{"id":16549,"date":"2021-10-15T00:00:00","date_gmt":"2021-10-14T22:00:00","guid":{"rendered":"https:\/\/numero.insinio.fr\/foreword-why-you-should-go-see-kenny-dunkans-exhibition-during-the-fiac\/"},"modified":"2025-03-10T11:20:51","modified_gmt":"2025-03-10T10:20:51","slug":"foreword-why-you-should-go-see-kenny-dunkans-exhibition-during-the-fiac","status":"publish","type":"post","link":"https:\/\/numero.com\/en\/art-design\/foreword-why-you-should-go-see-kenny-dunkans-exhibition-during-the-fiac\/","title":{"rendered":"Foreword: Why you should go see Kenny Dunkan&#8217;s exhibition during the FIAC"},"content":{"rendered":"\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36d7e6183a2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36d7e6183a2\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/05\/kenny-dunkan-exposition-studio-acacias-reiffers-art-initiatives-numero-art2.jpg\" alt=\"\" class=\"wp-image-1568\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Kenny Dunkan, &#8220;No Apologies&#8221; (2020). Courtesy Gallery The Girls of Calvary<\/figcaption>\n                    <\/figure>\n                    <p><em><br \/>\n  <strong>&#8220;How can you be a gay Latin American artist of color and still be poetic?&#8221; <\/strong><br \/>\n<\/em><a href=\"https:\/\/www.numero.com\/numero-art\/mark-bradford-hauser-wirth-minorque-jonathan-llense\" target=\"_blank\" rel=\"noopener\">Mark Bradford takes up<\/a> this question of Felix Gonzalez-Torres in these pages. How, today as in the past, can you be a black and gay artist without producing works that are overdetermined by these categories? Works that can be subtle and poetic despite everything? \u2013 and this &#8220;whole&#8221; is a lot. Creations that do not correspond to what we \u2013 let&#8217;s also question this &#8220;we&#8221; \u2013 expect from a gay artist of color. Still in these pages,  <a href=\"https:\/\/www.numero.com\/numero-art\/rashid-johnson-reiffers-arts-initiatives\" target=\"_blank\" rel=\"noopener\">Rashid Johnson says the same thing  <\/a>:  <em>&#8220;One of the great debates in my life as an artist has always been how to address my concerns as a black American man, and to talk about the conditions of that experience, without being held hostage to that experience.&#8221;<\/em>  Committed, these artists have never given in to didacticism and withdrawal, always preferring creation and poetry. Without ever evading revolt and violence.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kenny Dunkan also belongs to this family of artists.<\/strong> <a href=\"https:\/\/www.numero.com\/art\/kenny-dunkan-exposition-galerie-filles-calvaire-paris\" target=\"_blank\" rel=\"noopener\">The work of this thirty-year-old Frenchman was highlighted in our previous issue.<\/a>&nbsp;It celebrated his singular way of transcending his Caribbean heritage in installations, sculptures, photographs and videos with a luxury of details and technical materials (plastic, carabiners, foam) forming hyper-contemporary ensembles that refer to the fields of fashion and luxury as well as to that of spirituality. His black body was already a major \u2013 and obviously symbolic \u2013 support for his production. Since then, <a href=\"https:\/\/www.reiffersartinitiatives.com\/artistes\/kenny-dunkan-artiste-reiffers-art-initiatives\/\" target=\"_blank\" rel=\"noopener\">Kenny Dunkan has become the first artist to receive a mentorship from Reiffers Art Initiatives.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/www.reiffersartinitiatives.com\/\" target=\"_blank\" rel=\"noopener\">This new Reiffers Art Initiatives<\/a>&nbsp; endowment fundis not unrelated to<\/strong><em><br \/>\n  <strong>&nbsp;Num\u00e9ro art.<\/strong><br \/>\n<\/em>&nbsp;Created by its director of publication Paul-Emmanuel Reiffers, who offered me to be its deputy director, Reiffers Art Initiatives naturally shares the values of the magazine: <a href=\"https:\/\/www.reiffersartinitiatives.com\/paul-emmanuel-reiffers-fonds-dotation-soutien-jeune-creation-art-contemporain\/\" target=\"_blank\" rel=\"noopener\">to promote the young French scene and cultural diversity<\/a>. It will now offer a young creator of this scene the opportunity to be mentored each year under the direction of an internationally renowned artist.  <a href=\"https:\/\/www.reiffersartinitiatives.com\/mentorat\/rashid-johnson-mentor-2021\/\" target=\"_blank\" rel=\"noopener\">Rashid Johnson chose to be that mentor for Kenny Dunkan in 2021<\/a>.  <em>&#8220;There&#8217;s something visceral about Kenny&#8217;s art<\/em>,&#8221;&nbsp; he told us.&nbsp;<em>It is about the body, commitment, conflict&#8230; His works create real moments of ambiguity. You never know if they are the object of a performance, or of torture, or of pleasure&#8230; In it, he expresses his own vision, which he is, authentically. It&#8217;s the mark of a true artist.&#8221;  <\/em>Kenny Dunkan explained to us that his art has always sought to<em>  &#8220;Generate&nbsp;[sa]&nbsp;your own image and not the one you&nbsp;[lui]&nbsp;have assigned&#8221;<\/em>. As a result of their exchanges and this first mentoring of Reiffers Art Initiatives,<a href=\"https:\/\/www.reiffersartinitiatives.com\/exposition\/rashid-johnson-kenny-dunkan-exposition-no-apologies\/\" target=\"_blank\" rel=\"noopener\"> a new exhibition by Kenny Dunkan opens its doors in Paris during the FIAC, at the Studio des Acacias<\/a>. Its title should surprise no one: &#8220;NO APOLOGIES&#8221;.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/shop.numero.com\/27-numero-art\"><strong>Order the Art Issue 9 here.<\/strong><\/a><\/p>\n<p>\n<a href=\"https:\/\/www.reiffersartinitiatives.com\/exposition\/rashid-johnson-kenny-dunkan-exposition-no-apologies\/\" target=\"_blank\" rel=\"noopener\">First winner of the Reiffers Art Initiatives mentorship program, Kenny Dunkan will inaugurate his solo exhibition &#8220;NO APOLOGIES&#8221; on October&nbsp;22 during FIAC 2021 at Studio des Acacias, Paris 17th.<\/a><\/p>\n\n                    <figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a36d7e61874a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a36d7e61874a\" class=\"wp-block-image size-medium-large wp-lightbox-container\">\n                    <img decoding=\"async\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/05\/kenny-dunkan-exposition-studio-acacias-reiffers-art-initiatives-numero-art.jpg\" alt=\"\" class=\"wp-image-1568\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button>\n                    <figcaption class=\"wp-element-caption\">Kenny Dunkan, &#8220;No Apologies&#8221; (2020). Courtesy Gallery The Girls of Calvary<\/figcaption>\n                    <\/figure>\n                    ","protected":false},"excerpt":{"rendered":"<p>&#8220;How can you be a gay Latin American artist of color and still be poetic?&#8221; [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/numero.com\/en\/art-design\/foreword-why-you-should-go-see-kenny-dunkans-exhibition-during-the-fiac\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Foreword: Why you should go see Kenny Dunkan&#8217;s exhibition during the FIAC<\/span><\/a><\/p>\n","protected":false},"author":13,"featured_media":14052,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[76],"tags":[1844,1780],"class_list":["post-16549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-design","tag-art-number","tag-contemporary-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Foreword: Why you should go see Kenny Dunkan&#039;s exhibition during the FIAC - Num\u00e9ro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/numero.com\/en\/art-design\/foreword-why-you-should-go-see-kenny-dunkans-exhibition-during-the-fiac\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Foreword: Why you should go see Kenny Dunkan&#039;s exhibition during the FIAC - Num\u00e9ro\" \/>\n<meta property=\"og:description\" content=\"&#8220;How can you be a gay Latin American artist of color and still be poetic?&#8221; 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