{"id":500938,"date":"2022-06-03T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/culture\/cannes-2022-is-triangle-of-sadness-the-palme-dor-awarded-by-vincent-lindons-jury-one-of-our-favorites-from-this-75th-edition-2\/"},"modified":"2024-06-20T17:00:02","modified_gmt":"2024-06-20T15:00:02","slug":"cannes-2022-is-triangle-of-sadness-the-palme-dor-awarded-by-vincent-lindons-jury-one-of-our-favorites-from-this-75th-edition-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/cannes-2022-is-triangle-of-sadness-the-palme-dor-awarded-by-vincent-lindons-jury-one-of-our-favorites-from-this-75th-edition-2\/","title":{"rendered":"Cannes 2022 : Is Triangle of Sadness, the Palme d\u2019Or awarded by Vincent Lindon\u2019s jury, one of our favorites from this 75th edition ?"},"content":{"rendered":"\n
\n \n
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Ruben Ostlund, Palme d\u2019Or recipient of the 75th edition of the Cannes Film Festival \u00a9 Chopard<\/figcaption>\n <\/figure>\n \n <\/div>\n \n
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\n \"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>\n
Song Kang-Ho, Best Actor winner for his role in \u201cBroker\u201d by Hirokazu Kore-eda; Ruben Ostlund, Palme d\u2019or recipient in \u201cTriangle of Sadness\u201d; Vincent Lindon, President of the jury; Zar Amir Ebrahimi, Best Actress winner for her role in \u201cHoly Spider\u201d by Ali Abbasi \u00a9 Chopard<\/figcaption>\n <\/figure>\n \n <\/div>\n <\/div>\n

After two troubled years due to the pandemic,<\/strong> this back-to-normal edition of the  Cannes Film Festival didn\u2019t offer a positive outcome for the seventh art. In addition to that, the Palme d\u2019Or awarded to Triangle  of  Sadness by  Vincent  Lindon\u2019s jury didn\u2019t  help. Five years  after  the The Square (Palme d\u2019Or), the fortyish Swedish director keeps playing his boring game of massacre. His endless feature film takes on the tone of a critique of the  wealthy by displaying absurd  fashion  shoots,  luxury cruises  and  puke. However, the gaudy packaging cannot make up for the vacuity of a project aiming at shocking the upper class with the use of misanthropy  as a common value.<\/p>\r\n\r\n

 <\/p>\r\n\r\n

In the final list of ten winners, which represents half of the shortlisted films<\/strong> but excludes the amazing Pacifiction, there is this tendency to avoid making a choice, as if the jury had to cast to wide net to raise the public interest \u2013the audience being more appealed to streaming platforms since the various lockdowns. However, is it the way to make people want to go to the movies? The up coming months will be decisive and provide us with an answer. Meanwhile, one can regret the fact that Claire Denis (Stars At Noon<\/em>) and the young prodigy Lukas Dhont (Close<\/em>) didn\u2019t share the Grand Prix with their imperfect but moving films, or that the gems directed by David Cronenberd (Crimes of The Future<\/em>)and by Valeria Bruni Tedeschi (Les Amandiers<\/em>) were dismissed.<\/p>\r\n\n

\n \"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>\n
Credits: 2022 -Ad Vitam Production \u2013Agat Films et Cie \u2013Bibi Film TV \u2013Arte France Cinema<\/figcaption>\n <\/figure>\n \n

5. <\/b>Nadia Tereszkiewicz in Les Amandiers<\/strong><\/p>\r\n\r\n

 <\/p>\r\n\r\n

The young actress who turned 26 during the festival already shone<\/strong> in Only the Animals <\/i>and the miniseries Possessions<\/i>. In Les Amandiers <\/i>\u2013 Valeria Bruni Tedeschi\u2019s autobiographical fiction which traces back to the 1980s during her formative years in theater with Patrice Ch\u00e9reau in Nanterre \u2013 the Franco-Finnish actress gets the opportunity to unfold her incredible talent. The camera seems to cling on her face, while her joint tragedian intensity and natural air strikes us in this romance full of regrets. She appears as the greatest revelation of today\u2019s French cinema.<\/p>\r\n\r\n

Les Amandiers <\/i>directed by Valeria Bruni Tedeschi, out on November 9<\/b>th<\/b>, 2022. <\/b><\/p>\r\n\r\n

 <\/p>\r\n\r\n

Les Amandiers<\/i> de Valeria Bruni Tedeschi. Sortie le 9 novembre<\/b><\/p>\r\n\n

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Feu Follet by Joao Pedro Rodrigues. Copyright JHR FILMS\r\n<\/figcaption>\n <\/figure>\n \n

4. The Directors\u2019 Fort Night on fire <\/b><\/p>\r\n\r\n

 <\/p>\r\n\r\n

For his last edition as president of the film festival <\/strong>created in 1969 parallel to the Cannes Festival, the Italian programmer Paolo Moretti smashed it. Among others, One Fine Morning <\/i>by Mia Hansen Love, the surprising and haunted teen movie Falcon Lake <\/i>by Charlotte Lebon, Philippe Faucon\u2019s impeccable historical epic Harkis<\/i>, Annie Ernaux\u2019s family exploration in Les Ann\u00e9es Super 8<\/i>, or the festival\u2019s delight Feu Follet<\/i>, a queer political comedy by Joao Pedro Rodrigues, were on screen. For a brief moment, they made us forget about our concern regarding the future of cinema.<\/p>\r\n\r\n

 <\/p>\r\n\r\n

Feu Follet <\/i>by Joao Pedro Rodrigues, out on September 14<\/b>th<\/b>, 2022. <\/b><\/p>\r\n\n

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Margaret Qualley in “Stars at Noon\u201d by Claire Denis<\/figcaption>\n <\/figure>\n \n

3. Some women<\/strong><\/p>\r\n\r\n

Five years after the landslide #MeToo, female directors haven\u2019t received a massive invitation to this edition. Nevertheless, we can rejoice in the Grand Prix awarded to Claire Denis for Stars At Noon. This intimate and sensual odyssey of a journalist stuck in Nicaragua unveils a vast panorama of interesting female characters. Between the thirtyish woman (L\u00e9a Seydoux) rediscovering her body while her father\u2019s one falls apart in On Fine Afternoon by Mia Hansen Love, the lover falling into madness in Tchaikovsky\u2019s Wife by Kirill Serebrennikov, and the new emancipated artist in Showing Up by the American director Kelly Reichardt, female figures have evolved since the former stereotypical mother and whore dichotomy.<\/p>\r\n\r\n

 <\/p>\r\n\r\n

On Fine Morning by Mia Hansen Love, Stars At Noon by Claire Denis, Showing Up by Kelly Reichardt. Coming out next fall.<\/strong><\/p>\r\n\n

\n \"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>\n
\u201cEO\u201d by Jerzy Skolimowski\r\n<\/figcaption>\n <\/figure>\n \n

2. The donkey in EO <\/i><\/b><\/p>\r\n\r\n

 <\/p>\r\n\r\n

As he received his jointly awarded Jury Prize on the Grand Th\u00e9\u00e2tre Lumi\u00e8re stage, the 84-year-old director Jerzy Skolimowski (The Departure<\/i>, Essential Killing<\/i>) caused a rather comical situation when he thanked each one of the six donkeys playing in his film. The main character is an escaped animal from a circus roaming through the plains and valleys. A crazy project that stands both as a subtle environmental tale and as a manifesto glorifying the power of cinema. As a silent witness of human atrocities, until a magnificent rebellion rises, the donkey may be understood as a metaphor for the seventh art still standing despite the economical powers trying to defeat it. His fragile survival also translates the belief that beauty can save the world.<\/p>\r\n\r\n

 <\/p>\r\n\r\n

EO <\/i>by Jerzy Skolimowski. Coming out in October. <\/b><\/p>\r\n\r\n

 <\/p>\r\n\n

\n \"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>\n
\u201cPacifiction\u201d by Albert Serra with Beno\u00eet Magimel<\/figcaption>\n <\/figure>\n \n

1. The Tahitian Apocalypse according to Albert Serra <\/b><\/p>\r\n\r\n

 <\/p>\r\n\r\n

This 75th edition\u2019s aesthetical shock comes from the nutty Spanish director Albert Derra, who dives into the splendid but blurry Tahitian waters with Pacifiction<\/i>. In a state of grace and against a backdrop of nuclear tests, Beno\u00eet Magimel leads this two-hour-and-forty-five-minute-long fiction. It is not unusual for the jury of the Cannes Festival to toss the aesthetical ambition of a film out, but the absence of this incandescent gem among the winners may shock. Reminiscing Twin Peaks <\/i>and Miami Vice <\/i>aesthetics, haunted by political concerns about colonisation, clever in its depiction of a French political microcosm on the other side of the world, Pacifiction <\/i>is all about intention. It leaves us daydreaming, ready to face any night ahead.<\/p>\r\n\r\n

 <\/p>\r\n\r\n

Pacifiction <\/i>by Albert Serra. Coming out next fall. <\/b><\/p>\r\n\r\n

 <\/p>\r\n\r\n

List of winners of the 75th edition of the Cannes Film Festival:<\/b><\/p>\r\n\r\n

 <\/p>\r\n\r\n

Palme d’Or: <\/b>Triangle of Sadness <\/i>directed by Ruben \u00d6stlund
\r\nGrand Prix (<\/b>jointly awarded): Close <\/i>directed by Lukas Dhont and Stars At Noon <\/i>directed by Claire Denis<\/p>\r\n\r\n

75th anniversary Prize<\/b>: Tori and Lokita <\/i>directed by Jean-Pierre & Luc Dardenne Award for Best Director: <\/b>Park Chan- Wook for Heojil Kyolshim <\/i>(Decision to Leave<\/i>)<\/p>\r\n\r\n

Jury Prize (<\/b>jointly awarded): EO <\/i>directed by Jerzy Skolimowski and Le Otto Montagne <\/i>(The Eight Mountains<\/i>) directed by Charlotte Vandermeersch & Felix van Groeningen<\/p>\r\n\r\n

Award for Best Screenplay<\/b>: Tarik
\r\nSaleh for Walad Min Al Janna <\/i>(Boy From Heaven<\/i>)
\r\nAward for Best Actor<\/b>: Song Kang-Ho in Broker <\/i>directed by Kore-eda Hirokazu Award for Best Actress<\/b>: Zar Amir Ebrahimi in Holy Spider <\/i>directed by Ali Abbasi
\r\nCam\u00e9ra d\u2019Or<\/b>: War Pony <\/i>directed
\r\nby Riley Keough and Gina Gammell,<\/p>\r\n\r\n

Special Mention Cam\u00e9ra d\u2019Or<\/b>: Plan 75 <\/i>directed by Hayakawa Chie
\r\nShort Film Palme d’Or<\/b>: Hai Bian Sheng Qi Yi Zuo Xuan Ya (The Water Murmurs) <\/i>directed by Jianying Chen<\/p>\r\n\r\n

 <\/p>\r\n\r\n

 <\/p>\r\n","protected":false},"excerpt":{"rendered":"

After two troubled years due to the pandemic, this back-to-normal edition of the  Cannes Film Festival didn\u2019t offer a […]<\/p>\n

Read More… from Cannes 2022 : Is Triangle of Sadness, the Palme d\u2019Or awarded by Vincent Lindon\u2019s jury, one of our favorites from this 75th edition ?<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":500922,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[88,87],"tags":[],"class_list":["post-500938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture-en"],"acf":[],"yoast_head":"\nCannes 2022 : Is Triangle of Sadness, the Palme d\u2019Or awarded by Vincent Lindon\u2019s jury, one of our favorites from this 75th edition ?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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