{"id":493849,"date":"2023-03-31T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"https:\/\/numero.com\/art\/numero-art\/behind-the-scenes-of-anna-eva-bergmans-masterpiece-currently-shown-in-paris-2\/"},"modified":"2023-03-31T00:00:00","modified_gmt":"1970-01-01T00:00:00","slug":"behind-the-scenes-of-anna-eva-bergmans-masterpiece-currently-shown-in-paris-2","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/numero-art-en\/behind-the-scenes-of-anna-eva-bergmans-masterpiece-currently-shown-in-paris-2\/","title":{"rendered":"Behind the scenes of Anna-Eva Bergman&#8217;s masterpiece, currently shown in Paris"},"content":{"rendered":"<p><a href=\"https:\/\/parisplus.artbasel.com\/stories\/anna-eva-bergman-musee-art-moderne-paris?lang=en\" target=\"_blank\" rel=\"noopener\"><strong>Published in&nbsp;collaboration with Paris+ by Art Basel.<\/strong><\/a><\/p>\r\n\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a216289d4713&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a216289d4713\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/anna-eva-bergman-retrospective-musee-art-moderne-paris-2-2.jpg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Anna-Eva Bergman, \u201cN\u00b02-1953. St\u00e8le avec lune\u201d (1953). The National Museum of Art, Architecture and Design, Oslo \u00a9 Anna-Eva Bergman \/ Adagp, Paris, 2023. \u00a9 Fondation Hartung-Bergman<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p><strong>Anna-Eva Bergman <\/strong>(1909\u20131987) started her career as an illustrator. In the early 1950s, the Norwegian artist \u2013 also known as <strong>Hans Hartung<\/strong>\u2019s wife \u2013 shifted to painting. <i>No.2-1953, St\u00e8le avec lune<\/i> (1953) is one her early works, a tempera on canvas. Presented in the artist\u2019s first major retrospective, which is held at the <strong>mus\u00e9e d\u2019Art moderne de la Ville de Pari<\/strong>s, it relates to drawings she made of rocks and stones, part of a lifelong fascination with the earth\u2019s material substances.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<h2>Anna-Eva Bergman, painter of cosmic landscapes,&nbsp;has her first big retrospective in Paris<\/h2>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>The two elements depicted<i>&nbsp;<\/i>are regular players in <strong>Bergman<\/strong>\u2019s revolving cast of motifs, which oscillate between the terrestrial and celestial. Elsewhere we find stars, planets, horizons, open skies, boats, mountains, valleys, and caves. They are easily identified but can also readily merge into one another. At what point does a mountain peak become a raised sail? When does the open sea turn into a cave? The stele in&nbsp;this instance&nbsp;easily conjures an upright figure, but also implies the opening of a void.<\/p>\r\n\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a216289d497a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a216289d497a\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/anna-eva-bergman-retrospective-musee-art-moderne-paris-1-2.jpg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Fran\u00e7ois Walch, \u201cAnna-Eva Bergman in her studio in Antibes\u201d (1975). Fondation Hartung-Bergman \u00a9 Fran\u00e7ois Walch \/ Adagp, Paris, 2023 \u00a9 Anna-Eva Bergman \/ Adagp, Paris, 2023.<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <h2>A painting inspired by her native Scandinavia<\/h2>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>Despite living in the south of France from the 1970s onwards, <strong>Bergman<\/strong>\u2019s art continually returned to the light and landscape of her native <strong>Scandinavia<\/strong>. A quiet, clearly stated luminosity can be found throughout her <strong>paintings<\/strong>. This comes from carefully adjusted tones, often supplemented by the reflective surfaces of gold or silver leaf, materials that, like her motifs, have their own archetypal resonance. In&nbsp;this particular work,&nbsp;there is a curious magnetism between the stele and the moon, which are at once brought together and isolated from each other. They appear suspended in a vacuum, although a clear relation to the lower edge of the canvas means they do not float free of gravity.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><strong>Bergman<\/strong>\u2019s work sits somewhat awkwardly alongside the drama and excesses of the gestural abstract painting so popular in the 1950s. Working with a high degree of abstraction and formal purity, she never abandoned motifs borrowed from the real world. Her art has a slowness and clarity that is far removed from Action painting\u2019s speed and multidirectional immediacy. Rather than flinging the viewer into the flux of experience, she maintained a carefully judged distance. American artist<strong> Joan Mitchell<\/strong> (1925\u20131992), who also chose to make France her home, presented a partially anthropomorphized landscape, turning nature into a stage where our emotions can play out. Bergman on the other hand approaches it the other way round, identifying a remoteness in the natural world which suggests an emotional remoteness within ourselves.<\/p>\r\n\n            <div class=\"wp-block-cb-carousel cb-single-slide\" data-slick=\"{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1,&quot;speed&quot;:300,&quot;arrows&quot;:true,&quot;dots&quot;:false,&quot;autoplay&quot;:false,&quot;autoplaySpeed&quot;:3000,&quot;infinite&quot;:true,&quot;responsive&quot;:[{&quot;breakpoint&quot;:769,&quot;settings&quot;:{&quot;slidesToShow&quot;:1,&quot;slidesToScroll&quot;:1}}]}\">\n            \n                    <div class=\"wp-block-cb-slide\">\n                    \n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a216289d4b62&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a216289d4b62\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/anna-eva-bergman-musee-art-moderne-paris-numero-2_0-2.jpg\" alt=\"\" class=\"wp-image-0\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Anna-Eva Bergman, \u201cN\u00b045-1971 Cr\u00eate de montagne\u201d (1971). Acrylique, modeling paste et feuille de m\u00e9tal sur toile, 200 x 150 cm. Mus\u00e9e d\u2019Art Moderne de Paris (don de la Fondation Hartung-Bergman en 2017) \u00a9 Anna-Eva Bergman \/ Adagp, Paris, 2023 Photographie \u00a9 Fondation Hartung-Bergman<\/figcaption>\n                    <\/figure>\n                    \n                    <\/div>\n                    <\/div>\n            <p>Bergman\u2019s art seems primed for rediscovery. Her images imply a previously obscured or sheltered existence brought out into the open. She shows us things that have always been there, that seem to have endured over time. Yet they also appear fresh, or perhaps even somehow newly born, as if given life by being cleansed of the incidental. The two elements in <i>No.2-1953, St\u00e8le avec lune <\/i>retain the handheld intimacy of pebbles found on the seashore but are taken here in the direction of the monumental.<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n<p><em>Anna-Eva Bergman, \u201cVoyage vers l\u2019int\u00e9rieur\u201d, from March 31st&nbsp;to July 16th&nbsp;2023 at the mus\u00e9e d\u2019Art moderne de Paris.<\/em><\/p>\r\n\r\n<p><em>Anna-Eva Bergman is represented by&nbsp;<strong>Galerie J\u00e9r\u00f4me Poggi<\/strong>, Paris.<\/em><\/p>\r\n\r\n<p><em>Sam Cornish is a writer and curator based in London.<\/em><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Published in&nbsp;collaboration with Paris+ by Art Basel. Anna-Eva Bergman (1909\u20131987) started her career as an [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/numero-art-en\/behind-the-scenes-of-anna-eva-bergmans-masterpiece-currently-shown-in-paris-2\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Behind the scenes of Anna-Eva Bergman&#8217;s masterpiece, currently shown in Paris<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":493835,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[3182],"tags":[],"class_list":["post-493849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero-art-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fascinating painter Anna-Eva Bergman has her first major retrospective in Paris<\/title>\n<meta name=\"description\" content=\"Major painter of the 20th century,\u00a0Anna- Eva Bergman (1909-1987) finally has her deserved retrospective in France, hosted by the\u00a0mus\u00e9e d&#039;Art moderne de la Ville de Paris. 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