Interview with St. Vincent, the flamboyant musician who released a collection with Gant

By Violaine Schütz.

Published on 22 July 2022. Updated on 17 July 2026.

Her collaborators include Dua Lipa, Taylor Swift and Paul McCartney. She won three Grammy Awards and has often been compared to David Bowie, Prince, Kate Bush, and PJ Harvey. American music prodigy, singer, scriptwriter, filmmaker, and actress Annie Clark, aka St. Vincent, has more than one string to her bow… to her guitar too. The 43-year-old artist, who made her debut in the 2000s, can boast about her fulfilling career. She performed live with Sufjan Stevens, was a member of the psychedelic pop band Polyphonic Spree, recorded an album with Talking Heads’ leader David Byrne, and released six records as a solo artist. Her music mixes indie pop and decadent rock, with a prominent taste for experiments and cabaret atmospheres.

St. Vincent has always curated a flamboyant style – talking about platinum blonde wigs, cut-out bodysuits, lace crop tops, and futuristic mini dresses. In 2022, she unveiled one of her many talents through a capsule collection in collaboration with the sportswear brand Gant. The creative envisioned a wardrobe for the stage that anyone could wear for a wild night out, or a regular day, in a sophisticated, yet a tad debauched office day version.

Retro pink blazers, striped socks, psychedelic silk scarves… The Gant x St. Vincent collection takes us back to the folk, rock, and disco New York of the 1970s. A time of creative effervescence that completely matches Annie Clark’s baroque and fascinating persona. For that matter, her album Daddy’s Home (2021) dragged us through different emotional states. Numéro met the well-rounded artist, who writes her own songs and designs her own looks, and displays natural classiness and a good deal of madness.

Interview with St. Vincent

Numéro: I have read somewhere that you wore the Gant x Luke Edward Hall collection to promote your last album and that the creative director of the brand saw your photos. Is it how your story with Gant began?

St. Vincent: Yes, absolutely. With my stylist Avigail Collins, we were also thinking of creating a collection beforehand that would encompass the spirit and aesthetics of my 2021 record Daddy’s Home. Then, the collaboration took shape, and it has been a lot of fun to design it. Everything was very fluid.

Could you wear the pieces you designed with Gant for one of your shows?

Yes, of course. I could wear the shorts with a silk scarf and a jacket without wearing anything underneath. If it’s for my show, I would absolutely to do it. Perhaps I’d add a bra. It is hot on stage, so I’d probably open my blazer at some point… 

How would you describe this ten-piece collection, from the silk scarf with psychedelic prints to the pink shorts?

They are very comfy pieces with both a masculine and feminine aspect to them. You can mix and match them together. They draw their inspiration from the energy of New York in the 70s and from the fact that, at that time, one could only afford a blazer or a pair of pants, but not the complete matching suit. One would wear pants of a certain color with a blazer of another shade. There was some kind of stylistic impudence and humor which inspired me for my last album.

Which elements of the 70s appeal to you?

I particularly like music. That same music that would deal with the sleazy, the messy, and the greedy stuff happening in Downtown New York in the 70s. What I find interesting is the transitional period it represents. It feels similar to what we’re going through at the moment. We can draw a parallel between these two historical moments. The “Summer of Love” dream of the 60s was coming to an end, while the psychedelic fantasies of the “Peace and Love” movement was over. People tried to recreate a new world, to know what the future will look like, exactly like what we’re trying to do today.

Your album is dedicated to your father. Is he the one who introduced you to the 70s’ music and fashion?

Many of the tracks I love today were originally introduced to me by my father. He lived in the 70s, not me. The theme of my record is the transformation from a masculine character wearing large pants, the “daddy’s side”, to a more feminine character inspired by Gena Rowlands, model Lauren Hutton, and American transgender actress and Andy Warhol’s muse Candy Darling.

In 2016, you designed a guitar with Music Man, a company for which Jack White, Tom Morello from Rage Against the Machine and J Mascis from Dinosaur Jr. have played. Is it very different from designing clothes?

A part of the process remains the same. What I like with collaborations is that we eventually end up with a much more exciting result than if we’ve been working alone on the project. I appreciate the way I can bring my aesthetics and craft to the table, and how I’m able to create a team to design something that’s going to last a lifetime without getting tired of it, whether it’s a guitar or a fashion collection. I use noble, quality materials that will not degrade in your hands, and the label Gant is actually known for its timeless designs.

Like David Bowie, you create a look for each one of your albums. What is the importance of fashion in your artistic universe?

It is part of a whole storytelling. I think about every aspect of my creation. I like to keep telling the story of an album through a certain look or show in order to create an entire world. It gives me a lot of satisfaction.

Do you have any fashion icons?

To me, a lot of people dress well. Right now, I would say that I really like Isabelle Huppert for her energy, and not only for her looks. I feel like she wears whatever she wants with such freedom, elegance, and a genuine aesthetical touch.

And she doesn’t seem to pick her clothes according to what society would expect her to wear at her age…

Exactly! And by the way, what would she?

Aside from the stage and your music videos, what does a typical style look like for you?

Oh, gosh… I am a very low-profile person off-stage. I do the bare minimum and remain discreet. I don’t even wear makeup. I wear very classic pieces from my closet. When I’m not performing, I’m not that person who wants to enter a room to make heads spin and be the center of attention. A huge part of my work as a songwriter is to observe people to enrich my songs. You cannot properly see anyone if you’re constantly the one being seen.

The Gant x St. Vincent capsule collection is available on gant.com and ilovestvincent.com.