{"id":498822,"date":"2022-08-23T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/culture\/jordan-peele-the-director-behind-nope-in-5-obsessions-2\/"},"modified":"2024-06-20T17:19:17","modified_gmt":"2024-06-20T15:19:17","slug":"jordan-peele-the-director-behind-nope-in-5-obsessions-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/culture-en\/jordan-peele-the-director-behind-nope-in-5-obsessions-2\/","title":{"rendered":"Jordan Peele: the director behind \u201cNope\u201d in 5 obsessions"},"content":{"rendered":"\n                <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n                <iframe loading=\"lazy\" title=\"Get Out \/ Bande-annonce officielle VOST [Au cin\u00e9ma le 3 mai]\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/Het-qDIFers?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n                <\/div><\/figure>\n                <p class=\"normal-plus\"><strong>1. The criticism of the American society<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>First a colonial-style house with a well- manicured lawn in <em>Get Out <\/em>(2017), then a modern middle-class secondary residence in the suburbs of Santa Cruz in <em>Us<\/em> (2019), and finally a ranch lost in the middle of the American plains near a gold rush theme park in<em> Nope<\/em> (2022)&#8230; With Jordan Peele, horror is always embedded in the banality of the American daily life. In <em>Get Out<\/em>, the home of Chris\u2019 (Daniel Kaluuya) girlfriend Rose (Allison Williams) becomes the setting for a horrific social drama \u2013 a criticism of the still very much present legacy of colonization. The denunciation of systemic racism is a leitmotif in his films. They all depict a chilling portrait of the relations between black and white people, and of how an ultra- violent past that insidiously hides in the smallest details of the everyday life is at the foundation of them. In <em>Us<\/em>, Jordan Peele combines a description of social class relations between a middle-class white family, with a bored alcoholic mother Kitty (<a href=\"https:\/\/www.numero.com\/en\/cinema\/motion-picture-academy-women-members-jury-lady-gaga-elisabeth-moss-hollywood-camille-cottin\" target=\"_blank\" rel=\"noopener\">Elisabeth Moss<\/a>), and a black family, whose mother Adelaide is played by Lupita Nyong&#8217;o. In<em> Nope<\/em>, Jordan Peel tackles a new myth \u2013 that of the American dream. As a true variation on the need for celebrity, the various intertwined storylines form a critique of the entertainment society that stems from capitalism taken to the extreme. The quest for the perfect cliche\u0301 of a mysterious force attacking OJ\u2019s (Daniel Kaluuya) and Emerald\u2019s (Keke Palmer) ranch, or the ambition of a traumatized child star who ended up becoming a theme park manager (Steven Yeun), illustrate that.<\/p>\r\n\n                <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n                <iframe loading=\"lazy\" title=\"Us - Bande-Annonce Officielle VOST [Au cin\u00e9ma le 20 mars]\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/hzTYl7xYTvI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n                <\/div><\/figure>\n                <p class=\"normal-plus\"><strong>2. The mix of genres and references<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>If social violence in the American society is one of the common threads in Jordan Peele\u2019s work, the theme is always treated with a touch of irony, like the epic scene in <em>Us<\/em> in which Lupita Nyong\u2019o asks the identity of the intruders who bear a disturbing resemblance with her family. \u201cWe are Americans\u201d, her double replies, before starting the carnage. Indeed, Jordan Peele first started his career as a comedian in the duo Key and Peele, with the comedian Keegan-Michael Key. He also starred in numerous comedies as an actor before taking the American seventh art by storm in 2017 with his first horror thriller <em>Get Out<\/em>, a 2018 <a href=\"https:\/\/www.numero.com\/en\/cinema\/oscars-2019-clooney-scorsese-tarantino-black-panther-star-wars-disney-marvel-kevin-hart\" target=\"_blank\" rel=\"noopener\">Oscar<\/a> winner for Best Original Screenplay. Jordan Peele\u2019s films are like his career \u2013 unidentified cinematic objects, revolving around suspense, <a href=\"https:\/\/www.numero.com\/en\/cinema\/it-bill-skarsgard-hemlock-grove-stephen-king-viking-true-blood-eli-roth-atomic-blonde-charlize-theron-floki-eric-northman-gustaf-stellan-alexander-tim-curry\" target=\"_blank\" rel=\"noopener\">horror<\/a>, <a href=\"https:\/\/www.numero.com\/en\/cinema\/science-fiction-movies-releases-2017-blade-runner-2049-ghost-in-the-shell-alien-covenant-god-particle\" target=\"_blank\" rel=\"noopener\">science fiction<\/a>, farce, western, epic, and social drama. Both sublime and terrifying, marvelous and trivial, they draw upon multiple references. From the 1980s, key moments in the history of racism, such as the 1936 Berlin Olympics when the black American runner Jesse Owens paraded with his four gold medals in front of Hitler, anthology moments in the history of cinema like the evocation of Race Horse (1878), the first animated cinematographic image of a black horseman made by the American photographer Eadweard Muybridge, to references to the German folklore of the Doppelga\u0308nger (the evil double), the virtuoso director offers an hybrid between scholarly and popular mythological references in a universe of his own.<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a210bd08e8d2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a210bd08e8d2\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/push-jordan-peele-get-out-us-nope-horreur-critique_0-1.png\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Excerpts from \u201cGet Out\u201d (2017) \u00a9 Universal Pictures International France.<\/figcaption>\n                    <\/figure>\n                    \n                    <p class=\"normal-plus\"><strong>3. Exploring the dark side of human psyche<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>From the fantasy of eternal youth in <em>Get Out<\/em>, the desire for upward mobility in <em>Us<\/em>, to the consuming ambition and appeal to be under the spotlight in <em>Nope<\/em>, Jordan Peele uses the darkest traits of our psychology. The filmmaker\u2019s monsters are rooted in our vices and flaws, and often have a human appearance. The director gives an important part of his narrative to the traumas and psychology of the characters. In <em>Get Out<\/em>, Rose\u2019s mother hypnotizes Chris after he tells her the story of his mother\u2019s death. As a result, the following scenes give a prominent place to the unconscious, thinning down the line between dream and reality. In <em>Us<\/em>, the opening scene is a flashback to Adelaide\u2019s childhood, who has been psychotic and depressed since she met a mysterious little girl on a fairground ride. In <em>Nope<\/em>, the character of Ricky (Steven Yeun), the director of the western theme park Jupiter\u2019s Claim, is haunted by a traumatic memory of something he experienced on set as a star child. In each one of his films, Jordan Peele pays particular attention to the ghosts haunting his characters and invites us to a journey through the architecture of the human psyche.<\/p>\r\n\n                <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n                <iframe loading=\"lazy\" title=\"Nope - Bande annonce VOST [Au cin\u00e9ma le 10 ao\u00fbt]\" width=\"640\" height=\"360\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/DKyBNmOfy8c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n                <\/div><\/figure>\n                <p class=\"normal-plus\"><strong>4. Playing with signs and symbols<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>Among coincidences and images with mysterious meanings, such as the white and brown rabbits kept in a cage in <em>Us<\/em>, Jordan Peele\u2019s works put a strong emphasis on symbols. For instance, he includes quotes from the Old Testament with cryptic references, which predict the turn of upcoming events like prophecies. The film <em>Us <\/em>opens with a verse from Jeremiah 11:11: <em>\u201cI will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them\u201d<\/em>. His latest film <em>Nope <\/em>begins with the following quote:<em> \u201cI will cast abominable filth upon you, make you vile, and make you a spectacle\u201d <\/em>(Nahum 3:6). Giving an almost mystical side to the two plotlines, those quotes summon a form of fatality that the characters will try to thwart. Oscillating between tragedy and fantasy, Jordan Peele&nbsp;also strives for the creation of heavy atmospheres, where every detail is used as a manifestation of how the unexplained arises. A flock of birds on the seashore foresees a bad omen, a mysterious wind that rises on the plains of the ranch precedes the arrival of an unidentified force&#8230; Nothing is left to chance. Everything is well-thought-out through signs.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a210bd08ecc0&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a210bd08ecc0\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/thumb-jordan-peele-get-out-us-nope-horreur-critique_0-1.png\" alt=\"\" class=\"wp-image-1568\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Excerpts from \u201cNope\u201d (2022) \u00a9 Universal Studios.\r\n<\/figcaption>\n                    <\/figure>\n                    \n                    <p class=\"normal-plus\"><strong>5. Overthrowing the \u201cwhite gaze\u201d<\/strong><\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>How could one define the approach of the master of horror? In a word \u2013 political. The history of American cinema is marked by the omnipresence of the Western gaze, or white gaze, and the marginalization of the black experience, which is often presented as a stereotype when it happens to be on screen. Hollywood\u2019s first commercial success was the 1915 film <em>The Birth of a Nation<\/em> by American director David Ward Griffith. Released forty years after the Civil War, it glorified the segregation era and the rise of the Klu-Klux-Klan. By focusing on the daily lives of middle-class African Americans, Jordan Peele takes a stand against the invisibility at work that has permeated the entire history of American cinema and wants to \u201c<em>trivialize black faces in pop culture\u201d<\/em>. According to the American director, it is essential to create new myths, to integrate black figures into folk stories (<em>Us<\/em>), to rehabilitate the history of black cowboys, and to magnify a rebellion against a terrible and invisible force (<em>Nope<\/em>). Alongside talented actors such as Daniel Kaluuya, Lupita Nyong\u2019o, and Keke Palmer, the future of American horror cinema is at stake.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong><em>Nope<\/em> by Jordan Peele, released on August 10th, 2022.<\/strong><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>1. The criticism of the American society &nbsp; First a colonial-style house with a well- [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/culture-en\/jordan-peele-the-director-behind-nope-in-5-obsessions-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Jordan Peele: the director behind \u201cNope\u201d in 5 obsessions<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":498816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[88,87],"tags":[],"class_list":["post-498822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jordan Peele: the director behind \u201cNope\u201d in 5 obsessions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/culture-en\/jordan-peele-the-director-behind-nope-in-5-obsessions-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jordan Peele: the director behind \u201cNope\u201d in 5 obsessions\" \/>\n<meta property=\"og:description\" content=\"1. 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