{"id":501574,"date":"2026-04-21T15:30:21","date_gmt":"2026-04-21T13:30:21","guid":{"rendered":"https:\/\/numero.com\/non-classifiee-2\/from-nan-goldin-to-nobuyoshi-araki-6-photographs-about-love-2\/"},"modified":"2026-04-21T17:11:23","modified_gmt":"2026-04-21T15:11:23","slug":"6-photographs-about-love-nan-goldin-nobuyoshi-araki","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/photography\/6-photographs-about-love-nan-goldin-nobuyoshi-araki\/","title":{"rendered":"6 photographs about love, from Nan Goldin to Nobuyoshi Araki"},"content":{"rendered":"\n

1. JH Engstr\u00f6m and Margot Wallard capture passion<\/h2>\n\n\n\n
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JH Engstr\u00f6m & Margot Wallard, \u201cForeign Affair\u201d (2011). \u00a9 JH Engstr\u00f6m & Margot Wallard. Courtesy Jean-Kenta Gauthier Gallery, Paris.<\/figcaption>\n <\/figure>\n\n\n\n

She lives in central Paris. He lives in the Swedish countryside. But when Margot Wallard <\/strong>and JH Engstr\u00f6m<\/strong> met in the late 2000s, an \u201cinescapable and blind<\/em>\u201d passion arose between the two photographers, as they coined it. All that in spite of the cultural and geographical obstacles. Within less than a three-month period, the artistic duo took a dozen photographs telling the story of their chemistry and compiled them in the book Foreign Affair<\/strong><\/em>, commissioned by an editor they met in 2010. During this intense period, the couple photographed themselves everywhere \u2013 in a photo booth, on Parisian rooftops, in the snowy forests of V\u00e4rmland or in their own bed. Whether it is on their passport photos, or on pictures taken before, during and after sex, one appears through the gentle lens of the other, and on selfies together, their gazes become one and the same. <\/p>\n\n\n\n

These spontaneous images bear witness to a love story that crosses borders and landscapes. For instance, the\u00a0photograph of a dog with a wolf in a meadow in which the two lovers are about to kiss each other passionately. They are holding the camera in front of them, while a flame burns behind their profile as a reminder of their burning desire. Today, the two spouses live in Montreuil with their son Sam. The latter appears in more recent pictures… Sounds like the outcome of their romantic and artistic relationship.<\/p>\n\n\n\n

2. Herv\u00e9 Guibert investigates taboo love<\/h2>\n\n\n\n
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Herv\u00e9 Guibert, \u201cLe fianc\u00e9 II\u201d (1982). MEP collection, Paris. Donation from Christine Guibert \u00a9 Christine Guibert.<\/figcaption>\n <\/figure>\n\n\n\n

In Christian arranged marriages during the Middle Ages, the tradition told women to hide their face from their future husband with a veil until they reached the altar. Centuries have passed now, and Herv\u00e9 Guibert<\/strong>\u2019s lens no longer shows women covered with the wedding cloth, but a young naked man, whose fine transparent fabric gives us a subtle glimpse at some details thanks to a window lightening. When he immortalized Thierry Jouno<\/strong> in 1982 \u2013 one of his first lovers he met at the age of 20 \u2013 the French writer and photographer had already shared his life with him for eight years. As the focus of several photographs, the young man embodied one of his longest relationships and inspired him until he passed away in 1991. <\/p>\n\n\n\n

With his series entitled Le fianc\u00e9<\/strong><\/em>, Herv\u00e9 Guibert <\/strong>debunks a heterosexual and religious tradition in staging a taboo desire – the lust a man feels for another one, at a time when France tends to abolish any discrimination made against homosexuals. This picture evokes with great delicacy a relationship that one still struggles to accept, let alone make it public. It was not until 2013, so 22 years after Herv\u00e9 Guibert<\/strong> died of AIDS and 31 years after Le fianc\u00e9<\/em>, that same-sex marriage was legalized in France.<\/p>\n\n\n\n

3. Nan Goldin dives into toxic love<\/h2>\n\n\n\n
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Nan Goldin, \u201cNan and Brian in bed\u201d, New York City (1983). \u201cThe Ballad of Sexual Dependency\u201d series. MEP collection, Paris \u00a9 Nan Goldin. Courtesy Marian Goodman Gallery.<\/figcaption>\n <\/figure>\n\n\n\n

It is perhaps one of the most famous photographs of the last forty years. On a bed lighted up by a warm and soft lightening, Nan Goldin<\/strong> lies down prostrate on a mattress, starring at her lover Brian<\/strong>, who turns away from her while smoking his cigarette. The overall scenery seems to occur after a shared intimate moment. This image often stands as the epitome of the American photographer\u2019s well-known series The Ballad of Sexual Dependency<\/strong><\/em>, which tells us the story of a young woman and her friends\u2019 daytime and night wanderings at the time of sexual liberation. <\/p>\n\n\n\n

It also says a lot about her relationship with her former partner, who shared her life between 1981 and 1984. Madly in love, but awfully dependent on that man, Nan Goldin<\/strong> never missed a chance to translate their romantic setbacks on camera, between moments of pure bliss, intimacy, and excess. In 1984, she created Nan one month after being battered<\/strong><\/em>, a raw self-portrait in which she stands alone, her swollen face covered with bruises, a month after being beaten by her partner. Even though she never named the man who did that to her, the photograph leaves us wondering about the tragic ending of her toxic relationship with Brian, who one day, driven by an all-consuming jealousy, may have almost made her go blind.<\/p>\n\n\n\n

4. Hideka Tonomura uncovers forbidden love<\/h2>\n\n\n\n
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Hideka Tonomura, \u201cMama Love\u201d (2007). \u00a9 Hideka Tonomura. Courtesy Zen Foto Gallery, Tokyo.\r\n<\/figcaption>\n <\/figure>\n\n\n\n

Immortalizing their partner is a commonplace for photographers. However, taking a picture of one\u2019s own mother, let alone in an adulterous relationship, is less frequent. This is what Hideka Tonomura<\/strong> did in 2007. When the young Japanese photographer found out about her mother\u2019s lover, she decided to grab her camera and break the rules of this secret, if not embarrassing love affair. Yet, it was a liberating one considering the influence her mother\u2019s violent and dangerous husband had on her. <\/p>\n\n\n\n

Taken in a hotel, these intimate shots had something that struck the photographer\u2019s attention \u2013 her mother\u2019s eyes. For the first time ever, she found her mother powerful, filled with love and madly herself. Hideka Tonomura<\/strong> chose to darken the body of the \u201clover of the dark room\u201d. It almost became a threatening shadow. That way, she could focus on the expressiveness of this unprecedented, salutary time of her life as a woman. The anonymous silhouette turns into a mysterious being, who both drowned her mother in sin and enabled her to get her life back.<\/p>\n\n\n\n

5. Emmet Gowin shed light on love and time<\/h2>\n\n\n\n
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Emmet Gowin, \u201cEdith\u201d, Chincoteague, Virginia (1967). MEP collection, Paris. \u00a9 Emmet Gowin. Courtesy of the artist and the Pace Gallery, New York.<\/figcaption>\n <\/figure>\n\n\n\n

\u201cI feel like I\u2019ve never seen someone more alive than her,”<\/em> Emmet Gowin<\/strong> once said about his wife Edith<\/strong>. From their first encounter and union in the early 60s, the American photographer has made her life-partner the centerpiece of his works. All over the years, she has been her narrative arc and a genuine obsession with him. From one black and white portrait to another, she appears quite determined, sensual, brutal at times, as a loving mother with her child or a caring daughter with her parents \u2013 many different faces that the photographer unveils. <\/p>\n\n\n\n

Even though it was taken only two years after their wedding, this 1964 photograph shows his wife\u2019s back in a medium close-up shot with a few grey locks falling out of her bun. Her face is turned to the right, and she seems to gaze at the many years of life waiting for her and her relationship. In 2012, Emmet Gowin <\/strong>captured her face and naked body with the same loving kindness he demonstrated fifty years before.<\/p>\n\n\n\n

6. Nobuyoshi Araki immortalizes eternal love<\/h2>\n\n\n\n
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Nobuyoshi Araki, \u201cWinter Journey\u201d (1989-1990) series. MEP collection, Paris. Donation from Dai Nippon Printing Co., Ltd. \u00a9 Nobuyoshi Araki. Courtesy Taka Ishii Gallery.<\/figcaption>\n <\/figure>\n\n\n\n

Along with Nan Goldin<\/strong>, the great Japanese photographer Nobuyoshi Araki <\/strong>has been an inspiration to Simon Baker<\/strong>, director of the Maison Europ\u00e9enne de la Photographie<\/strong>, for his exhibition \u201cLove Songs<\/em>\u201d in 2022. It comes as no surprise that the Sentimental Journey <\/em>series<\/strong>, which chronicles the photographer\u2019s honeymoon with his wife Y\u014dko<\/strong> in 1971, is probably one of the most representative works of a theme that gathers fourteen photographers in Paris. If several shots from this series are part of the exhibition, many of their counterparts from the Winter Journey <\/em>series <\/strong>are displayed too. <\/p>\n\n\n\n

This series was made between 1989 and 1990, before and after Y\u014dko died of cancer. Following Araki\u2019<\/strong>s words, his wife is the one who motivated him to be a photographer and who guided him throughout his life without her. Hence, this high-angle shot of the Japanese woman in her coffin, her face resting peacefully and shining in a white, angelic light. She is covered with flowers, while some warm hands touch her. On her left-hand side, one can notice a portrait of their cat Chiro. The cat would eventually take more and more space in the series, as the last living reminder of their ended relationship and as the incarnation of the void Y\u014dko\u2019s passing left in Nobuyoshi Araki\u2019s heart.<\/p>\n\n\n\n

\u201cNan Goldin. This Will Not End Well\u201d, exhibition open until June 21st, 2026, at the Grand Palais<\/a>, Paris 8th, and at Chapelle Saint-Louis de la Salp\u00eatri\u00e8re, 83 Bd de l\u2019H\u00f4pital, Paris 13th.<\/em>
Nan Goldin, \u201cSisters, Saints and Sibyls\u201d (2005), Nan Goldin, Thames and Hudson<\/a><\/em> publishing<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

1. JH Engstr\u00f6m and Margot Wallard capture passion She lives in central Paris. He lives […]<\/p>\n

Read More… from 6 photographs about love, from Nan Goldin to Nobuyoshi Araki<\/span><\/a><\/p>\n","protected":false},"author":22,"featured_media":497468,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[76,80],"tags":[],"class_list":["post-501574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-design","category-photography"],"acf":[],"yoast_head":"\n6 photographers capture love<\/title>\n<meta name=\"description\" content=\"As photographer Nan Goldin is on show at the Grand Palais until June 21st, 2026, throwback to six stirring photographs about love.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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