshi Sugimoto&#8217;s \u201cTheory of Colours\u201d exhibition at Marian Goodman Gallery in Paris is still closed, <a href=\"https:\/\/www.mariangoodman.com\/exhibitions\/hiroshi-sugimoto-theory-of-colours-paris\/\" target=\"_blank\" rel=\"noopener\">but can be visited online in the meantime.<\/a><\/strong><br \/>\r\n&nbsp;<\/p>\r\n\r\n<p><strong>\u00ab&nbsp;Post Vitam&nbsp;\u00bb, a catalogue of Hiroshi Sugimoto&#8217;s&nbsp;exhibition at&nbsp;Kyoto City Kyocera Museum of Art (2020) is available at&nbsp;Heibonsha.<\/strong><\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2cbd9929473&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a2cbd9929473\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/hiroshi-sugimoto-galerie-marian-goodman-paris-numero-magazine-21-1.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Enoura Observatory, Winter Solstice 2016, Odawara Foundation for the Arts, Odawara, Japan\r\nPhoto credit and copyright: Sugimoto Studio. Courtesy the artist and Marian Goodman Gallery\r\n<\/figcaption>\n                    <\/figure>\n                    \n                    ","protected":false},"excerpt":{"rendered":"<p>For nearly five decades, Hiroshi Sugimoto&#8217;s photographic quest&nbsp;has been that of a tireless retranscription of [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/photographer-hiroshi-sugimoto-unveils-his-first-coloured-works-secrets-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Photographer Hiroshi Sugimoto unveils his first coloured works&#8217; secrets<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":505606,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-505626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hiroshi Sugimoto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/non-classifiee-2\/photographer-hiroshi-sugimoto-unveils-his-first-coloured-works-secrets-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hiroshi Sugimoto\" \/>\n<meta property=\"og:description\" content=\"For nearly five decades, Hiroshi Sugimoto&#8217;s photographic quest&nbsp;has been that of a tireless retranscription of [...]Read More... from Photographer Hiroshi Sugimoto unveils his first coloured works&#8217; 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