{"id":504789,"date":"2022-01-07T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/art\/numero-art\/who-is-aida-bruyere-the-woman-inviting-twerking-and-manucure-into-contemporary-art\/"},"modified":"2022-01-07T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"who-is-aida-bruyere-the-woman-inviting-twerking-and-manucure-into-contemporary-art","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art\/numero-art\/who-is-aida-bruyere-the-woman-inviting-twerking-and-manucure-into-contemporary-art\/","title":{"rendered":"Who is A\u00efda Bruy\u00e8re, the woman inviting twerking and manucure into contemporary art?"},"content":{"rendered":"\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3ce9253703c&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3ce9253703c\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/aida-bruyere-exposition-palais-de-tokyo-paris-numero-magazine-1.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    <p><strong>A\u00efda Bruy\u00e8re adds volatile particles to a body in the making, fragments of words and images<\/strong>: \u201cSHAKE YOUR BAM BAM\u201d (COOL IT, 2019) or close-ups of buttocks (Mi Seh Bum Bum, 2019). Beams of light and swaying rhythms: Bamako nightclubs (Never Again, 2021) or twerking battles (Musoya, 2020). Sharp prostheses and ephemeral second skins: manicure tutorials (Nails, 2017-2019) and trashed make-up (Make Up Destroyerz, 2021). The body is absent, hidden behind its finery, which protects as much as it renders unreal, projecting it into a reinvention constructed through a&nbsp;meticulous ritual \u2013 a ritual in the sense that something remains to be conquered: an appearance, a temporary character, a collective identity. So everyone practices, polishes their moves, sharpens their claws and dons their face paint. <a href=\"https:\/\/www.numero.com\/numero-art\/aida-bruyere-exposition-palais-de-tokyo-paris\" target=\"_blank\" rel=\"noopener\">When discussing her work, A\u00efda Bruy\u00e8re often uses military vocabulary<\/a>: dance, clothing and make-up, which she deploys in films, installations, performances and books, are all weapons in a \u201cfemale war artillery\u201d in an artistic practice that borrows from pop culture \u2013 its distribution networks, storytelling methods and attention-grabbing strategies.<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3ce925373de&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3ce925373de\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/aida-bruyere-exposition-palais-de-tokyo-paris-numero-magazine-6.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3ce92537711&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3ce92537711\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/aida-bruyere-exposition-palais-de-tokyo-paris-numero-magazine-2.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    <p><strong>At the 2019 Salon de Montrouge, where she was awarded the Grand Prix<\/strong>, 26-year-old Bruy\u00e8re \u2013 who at the time was still a student at Paris\u2019s \u00c9cole des Beaux-Arts \u2013 showed the installation United States of Gyalz. With its silk-screened prints of fragmented buttocks and contorted torsos, cadenced by litanies of syncopated onomatopoeia in bubble-gum typeface, it displaced the world of female dancehall into her exhibition stand, complete with items of dancewear casually strewn here and there and a video showing the SpecialGyal Universe meeting of a year earlier centred around Amazon-dancer Aya Level.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>At 28, Bruy\u00e8re is part of a \u201cpop cosmopolitanism,\u201d as Henry Jenkins termed it in his 2006 book<\/strong> on participatory culture Fans, Bloggers, and Gamers. He was the first to theorize the practices of everyday invention that consumers of cultural products engage in when they appropriate prefabricated content in order to subvert its standard uses: fan fiction, tutorials, mix-tapes and DIY are just some of the many ways to bring out alternative narratives within the black box of the cultural industries. With Bruy\u00e8re, however, reappropriation happens within the prism of a very precise personal history that specifies her theoretical anchoring in an Afro-feminism and, more generally, an intersectional feminism. Born to Franco-Belgian parents in Dakar, Senegal, and raised in Bamako, Mali, Bruy\u00e8re is intimately and personally aware of the dangers of the cultural hegemony conveyed by globalized soft power, which leads her instead to opt for realism and local remixes, sweat and dripping materials, observation and plural collaboration, testimonies and subjective archiving.<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3ce92537a4e&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3ce92537a4e\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/aida-bruyere-exposition-palais-de-tokyo-paris-numero-magazine-5.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    <p><strong>Because she knows she is caught in an in-between; because she is only too aware of having grown up white <\/strong>in a post-colonial country; because she maintains a genuine attachment to places that constitute her life rather than reappropriating them \u2013 so she adopts the most sensitive prism possible. While at the Beaux-Arts, in 2020, she created another immersive environment, dressed up in the colours of a nightclub and strewn with party wear and trashed make-up. It was conceived for the performance Musoya, co-written with booty-shake dancer Patricia Badin, who came on stage, her back to the crowd, to blindside the expectations of a non-initiated audience with respect to a universe addressed first and foremost to peers and allies rather than to the voracious and frontal consumption of the soci\u00e9t\u00e9 du spectacle.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>This is why Bruy\u00e8re\u2019s majestic warriors are never abstract creatures. They dissociate themselves from the aporias<\/strong> of a supposedly neutral cosmopolitanism that can just as much be found in the monoculture of the Internet: in reality, the cybernetic fantasies of a post-human era erasing gender and race only displace the inequalities of the real world, since \u201ccybertypes\u201d remain determined and defined by the ethnic stereotypes of today\u2019s society \u2013 as American academic Lisa Nakamura demonstrated in her book Cybertypes (2002), the first part of an ongoing research project.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Bruy\u00e8re\u2019s exhibition Never Again, on display at the Palais de Tokyo this autumn and spring, will also be about a nightclub <\/strong>in waiting, inspired by the Bamako clubs that marked her adolescence, and more particularly the Ibiza Club. There, a safe and inclusive space took shape through clues, like the neon- or hacker-green fresco of a club that no longer exists, closed during the 2020 economic crisis in Mali which was worsened by the pandemic: Le Gurlz Blunt. To a soundtrack that combines fragments of music and personal accounts by Bruy\u00e8re, who talks about her position in the art world and the cultural-industry ecosystem, something else emerges: a heterotopic takeover, shifting the destiny of these women warriors from the local to the global, from the intimate to the flux of mass media, where they will dance and shine forever more.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><a href=\"https:\/\/www.palaisdetokyo.com\/fr\/evenement\/aida-bruyere-0\" target=\"_blank\" rel=\"noopener\">A\u00efda Bruy\u00e8re,\u201c Never Again\u201c, from&nbsp;26th of november&nbsp;2021 to&nbsp;20th of february 2022 at&nbsp;Palais de Tokyo, Paris 16e.<\/a><\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a3ce92537d5b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a3ce92537d5b\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/aida-bruyere-exposition-palais-de-tokyo-paris-numero-magazine-4.jpg\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    \n                    <\/figure>\n                    \n                    ","protected":false},"excerpt":{"rendered":"<p>A\u00efda Bruy\u00e8re adds volatile particles to a body in the making, fragments of words and [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art\/numero-art\/who-is-aida-bruyere-the-woman-inviting-twerking-and-manucure-into-contemporary-art\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Who is A\u00efda Bruy\u00e8re, the woman inviting twerking and manucure into contemporary art?<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":504777,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[3084],"tags":[],"class_list":["post-504789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A\u00efda Bruy\u00e8re, the woman inviting 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