{"id":16623,"date":"2021-10-11T00:00:00","date_gmt":"2021-10-10T22:00:00","guid":{"rendered":"https:\/\/numero.insinio.fr\/fiac-2021-jean-claracqs-ultra-modern-paintings-shake-up-the-musee-delacroix\/"},"modified":"2024-05-31T11:04:46","modified_gmt":"2024-05-31T09:04:46","slug":"fiac-2021-jean-claracqs-ultra-modern-paintings-shake-up-the-musee-delacroix","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/fiac-2021-jean-claracqs-ultra-modern-paintings-shake-up-the-musee-delacroix\/","title":{"rendered":"FIAC 2021: Jean Claracq&#8217;s ultra-modern paintings shake up the Mus\u00e9e Delacroix"},"content":{"rendered":"\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a21329c78809&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a21329c78809\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/05\/jean-claracq-musee-delacroix-paris-fiac-numero-magazine.jpg\" alt=\"\" class=\"wp-image-1568\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Jean Claracq by Remi Besse at the Eug\u00e8ne-Delacroix Museum.<\/figcaption>\n                    <\/figure>\n                    <p><strong>In parallel with the Grand Palais Eph\u00e9m\u00e8re on the Champs de Mars, <\/strong>in which it is organising its 47th edition this year, the FIAC is extending its programme to several places in the French capital, such as the Place Vend\u00f4me or the Tuileries Gardens. This is an opportunity to (re)discover the Eug\u00e8ne-Delacroix Museum, which since 2015 has joined the party by hosting the projects of contemporary artists in its discreet premises in the sixth arrondissement.&nbsp;After Jos\u00e9 Mar\u00eda Sicilia, Katinka Bock and Glenn Brown, in 2019, Jean Claracq is invited to make his work resonate with the work of the great representative of pictorial romanticism.  <a href=\"https:\/\/www.numero.com\/numero-art\/jean-claracq-peintre-francais-galerie-sultana-fondation-louis-vuitton-beaux-arts-paris-francois-quillacq-andrej-skok\" target=\"_blank\" rel=\"noopener\">At the age of 30, the Frenchman is part of the new guard of figurative painting with his meticulous canvases that look like genre scenes<\/a>  whose actors, mainly young boys lost between the grids of urban buildings and digital screens, embody, in miniature formats, the attitudes of modern melancholy.<\/p>\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a21329c78bd1&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a21329c78bd1\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/05\/jean-claracq-musee-delacroix-paris-fiac-numero-magazine-2_0.jpg\" alt=\"\" class=\"wp-image-1568\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Jean Claracq, &#8220;Three Men and Wall&#8221; (2021). Courtesy galerie sultana \/ jean claracq<\/figcaption>\n                    <\/figure>\n                    <p><strong>After presenting a new installation at the Fondation Louis Vuitton and <a href=\"https:\/\/www.numero.com\/art\/jean-claracq-affiche-roland-garros-tournoi-tennis-2021-artiste-peintre-fondation-louis-vuitton\" target=\"_blank\" rel=\"noopener\">signing the poster for the last Roland-Garros<\/a>, <\/strong>the artist has been in tune with the author of&nbsp;<em>Liberty Leading the People&nbsp;<\/em>by immersing himself in his long diary, from which he has gone through almost everything, from his most trivial notes to his reflections on genius, through the description of his daily life as an artist. Touched by the story of his emotions and his failures in love, as well as by his portrait of a young man from 1828 and by a painting inspired by&nbsp;<em>Romeo and Juliet<\/em>&nbsp;from the museum&#8217;s collections, Jean Claracq started from the&nbsp;nineteenth&nbsp;century to go back to the sixteenth&nbsp;century and his youthful romances narrated by Shakespeare&#8217;s theatre.<\/p>\n<p><strong>Far from direct and literal references to Delacroix,<a href=\"https:\/\/www.reiffersartinitiatives.com\/artistes\/jean-claracq\/\" target=\"_blank\" rel=\"noopener\"> Jean&nbsp;Claracq&#8217;s&nbsp;new works produced in recent months<\/a><\/strong> signal these historical contexts with subtle details, such as the towers of a castle protruding from a fence or the face of Queen Elizabeth I&nbsp;drawn on a cloth. Present in Claracq&#8217;s paintings since his debut at the Beaux-Arts in Paris, the sweetness of youth is found in new portraits whose absorbed gazes recall those once depicted by his romantic counterpart. In Delacroix&#8217;s former bedroom, an intimate and cramped space where the artist spent the end of his life before taking his last breath, these new works will be invited on the walls, making the contemporary painter the conductor of a new dialogue.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.musee-delacroix.fr\/fr\/actualites\/evenements\/fiac-2021-invitation-a-jean-claracq\" target=\"_blank\" rel=\"noopener\">FIAC 2021: invitation to&nbsp;Jean Claracq, from October 13 to November 1 at the Eug\u00e8ne-Delacroix Museum, Paris 6th.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In parallel with the Grand Palais Eph\u00e9m\u00e8re on the Champs de Mars, in which it [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/fiac-2021-jean-claracqs-ultra-modern-paintings-shake-up-the-musee-delacroix\/\">Read More&#8230;<span class=\"screen-reader-text\"> from FIAC 2021: Jean Claracq&#8217;s ultra-modern paintings shake up the Mus\u00e9e Delacroix<\/span><\/a><\/p>\n","protected":false},"author":0,"featured_media":13007,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[78,76],"tags":[1780,1836,1783,2483],"class_list":["post-16623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-en","category-art-design","tag-contemporary-art","tag-modern-art","tag-paris-en","tag-saint-germain-des-pres-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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